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Angela Korra'ti

Publishing

Regarding Clean Reader

Every Damn Day

Every Damn Day

Spotted on Dear Author’s news post for today: the latest tempest-in-a-thimble publishing brouhaha, this time pertaining to an app called Clean Reader. The purpose of this app is apparently to provide an adjustable profanity filter on ebooks.

Dear Author points off to Digital Reader’s post on the matter, and Digital Reader in turn has links off to assorted authors’ commentary, notably Chuck Wendig’s, which I link to because his rant IS a thing of glory.

As for me, thinking about this, I’m rather of two minds about it. On the one hand, with my reader hat on, I’m firmly in the camp that if I buy an ebook, that book should be bloody well mine, and I should be able to do what I like with it. Whether that be keep backup copies in my personal library, put it on the device of my choice, or hack into the thing to fix typos that irritate the hell out of me. Or, if I’m so inclined, edit out profanity.

(Not that I would edit out the profanity–because if you’ve followed me here for more than five minutes, you know I will swear with impunity in my posts. Likewise, if it’s appropriate to their states of mind at any given point in a story, my characters will also swear. Given my comfort with that, I’m hardly going to edit profanity out of a book I’m reading, much less one that I’m writing.)

Given this, I have a hard time mustering any damns for any readers who might decide, “well hey Anna, I like your book and all, but that one bit where Kendis says ‘fuck’? That bothers me so I’m going to take it out.” If I got paid for the book, and as long as that reader only does that to their local copy on their own device or computer, fabulous.

But. With my author hat on, I have to say, I totally see where Wendig and other authors are coming from on this. From what I’m seeing reading up on the matter, it sounds like that at least at one point, there were signs that the ebookstore associated with this site might have been selling profanity-filtered copies of ebooks? (I use the ? there because on the various posts I’ve read, whether or not that actually happened or is still going on is unclear to me.) I do have a problem with somebody trying to sell a profanity-filtered copy of my book. Because as Mr. Wendig says, if you’re trying to get a cut of sales off of my book, and you’re getting in there and altering the language and you are neither my publisher nor my editor, that warrants a big fat fuck you, no.

Moreover, it appears that this profanity filter functionality is weaksauce, regardless–replacing words it deems offensive with words it thinks are acceptable substitutes, often with pathetic results. This, I feel, is even worse than just bleeping out “offensive” words on TV, or the old practice of replacing said words in prose with lines instead (e.g., “G– d—“, or “b—–“, or what have you).

People swear. It’s part of life, and it’s certainly part of language. In fact, well-crafted profanity is its own art form, in English as well as in Quebecois French. To this day, I still giggle over SB Candy’s “HOLY FUCKING SHITDAMNNING CRAPMONKEYS IN A FUCKBARREL”, preserved here for posterity. Partly because part of me is twelve years old and has just got to giggle over yelling “CRAPMONKEYS!” But also because there’s unmitigated glory in that one shining sentence.

People also have sex. And authors write about it. And look–if there are words you don’t like, for whatever reason, it’s your right and privilege to avoid consuming content that contains those words. But maybe, just maybe, you might want to doublecheck your reading choices before you find yourself compelled to edit what you find offensive out of other people’s work.

Quebecois Music

Album review: Têtu, by Le Vent du Nord

Têtu

Têtu

There are certain phrases that hold massive magical power with me, people. “Great Big Sea is coming to town”, for one. “Let’s go out for sushi”, for another. “I just read and loved your latest book,” that one’s a contender. My favorite over the last couple of years, though, is hands down “a new album by Le Vent du Nord”. Têtu is album number eight for mes gars, and the sixth one with the lineup of Nicolas Boulerice, Olivier Demers, Simon Beaudry, and Réjean Brunet (counting four studio albums, the live album Mesdames et messieurs, and my beloved Symphonique)!

You may take it as read at this point that yeah, I’m going to adore anything these boys do. That goes without saying, since I’ve spent a whole lot of energy here on my blog and on social media not being able to shut up about them. But when they drop a new album, I get to actually back up my fangirling with evidence. I get to talk about not only adoring the music of this band, but why I adore it, too. And despite this post I made earlier today, I do not really have the French vocabulary yet to talk properly about this album. So I’m going to do it in English.

Overall picoreview first! This is the longest Le Vent album yet, with a total of 15 tracks, and there’s a whole lot to love with each one. After all the time these boys have spent playing together, they’ve pretty much got this down to an art and a science, and it shows here. Têtu is a tight, expert production, one in which the joy of the music shines through on every note. If you’re a fan of this band, you’re going to relish this album. If you’re not a fan yet, I submit for consideration that this would be an excellent album to use as your first introduction to them. Instrumentally and vocally, les gars are at the top of their game. And there are particularly high quantities of Simon Beaudry singing lead on things, and that’s always a good thing.

And now, track by track commentary behind the fold!

Continue Reading

Quebecois Music

Pour mes amis du Quebec!

