Browsing Tag

the lord of the rings


Things I may eventually write in my copious free time

As y’all know, I am partial to the whole Tauriel/Kili romance in the Hobbit movies, and I have this idea for a short piece in my head wherein Tauriel must go to Dís and bring her news of the deaths of both her sons and her brother. I’m seeing this as perhaps Tauriel’s last act before she bails for Valinor—or perhaps thinks she’s about to bail for Valinor. I can totally see her and Dís teaming up together to roam Middle-Earth for a while in shared grief and companionship. It could even be a parallel to Legolas and Gimli, later. And mostly I just have an urge to write about female dwarves.

But while I’m on the topic of Middle-Earth fanfic, Dara and I got into discussing a potential AU last night after I finished rewatching the first half of The Two Towers. I was struck anew by the scene in which Sméagol banishes his darker Gollum-self—and how for a very short time, he’s just so happy. “Sméagol is free!”

And then of course it goes back to hell after Faramir’s men are so harsh to him. Gollum becomes the dominant personality once more. But Dara and I wondered: what if that hadn’t happened? How would the scene at Mount Doom played out differently?

I can see Frodo maybe beating down poor Sam just before he proclaims, “The Ring is mine!”—but then, Dara and I decided, Sméagol would put a hand on his shoulder to stop him.

And he says, “I know. Let the Precious burn.”

I. Not we. Because now that I have finished my reread of the books, I am reminded that Tolkien did indeed use pronouns as a marker of Sméagol’s mental state. And in this version of the story, he would have become more stable than he’d been in centuries.

The Eagles would have had three small travelers to rescue, not two.

Dara and I think that perhaps Sméagol could not have handled going back to the Shire, and that perhaps Gandalf would have taken him into his care—properly this time, not as a prisoner. And as he is finally free of the Ring, I see Sméagol learning to welcome the touch of sunlight once more. Remembering the taste of fresh bread. Maybe even being able to touch things made by the elves without pain.

But Sméagol, much, much older than Bilbo, would quickly start to age and draw near to his death. And he would have been on that final boat to Valinor, ancient, wizened, and so fragile that he might not even have been able to walk. Perhaps Gandalf would have carried him.

Yet he would have been granted a place on that boat. And a place in Valinor. Because at the end of the day, he too was a Ringbearer. And he paid his penance for the slaying of Déagol, for all the many long, dark years that he kept the Ring under the Misty Mountains.

As the Fourth Age began and the War of the Ring passed into the legends of Men, Sméagol’s name would have been spoken alongside that of Frodo Baggins and Samwise Gamgee. He would have been hailed as a hero for having kept the Ring from Sauron—secret and safe, for five hundred years, even though it nearly destroyed his mind.

Don’t get me wrong; I would not trade a single word of the narrative as actually written.

But this makes for one hell of an AU. Sméagol. Sing his name, sons and daughters of the free peoples of Middle-Earth. Remember him with honor.

Bilingual Lord of the Rings Reread

LotR Reread: The Fellowship of the Ring: Chapter 2: The Shadow of the Past

The earliest chapters of Fellowship of the Ring are a stretch of the book that diverge the most from the movie. I remember to this day being surprised by the movie version of the tale, and how quickly it has Frodo setting off at Gandalf’s urging; there’s very little sense in the movie of time passing. In the book, though, Frodo does not in fact set out on the great quest for several years.

It’s an interesting pacing decision, and yet another example of things that I don’t think a lot of modern authors could get away with. Many years are covered in Chapter 2, “The Shadow of the Past”, years in which everyone in the Shire has plenty of time to gossip about Bilbo’s disappearance and to form opinions on what it means for Frodo as well. Frodo, too, has time to develop his own reputation for oddity. After Chapter 1’s description of how Bilbo looked amazingly well preserved for a hobbit of eleventy-one, it leaps right out to the reader’s eye that Frodo, too, shows no apparent sign of aging. I can only imagine the Ring going .oO (La la la), biding its time, since we see in this chapter that Frodo has in fact been carrying it around.

We get another community gossip scene, this time led by Sam Gamgee, and giving him fuel to go pay rather closer attention to what’s going on with Mr. Frodo. Pertinent as well that that scene takes place at the Green Dragon!

