Browsing Tag

cover art

Bone Walker, Faerie Blood

Test run of color versions of the Faerie Blood cover!

YOU GUYS! YOU GUYS! Check out what lovely shiny things Kiri Moth has sent me!

This is a test run of various color schemes for the Faerie Blood cover art, both in light and dark color palettes. These aren’t final–these are Kiri playing with the color schemes and sending me samples to get my vote–but all of them are so pretty that I wanted to share with them you all!

I will be working with her on the #2 light theme as we move forward to the final color art, since I feel that one’s got the best color punch of the three of those, and I want to hold a darker color scheme for Bone Walker‘s cover. Still, though, all of them? SO SHINY. I am full of the artistic swoon.

And just remember, people, a book with the final version of this very art can be yours. If you haven’t pledged yet, come on over! Kendis wants to visit your shelves!

Bone Walker, Faerie Blood

Good gods this is going to be a book cover!

I’m getting excited over here, people, I gotta say. Because OMG OMG OMG look what Kiri Moth sent me tonight! (Those of you on the social networks, you saw this already, but here it is for LJ and DW and blog and Goodreads peeps!)

OMG a Cover!

OMG a Cover!

It’s a mockup, I know, but HOLY CRAP it’s starting to sink in for me that I’m going to have an actual, honest-to-gods, drawn-by-a-professional-artist book cover. ON MY BOOK. That I’m going to be printing and making for all of you folks out there! I can’t wait to fire up the Kickstarter. Dara and I need to make a video, the last thing I need to do before submitting the project for review. And this shiny, shiny thing from Kiri is going to figure prominently in the You Want to Support My Kickstarter, Don’t You? Video of Awesomeness. 😀

Because I mean damn. I’m swooning over this already and this is just the mockup, people! I cannot wait to see what it looks like in final full-color glory!

Faerie Blood

Internets, I give you: Kendis! Marie! Thompson!

Active negotation continues with my cover artist, ladies and gentlemen, and she just offered for my pleasure and delight these rough sketches of my girl Kendis, fiddle in hand!

Kendis Sketch #1

Kendis Sketch #1

Kendis Sketch #2

Kendis Sketch #2

We’re going to be going with something more like sketch #2 as Kiri, userinfosolarbird, and I proceed with the cover design, since it seems a bit more dynamic and better suited to Kendis as a character. And. Oh. My. God. I cannot wait to see a full color treatment of this!

I invite you all, O Internets, to imagine a more detailed version of this, in color, with Kendis’ golden eyes alight. And imagine what this same artist is also going to do with Elessir and Christopher. Now be thinking about that, because this, oh my yes, is going to be part of what that Kickstarter on the way is ALL ABOUT. You all can help me make this happen. And it is going to ROCK.

Internet, I am EXCITE!

ETA: And, having just posted the cover art, I have been immediately asked: does Kendis play her fiddle right handed or left handed? Faerie Blood never said whether Kendis is right handed or left handed, so it’s fair to assume she’s right handed. Therefore, fiddlers out there who haven’t already seen me post this to Facebook or G+, my question for you: she should be holding the bow in her right hand when she plays, yes? Because the fiddle will be resting on her left shoulder? This will of course impact the final art since Kendis needs to be holding the instrument correctly!

ETA #2: Just for everybody’s reference, while I tend to use the words ‘fiddle’ and ‘violin’ interchangeably in casual speech, I have been advised that there IS a difference between ‘bluegrass fiddle’ and ‘classically trained violin’. So Kendis, who learned to play in her school orchestra, should clearly be considering herself a ‘violin player’. Doublechecking Faerie Blood, I see that I used the word ‘fiddle’ twice; once was in a bit of dialogue of Christopher’s, so that can stand, but the other was Kendis in the narrative. So I’ll need to fix that in the second edition release.

I’m also being told that EVERYBODY pretty much learns with the instrument on the left shoulder. I’ll make sure this is appropriately reflected in the final art.

And I’m also being advised that the difference between ‘fiddle’ and ‘violin’ matters for how the bow is held as well, so I’ll make sure Kendis is holding the bow correctly as well.

Thanks to all who’ve advised me on this! 🙂

Bone Walker, Faerie Blood

New cover art for Faerie Blood on the way!

I’ve already noted this on my various social networks, but to note it again here in greater detail: I’m pleased to share with you all that I’m in talks with artist Kiri Moth to do new cover art not for Faerie Blood, but for Bone Walker and Book 3 as well! I very much like her light, airy style, and cannot wait to see what she does with Kendis. Big, big props to userinfotiggymalvern for recommending her!

We’re at the stage of Kiri doing some preliminary sketches, and when she has some to share with me, I’ll see about posting one so y’all can get an idea of what the future cover for Faerie Blood is going to look like. Stand by for the shiny, all!

Bone Walker, Faerie Blood

Plan of action for Faerie Blood, second edition

For those of you who may be wondering what the status is on my plans for Faerie Blood and Bone Walker, there are a few new developments I’d like to share!