(I just posted this to Facebook, where most of the Francophones I know are most likely to read me. But because I am a completist, and because I want to save this for later, I’m posting it here too!)

Aujourd’hui je veux pratiquer mon français! Attendez! Ce sera longue. 😉

Vous pouvez demander, mes amis d’Internet, pourquoi une femme américaine et anglophone, aime tellement la musique traditionnelle du Québec. J’écris beaucoup sur ça déjà en anglais, mais ça, c’est facile. Aujourd’hui je veux écrire sur ça en français!

La première chose: je pense qu’il est bon d’apprendre d’autres cultures. Les Américains, nous ne faisons pas souvent ça comme nous devrions. Les gens du Québec sont nos voisins, et ils partagent l’Amérique du Nord avec nous. C’est bon à connaître vos voisins. Et la musique et la langue sont deux voies merveilleuses à le faire.

En particulier, il a été mon honneur et mon plaisir à rencontrer plusieurs musiciens québécois. Ceci me donne les visages, les noms, et les gens vivants. Cela rend réel. Et je pense, ces gens, ils sont gens splendides. Je veux respecter et apprécier eux.

(Et c’est un signe de mon respect que je m’excuse à Olo et André et Éric quand mon français et poche. 😉 Je ne peux pas m’exprimer en français parlé, pas encore. Je dois travailler de m’exprimer en français écrit. J’apprends encore!)

La deuxième chose: je suis un écrivain. J’aime des mots. J’aime des langues. Et une nouvelle langue entière–c’est un nouveaux voie de voir le monde. Il y a magique dans ça. Magique pour un lecteur comme moi-même, de voir le monde. Et pour un écrivain, de parler du monde.

Seriéusement, savez-vous comment mon cerveau s’éclaire quand je pense de tous les livres de SF québécois que je n’ai pas lu encore? Toutes les histoires que je pourrais dire si je maîtrise la langue? 😀

Et la troisième chose, et véritablement, la chose plus importante–la musique? C’est magnifique. Elle parle à mon cœur. Elle parle à mes pieds et les incite à danser. Elle parle à mes mains et les incite à jouer les tounes. Et elle parle à ma voix et l’incite à chanter.

Pour ça, j’aime tellement la musique traditionnelle du Québéc. Oui, je suis américaine–mais pour cette musique, un part de moi devient française.

Merci pour ça, les gars. <3

Boosting the Signal

Boosting the Signal: The Void, by Timothy S. Johnston

Straight-up SF is a rarity in the Carina Press catalogue, and so I’m pleased to give some signal boosting help to Timothy S. Johnston, who’s been writing the SF thriller miniseries The Tanner Sequence. Book Three of this, The Void, releases on March 30th. And his protagonist, homicide investigator Kyle Tanner, has a very clear and very urgent goal: escape.

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The Void

The Void

Lt. Kyle Tanner, Homicide Section, Security Division, CCF
2403 AD

They say in our society that if you just follow the rules and shut up, everything will be fine.

No one gets hurt.

No one dies.

No one’s hauled away for days of torture, the worst part of which is watching your own family slaughtered.

Just shut up and obey.

It’s easier said than done.

You see, when abuse of power is going on all around you every single day, it can get to you. You start to fantasize about what you could do. How you could hurt them. How you could make them pay for the things they’ve done. But most important, you start to plan. What would it take to get away from them? To just … run?

The military rules the human race now. They control every aspect of our society. From art to commerce to travel. It’s the most restrictive time in the history of humanity.

The fact that I’m a lieutenant in the military doesn’t exactly make it easy for me. I try to tell myself that at least I’m doing some good. At least I’m helping people, helping families.

But they don’t really seem to care either. It’s understandable. After all, they’re in survival mode too. They just don’t want to get noticed for saying or thinking the wrong things. That would be bad.

I’m a homicide investigator. I try to set things right, to give families closure. It’s how I get some peace of mind in this life. But when civilians see me coming, wearing the jet-black uniform of the Confederate Combined Forces, it wrenches at their guts. They don’t see a savior.

They see a killer.

I want to run. I want to get out of this crazy society.

The fact that I’m an officer will help, along with the fact that on this final mission I have a way out.

“Transport this serial killer to Alpha Centauri,” my Commanding Officer had ordered me. “Take this ship — it’s a two week trip each way.”

Now they’ve given me a way to escape. My lover Shaheen wants to run too. She wants to get on that jumpship with me and just cruise into the dark loneliness of deep space. Disappear together.

But if I decide to run, I know they’ll follow.

They’ll hunt me down until I’m dead.

But I have to try.

I can’t handle this life anymore.

But I can hear them screaming in my head right now.

Run, Tanner. Run.

We’ll be right behind you.