Most of this chapter, though, is given over to Gandalf’s eventual return to the Shire and his cluing in Frodo about what exactly that shiny golden bauble in his pocket is. And it’s a bit of a weird reading experience, given how heavily the movies are imprinted into my brain now–because every time I read a bit of dialogue that made it into the movie version of Fellowship, the character voices in kick in. But it’s not complete, because the movie script did trim things down considerably. So it’s like I’ve got the movie stopping and starting again in my brain as I read.

Moreover, bits of it keep skipping forward in the movie script. There are things here that actually crop up later in the movies, including the account of how Gollum got the Ring–which we don’t see in the movies until the flashback scene at the beginning of Return of the King. That’s one of the editing decisions on the movie I agree with, on the grounds that it does admittedly strike me as a little weird that Gandalf managed to wring the story out of Gollum in such detail. And it’s more effective to me to see it actually play out in action as opposed to hearing about it after the fact, as one character tells the story to another.

One other bit I recognized as occurring later in the movies is this exchange between Gandalf and Frodo:

“I wish it need not have happened in my time,” said Frodo.

“So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”

Also this quote of Gandalf’s:

“Behind that there was something else at work, beyond any design of the Ring-maker. I can put it no plainer than by saying that Bilbo was meant to find the Ring, and not by its maker. In which case you also were meant to have it. And that may be an encouraging thought.”

And this exchange as well, re: why Bilbo didn’t kill Gollum:

“What a pity that Bilbo did not stab that vile creature, when he had a chance!”

“Pity? It was Pity that stayed his hand.”

Which just goes to tell me that when the scripts were written by the Lord of the Rings movie team, they recognized so much of the value of Tolkien’s actual dialogue and were prepared to use gems like these elsewhere even as they edited scenes. Editor Anna appreciates the craft of the decisions they had to make there!

When Frodo finally comes to his decision about heading out with the Ring, I must say that I also approve of how the movie tweaked that, too: having Frodo simply say “What must I do?” It focuses his resolve in a way that’s more appropriate to the tighter, more urgent portrayal of the situation in the movie.

And, of course, we have Sam revealing himself as he’s listening in from outside, and Gandalf drafting him for the quest. There’s more of an exchange here too than there is in the film, and a bit more emphasis on Sam wanting to go see elves.

All in all this whole chapter is an exercise in my having an increased appreciation for the editing decisions that went into writing the scripts for the movies–and how aspects of Tolkien’s writing that modern authors would not IMHO get away with got tightened up to better suit the tastes of a modern movie-viewing audience. Still great fun to go back and revisit Tolkien’s original version of these events, though. Particularly the revelation of the writing in the fire!

Next post: Frodo finally gets his hobbit butt in gear and sets out. There are Black Riders! And Elves!

Bilingual Lord of the Rings Reread

LotR Reread: The Fellowship of the Ring: Chapter 1: A Long-Expected Party

It is a testament to the power of Peter Jackson’s movies that, when I dig into the very first chapter of The Fellowship of the Ring, I cannot help but imagine how it played out in the movie. The music kicks in in my head, and of course, there are the beautiful visuals involved with Gandalf’s fireworks. Although the movie didn’t lay everything out exactly as the book did–and, see my previous post for why I don’t consider that a problem–it’s still very close to it in spirit.

Because yeah. After the Prologue reminds us of what went down in The Hobbit, this chapter also blatantly ties into those events. The very title of the chapter is a callback. And the first few paragraphs tell us about the reputation Bilbo’s had in the Shire ever since his adventure. Right out of the gate, though, we get something that the movie had not really called out: i.e., that the grand party Bilbo’s throwing is in fact a celebration of his birthday and Frodo’s. Bilbo is turning 111, but Frodo is turning 33, the year a hobbit is considered to come of age.

(And that little tidbit, combined with how Frodo doesn’t actually set out on his adventure until he’s pushing fifty, has contributed to why I’ve never really fretted much about heading into my forties and closing in on fifty myself. By hobbit standards, I’m barely adult! Never mind elf standards!)

It’s kind of hysterical, too, that hobbits call the twenties tweens, since that term means something different to a modern eye: i.e., a pre-teen. But then, it’s kind of the same idea, since the hobbits are still giving the word the connotation of “this is somebody too young and irresponsible to be a grownup”.

