Angela Korra'ti

My rating: 5 of 5 stars

You really need to point at Book 6 of the Amelia Peabodies, The Last Camel Died at Noon, as one of the pivotal books of the series–because it’s here that arguably the most important character in the entire cast (aside from, of course, the Emersons themselves) is introduced. The Last Camel Died at Noon is the book that introduces Nefret, and it’s the tale of how the Emersons discover and rescue her from a lost civilization deep in the Sudan.

It’s this book as well where Peters starts throwing around references to H. Rider Haggard, and in particular, King Solomon’s Mines. Amelia harks back a lot to Haggard’s writing as she tells the reader all about what proves to be one of the Emersons’ most exotic adventures ever. Word comes to them that the explorer Willoughby Forth, long presumed to have been lost in the desert along with his young wife, may not actually have died–and that, moreover, the lost oasis they were seeking might actually exist. The Emersons are begged by Forth’s father and cousin to go in search of proof of his eventual fate; the Emersons being who they are, they agree. But the journey is deeply perilous, and after the deaths of their camels, abandonment by their men, and the threat of illness and thirst and heatstroke, they are rescued by the people of the very civilization Forth had set out to locate.

What happens when they get there–and how Nefret comes into it–I won’t say because that’d be hugely spoilerrific. Suffice to say that there is political and social intrigue, treachery from several quarters, and Amelia getting the biggest shock of her life when Ramses encounters someone who can actually make him shut up. Five stars.

My rating: 5 of 5 stars

In a series that’s famous for being primarily set in Egypt, The Deeds of the Disturber, Book 5 of the Amelia Peabodies, is quite distinctive in that it’s set in England during the off-season, when the Emerson family is between digs. It also has the good fortune of being my very favorite book involving Ramses as a child. Sure, that boy’s formidable even in Books 3 and 4, but here, put up against the odious Percy and Violet, the children of Amelia’s brother James, Ramses gets his first real stretch of character development.

You’d think that the Emersons being at home means they’d get a break from their detectival adventures, but you’d be wrong. There’s a new exhibit with a mummy at the British Museum, and of course there are Mysterious Persons showing up in ancient Egyptian garb causing disturbances at the exhibit. Worse yet, people have started to die at the museum, and rumors are beginning to fly about a curse. Cue the Emersons, even though Emerson himself is frantically trying to finish a manuscript. And even though Amelia has to juggle managing not only her husband and son, but also her niece and nephew, who have been unceremoniously thrust upon her by her brother. The redoubtable Amelia is hopeful that exposure to other children, “normal” children, might be good for Ramses–but it should surprise no reader of the series that things go very, very badly. Fights break out, accusations are hurled, and as is so often the case with young Master Ramses, things wind up on fire.

The Young Lovers Du Jour are a refreshing change of pace–none other than Kevin O’Connell, the Emersons’ simultaneously most liked and most hated reporter, and his rival, Miss Minton, who’ll stop at nothing to scoop him on the story of the curse at the museum. And it’s fun to see characters here that we don’t normally get to see in an Amelia Peabody novel, such as the Emersons’ England-based servants, all of whom take an inordinate amount of interest in the family affairs (Gargery, the butler, is Awesome). Emerson gets his obligatory Scenes of Being Heroically Wounded, not once but twice even, and there is even a mysterious woman from his past cropping up and giving Amelia cause for Grave Concern. Coming as we are off of Book 4, this is fun tension, given that the tables are now turned and Amelia has to have her own battles with doubt.

But really, read this for the excellent Ramses mileage! And keep an eye on that kid Percy, because we will be seeing him again! Five stars.

My rating: 4 of 5 stars

If you pick and choose only a selection of the Amelia Peabody books to read, one of your choices must indisputably be Lion in the Valley, book 4 of the series. This introduces one of the most critical recurring characters to show up all throughout the books: as Amelia herself likes to call him, that genius of crime, the Master Criminal, Sethos.

Thanks to events of the previous book, The Mummy Case, Emerson has secured permission to dig at the Black Pyramid in Dahshur. But as is always the case with the Emersons, their efforts are soon enough interrupted. Someone attempts to kidnap Ramses–and the man who helps rescue him proves to be an opium-addicted Englishman. Moreover, there’s a young woman on the run from an accusation of murder, and anyone who’s read any other book of the series should be able to quickly guess that there’s backstory with these two side characters, too.

But really, the main interest of this installment is Sethos, particularly when his romantic interest in Amelia comes to light. Look for the big ending, when the Master Criminal gets his shot at his main goal. Which is to say, Amelia herself. This’ll set up a lot of lovely interaction for later installments, as well as occasional fun tension between Amelia and Emerson. Also, Sethos himself is a fabulous anti-hero, sure to appeal to any fan of rakish thieves and gentleman rogues. Four stars.