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Books

Book review: In the Black, by Sheryl Nantus

In the Black (Tales from the Edge, #1)

In the Black by Sheryl Nantus

My rating: 4 of 5 stars

(Disclaimer before I begin: Sheryl and I are both Carina Press authors, and she has been featured on my site’s Boosting the Signal column, promoting this very book! This book was not, however, received as part of that column promotion, and I’m reviewing it on my own recognizance.)

Sheryl Nantus’ Tales from the Edge series was pitched to me as heavily influenced by Firefly–and anything that invokes Firefly is a surefire way to get my attention. My Browncoat inclinations certainly see that influence right in the very title, since “the Black” is common parlance for space in that universe, and there’s also a Marian Call song of this title! (Which you should listen to. But I digress!) Certainly the scenario is Firefly-like, with the action being set aboard the Bonnie Belle, a so-called Mercy ship whose task it is to bring a crew of courtesans to a mining outpost so the miners there can have some hard-earned time with them. And if you know Firefly at all, you’ll also recognize the Guild that runs the Mercy ships as being reminiscent of the Companions, including giving the courtesans power to blacklist problem clients.

Nor did the book disappoint once it reeled me in. This is more or less SFR, but with rather less R than I expected. The primary plot is in fact a murder mystery, which erupts once the Belle docks at the mining outpost and one of the courtesans is discovered killed in her quarters. This gives the reader a rather tasty helping of intrigue as well, since there’s bucketloads of drama as to how both the Guild and the mining outpost will handle the ensuing investigation. Our two lead characters, Captain Sam Keller and Marshal Daniel LeClair, are not terribly complicated characters. But they’re likable and have good strong chemistry together, both from a romantic standpoint and from the standpoint of working together to investigate the murder.

I should also mention that while the worldbuilding was a bit light, just enough to give you the scenario with the Mercy ships and with military trauma in our heroine’s background, it was not non-existent. There’s a nice scene between Sam and Daniel when he’s telling her something of his own history, and he mentions growing up on Titan and swimming with other young people in a lake. Details were not heavily sketched in in this scene, but the simple fact that this was on Titan does raise rather interesting questions as to when Titan was terraformed in this particular universe.

And while there is indeed a romance between our two leads, it surprised me that there was actually no on-camera sex to be found–especially given that most of the action is taking place on board a Mercy ship. This is actually absolutely fine by me, because that’s actually exactly how I like to see a romance handled. So mad props to Nantus for that, because she certainly revs the imagination with what Sam and Daniel get up to off-camera. For me as a reader, leaving those shenanigans to the imagination actually makes them more fun.

I liked the supporting cast as well, though it was inevitable that I kept imagining the Belle‘s female engineer played by Jewel Staite and the ship’s medic played by Sean Maher. I also kept imagining the ship’s AI as voiced by Morena Baccarin and the senior courtesan in the crew as played by Gina Torres. Because what can I say? Browncoat.

And needless to say, I’ll be reading Book 2 in this series very soon, since the aforementioned medic does in fact star in that installment. For this one, four stars.

View all my reviews

Victory of the Hawk

Victory of the Hawk is IMMINENT and people are even reviewing it!

Just a couple more weeks to go until Victory of the Hawk comes out, which is exciting!

Particularly when I stumble across early reviews like THIS ONE at Library Journal–wherein I’m reviewed in passing with a few other titles!

I particularly like this quote:

Somehow, Highland is able to introduce numerous characters and story lines and connect them seamlessly. Readers will be pleased at how the author ties up these plots and ends the trilogy.

The reviewer points out quite correctly that I do not have much overt romance resolution in this book–although there is some. But there’s not much by romance reader standards, to which I note again that I am not actually writing a romance here, so that’s all to the good. And yeah, I’ll totally take this entire review as a lovely treasure!

I’ve updated the Victory of the Hawk page with this review’s link, as well as adding in several more links to where you can buy the book. It still hasn’t shown up on Carina’s actual site, but the instant it’s up there, I WILL be letting you all know!

(I note in particular for any of my readers in Quebec that Archambault does have the Rebels of Adalonia books for digital sale on their site, too. And I’m pretty tickled to see surrounding graphics promoting The Hobbit: The Battle of Five Armies on the page for Victory right now. I consider this delicious genre synchronicity and will take any excuse to have my work in the company of Tolkien that I can get. >:D )

Bone Walker, Faerie Blood, Valor of the Healer

Meanwhile, for those of you on Scribd or Oyster

Smashwords deploys to both Scribd and Oyster, so if you subscribe to either of those services, you can find the Free Court of Seattle books there! Here are the links, which will be added to the books’ pages:

Faerie Blood:

Scribd | Oyster

Bone Walker:

Scribd | Oyster

On a related note, Harlequin has begun experimenting with putting material on Scribd as well. So if you’re a subscriber there you can ALSO read Valor of the Healer! The link for that is here and will be added to Valor‘s page as well.

Scribd does not yet have Vengeance of the Hunter, but they might pick it up if Valor shows some activity. So if you or any of your friends use the service, consider sharing the link around, mmkay? I will get paid for reads of the books on these services!