It’s fun to see the Gaffer on camera, since we don’t get to see him in the movies, and the conversation he has with other hobbits is a nice way to cover the community gossip about the Bagginses, as well as a bit of Frodo’s backstory (the drowning of his parents) and the ill repute of the Sackville-Bagginses. And I do have to giggle at the miller’s assertion that, quote, “Bag End’s a queer place, and its folk are queerer,” unquote.

(Insert obligatory mental picture of a rainbow flag flying over Bilbo’s door here.)

Something else we don’t see in the movies: a note that the dwarves visit Bilbo. In fact, it’s called out in this chapter that dwarves are in fact on hand for the party, even though they do not actually appear in any of the action! And since I have just recently re-watched the tail end of The Battle of the Five Armies, including Bilbo’s sentimental farewell to the surviving dwarves, I cannot help but wonder which dwarves were the ones that visited him here.

I’m sure Bombur would have been VERY apparent indulging in the party supplies, and I like to think that Bofur would have leapt up to sing and play something for the party attendees. We know from the actual book version of The Hobbit, as well, that many of the dwarves did in fact play instruments. I’m a little sad that Tolkien didn’t think to at least include them more obviously in the merrymaking and music-making here!

Doublechecking the Third Age timeline, it’s at least certain that Balin would not have been among the visiting dwarves–he died in Moria before this party was held. Sniff. But I can totally imagine Balin sharing a companionable table with Bilbo. Is there fan art of that? There should be fan art of that.

I also like that among the party presents being handed out, there’s description of wonderful toys that came from the Lonely Mountain and from Dale, toys that are specifically of dwarf-make. Another reason I’m a little sad that the dwarves don’t actually get to participate more obviously in the action! And according to Bofur’s page on the LotR wiki, he was in fact a toymaker. One therefore presumes a lot of the toys being handed out were his work!

Tolkien’s description of the fireworks is magic all on its own, even if I do rather miss the mischief from movie!Pippin and movie!Merry, stealing fireworks to launch themselves.

It’s interesting to me that Bilbo’s speech is given in italics rather than in quoted dialogue lines. I didn’t remember this, and I’m wondering if it was because Tolkien intended to have the speech be more from the point of view of the party attendees in general, rather than Bilbo himself.

And in the middle of the speech, we get more references to shinies from Dale: the crackers that contain musical instruments, “small, but of perfect make and enchanting tones.” I must wonder how small! Pretty tiny, if they were in crackers meant to be pulled apart, and yet they couldn’t have been too tiny, if hobbit-sized hands were still able to get music out of them.

Gandalf is shown here to be in active collusion with Bilbo, another thing that wasn’t quite as apparent in the movie–since here, Gandalf throws in a bit of a magical “boom” to obscure Bilbo disappearing before their eyes. Which leads nicely into Bilbo’s conversation with Gandalf, which is of course one of my other favorite things about the very beginning of this story. “Two eyes, as often as I can spare them,” indeed. Yep, I won’t ever be able to read a word of Gandalf’s without hearing Sir Ian in my head, and this is entirely as it should be. <3

I do love Bilbo’s parting gifts for a lot of different hobbits, and the snarky subtext on the labels. Which I am totally reading in Martin Freeman’s voice, which is also entirely as it should be. And we see yet more of the Sackville-Bagginses, being generally odious, as well as a passle of other hobbits that need to be bodily thrown out of Bag-End after the party is over.

And, of course, we get Gandalf’s final word of warning to Frodo about the Ring–less urgent than it plays out in the film, but still, enough here to leave a frisson of worry. Something’s off about that ring, and Gandalf urges our little hero to keep it secret, and keep it safe.

Raise your hand if you’re now hearing the Ring theme playing in the back of your head.

Bilingual Lord of the Rings Reread

LotR Reread: The Fellowship of the Ring: Prologue: Concerning Hobbits

So I’ve started re-reading The Lord of the Rings. I’m not going to do a multi-lingual read of it, not quite yet–mostly because I’m still doing Harry Potter and I’m not going to do two multi-lingual rereads at once. But I think I will document thoughts as I have them. Mostly because I always did love the LoTR reread posts on, and because as y’all know, I am a massive Tolkien geek. And my thoughts on Tolkien, they are plentiful!