First and foremost, I’ve been doing a bit of judicious Googling and also asking around to get a sense of whether I should use one of the services available to deploy a new version of Faerie Blood out into the wild, or whether I can save myself some money and just do it myself. The answer to this question appears to be the latter. I had a lovely little email exchange with romance novelist Courtney Milan, who kindly advised me on how she got her recent self-pubbed Unraveled out: i.e., she deployed directly to Amazon, B&N, and Apple herself, and used Smashwords to hit a couple other services like Kobo and Sony. Moving forward, I’m going to be looking with more depth into how to do these things.

Secondly, I also asked Ms. Milan if she had preferred software for creating her ebook editions. She pointed me at this excellent guide by Guido Henkel about how to do ebook formatting, with a focus on epub and mobi versions. Boil it down to its essentials, and what you get is “do a bit of tweaking to your original manuscript file, throw in some HTML and CSS, and then fling it through Calibre”. As y’all know, I’m a professional techie. HTML and CSS? Not a problem. So yeah, I can totally do this formatting myself.

(Mad, mad props both to Ms. Milan and to Mr. Henkel, by the way. If you’re a romance reader you should totally go read Ms. Milan’s Turner series, the first two books of which I have reviewed here and here! And if you’re not already familiar with the ebook creation process and you want to be, you should go read Mr. Henkel’s guide and thank him for his work!)

Third, in commencing the tweaking of Faerie Blood‘s previously released RTF file, I’m finding some things that need tweaking. After several hard rounds of editing on Lament of the Dove, my older tendency towards ellipses, which is still present in Faerie Blood, is standing out hard. So I’m going to clean those up.

Also, since this book was originally written in 2003, its ‘present day’ setting is in fact 2003, and that now reads a bit weird to 2012 eyes–especially in regards to things like my mentions of older-style cell phones and passing references to pay phones as well. I’m going to tweak these things a bit since it won’t impact the story any, just incidental details to give a better ‘present day’ feel to any new readers who may pick me up. I am aware that this will require me to adjust my perceptions on ages and timing of certain things that took place before this novel; that’s okay. None of those things are actually in released work yet, so they’re still flexible!

And! I was sad to have realized that the first edition of Faerie Blood didn’t have a proper dedication or a proper acknowledgements section. I will be correcting both of these problems, along with an Author’s Note that will mention the changes I’m describing here.

Fourth, I will definitely be pursuing working with Third Place Books (and possibly also the University Bookstore) to engage their espresso book machine to generate any print copies of Faerie Blood–about which I am more excited now that I’ve learned that these machines are not restricted to trade paperback size. So step one here is going to be to get userinfosolarbird to do a proper print layout for a PDF version, and step two will be arranging to hand that off to be printed.

Fifth, I am investigating a particular artist recommended to me by userinfotiggymalvern, and have had a hopeful initial email exchange with her, including sending her a review copy of Faerie Blood‘s Drollerie edition to see if she wants to commit to doing new cover art for me. More on this as it happens!

Last but not least, please note that all of these plans do not preclude proceeding with a Kickstarter for Bone Walker! Before I move forward with that, though, I’d really like to nail down a cover artist, since it will be important to me to have professional-looking art that can give all three books of this projected trilogy a unifying style. More on this as it happens, too!

Bone Walker

Status update re: plans for Bone Walker, and also, questions!

Wanted to do another post to let you guys know what I’m up to in regards to getting Faerie Blood repubbed, and getting Bone Walker finished up and ready to go out in its wake.

First and foremost–still trying to find out whether the cover artist I’m looking at can do a commission for me for art for Faerie Blood and Bone Walker both. In the event that that doesn’t work out, though, does anyone out there have recommendations for artists you like that might suit? I would prefer people who do drawn or painted art vs. photo manipulation, but I’m willing to consider people with decent photo manipulation skills as well.

Link me up with your recs, people! Bonus points if the people in question have previous experience doing cover art and a prior history of commissions.

Secondly–I’m still planning the Kickstarter idea but I am also strongly considering BookBaby. BookBaby is a sister brand to CD Baby, and from what I’m seeing, they could potentially provide not only the ability to deploy ebooks to all the major ebook vendor sites, but ALSO printed copies. Most importantly, they claim they give 100 percent of sales back to the author. Now, since these are the same people that do CD Baby and I know of several musicians (including my very own beloved spouse) who are happy with that, I’m inclined to look on BookBaby favorably. But does anyone out there have any direct experience with using them, or know people who do? Let me know!

Right now my highest priority is finishing the last round of edits on Lament of the Dove so that I can fling that back at Carina Press, finally. I’m hoping to get that done by February 25th so that I can have it off my queue before Dara and I run off to Canada for a grand four-day weekend of awesomeness! After that, my next priority will be spending as much of March as possible finishing Bone Walker so that I can then get it edited.

More as I know it!