And I’ve got quite a few thoughts right out of the gate, already. For purposes of this read, I’m using a single-volume ebook edition–basically, the ebook release of the single-volume print edition I have. Because that thing is a great big honking brick of a book, far too large for me to comfortably carry on my regular work commutes. It’s therefore much more amenable to me to do this read-through in electronic form.

Also notably, for anyone who might be considering grabbing digital versions of the trilogy: buying the single-volume ebook edition is significantly cheaper than buying the three individual ebooks. On Kobo’s site, that amounted to paying sixteen bucks for the single omnibus edition, vs. paying twelve each for Fellowship, Two Towers, and Return of the King. I normally don’t care for omnibus ebooks, and would in fact prefer to have the individual books as separate files. But in this case, the price difference was significant enough that it actually mattered.

And now, into the prologue itself. Right out of the gate, my first thought is: wow, modern authors would have this prologue totally shot down by their editors. I say this as an author who in fact had the original prologue for what later became Valor of the Healer shot down (and which interested parties can read here)–a prologue which in fact was a pretty decent amount of action, as opposed to what Tolkien gives us here. I.e., a ginormous infodump of the history of the hobbits, and a recap of how Bilbo got the Ring.

If you’re the sort of reader who expects instant action in the very first paragraph, you won’t like this prologue. But for me, as a lifelong Tolkien geek, it starts setting the stage by introducing us to the hobbits and stressing the importance of the Ring.

Modern writers would, I feel, be encouraged to work this data into the actual flow of the action, seamlessly. There’s a strong argument to be made for that, since certainly, modern tastes slant away from hitting your readers in the face with an infodump first thing. Which is in fact the important point here. There’s a difference between hitting your readers in the face with your infodump, and presenting it to them in such a way that it feels like a natural way to set the stage. For me, Tolkien pulls this off. It’d take a writer in solid command of his or her craft to do something similar in today’s publishing environment, and achieving that level of mastery is not easy. So I can’t exactly fault modern editors from encouraging their writers to not do this.

All that said, there’s such a wealth of detail here that as long as you know what to expect, it’s still delightful. I’d forgotten the description of the original three strains of Hobbits, and how they migrated into what eventually became the Shire. I’d also forgotten that they were in fact the inventors of smoking pipeweed, and that Merry’s on record as documenting a lot of that.

But what really just made me LOL as I re-read this prologue is this description of the discrepancy between the original release of The Hobbit, and later editions that Tolkien retconned to tie in better to The Lord of the Rings:

Now it is a curious fact that this is not the story as Bilbo first told it to his companions. […] This account Bilbo set down in his memoirs, and he seems never to have altered it himself, not even after the Council of Elrond. Evidently it still appeared in the original Red Book, as it did in several of the copies and abstracts. But many copies contain the true account (as an alternative), derived no doubt from notes by Frodo or Samwise, both of whom learned the truth, though they seem to have been unwilling to delete anything actually written by the old hobbit himself.

That, right there, is Tolkien himself handing Peter Jackson, on a silver platter, an in-universe excuse for why the Hobbit movies tell so much more than what the actual book does. Dara and I had decided ages ago that the book was very clearly Bilbo’s version of the story, and that the movies were aiming more for “what actually happened”. But I’d honestly forgotten that Tolkien himself laid this down in his own words.

It’s also highly interesting to me that this prologue calls out how Gandalf was having none of Bilbo’s bullshit in this regard:

Gandalf, however, disbelieved Bilbo’s first story, as soon as he heard it, and he continued to be very curious about the ring. Eventually he got the true tale out of Bilbo after much questioning, which for a while strained their friendship; but the wizard seemed to think the truth important.

Speaking as someone who has just re-watched the end of The Battle of the Five Armies, I think it’s very clear that we see Gandalf not buying Bilbo’s bullshit right there on camera.

If I were to change anything at all about this Prologue, it would be to move the final section, “Note on the Shire Records”, somewhere earlier. The final sentence of the “Of the Finding of the Ring” section is this: “At this point this History begins.”

Which would have been an awesome segue right into Chapter 1. And I think I’ll let that be the segue to my next post!

Bilingual Lord of the Rings Reread

A reread of Lord of the Rings is imminent ebook roundup

The Children of Hurin

The Children of Hurin

Picked up from Kobo recently:

  • Please Do Not Taunt the Octopus, by Mira Grant. Because, well, duh, Mira Grant. This is the latest novella in the Newsflesh universe, and as I have in fact already plowed through it, I can attest that it was delightful. It clues us in on the fate of two particular notable characters following the conclusion of the main trilogy, and it does not disappoint. And there is in fact an octopus.
  • The Lord of the Rings, The Children of Húrin, Unfinished Tales of Númenor and Middle-Earth, and The Silmarillion, all of course by J.R.R. Tolkien. Picking all these up in ebook form on the general grounds that I’ve just finally finished re-watching The Hobbit: The Battle of the Five Armies, and it’s kindled in me a MIGHTY NEED to re-read LoTR. And since my print copy of the trilogy is a single-volume huge honking brick of a book, it’s a bit much to carry to work and back with me. So onto the ereaders it goes! And while I’m at it, I snarfed up the others since UNDER NO CIRCUMSTANCES am I taking my beautiful hardback of Children of Hurin out of the house, and my paperback of The Silmarillion is pretty ragged! And I need to re-read Unfinished Tales, too!

This puts me at 45 for the year.


15 Film Challenge meme, Part 1

I got tagged on a 15 Film Challenge meme on Facebook, and since I don’t tag people on memes as a general rule, and since I have Opinions on this in general, I thought I’d make this a blog post. A few blog posts, in fact, since like I said, OPINIONS.

So here you go, my 15 all-time favorite films, Part 1! Here are the first three!

Best. Movie. EVER.

Best. Movie. EVER.

1) Raiders of the Lost Ark

(Because in my house, it’s Raiders of the Lost Ark, dammit, not Indiana Jones and the Raiders of the Lost Ark. I don’t care what it says on the Blu-rays. Which I do own. Because yes, I have this movie in multiple formats. Laserdisc AND DVD AND Blu-ray. DON’T JUDGE!)

This should surprise exactly NONE of you, particularly those of you who spent any length of time roleplaying with me on any MUSHes, and were accordingly familiar with my longstanding fangirling of Harrison Ford. This was the movie that did it, with a strong helping hand from The Empire Strikes Back.

I love every frame of this movie, and every single character interaction. Especially the characters, and especially Marion. Marion was the template for how I played Shenner on Star Wars MUSH. It doesn’t suck either that this was Harrison Ford at the absolute apex of his swoonability. There were reasons I spent a long span of time on roleplaying MUSHes swooning hardcore over characters who were based on Ford, and the first and foremost of these reasons was Indiana Jones.

Musically, this movie also has a strong and special place in my heart. John Williams did a splendid job on the soundtrack for this one, and every time I listen to it, I can’t help smiling. Especially because I have fond memories of playing the Raiders March in middle school band, because there’s a particular sweet, prolonged note on the violins in the final track that is the very first time I remember swooning to the sound of violins, and because I happily match up every note of the soundtrack to the corresponding action in the movie.

2) The Lord of the Rings trilogy

This would be #1 on my list if Raiders of the Lost Ark didn’t exist, and it’s a HARD call to make, I assure you! But if you’ve followed my blog or its mirrors for more than five minutes, you know what a big raving Tolkien geek I am. I have to take the whole trilogy together, too, because it is after all one great big story.

Suffice to say, I’m entirely on board with Jackson’s realization of Middle-Earth. I could devote entire weeks of posts to all the various reasons I love these films so much, but I’ve already recently posted about all the bits in them that make me sob. That I regularly re-watch them AND keep crying over them is all by itself a huge indicator of how much these movies have meant to me every since they came out.

And as with Raiders, the music is critical here as well. Howard Shore did masterful work on this soundtrack and I would give much to be in an orchestra that performs works from it, just once.

3) Master and Commander: The Far Side of the World

O My Captain

O My Captain

Russell Crowe has been the only actor to date to ever surpass Mr. Ford for my fangirling affections, and while I’ve loved a great many films Crowe’s been in, Master and Commander is my hands-down, uncontested favorite. It beats out Gladiator, even though Gladiator was the first Crowe film I ever saw in a theater and what made me a Crowe fangirl to begin with, because I do rewatch this one semi-regularly.

Jack and Stephen are wonderful. The story is wonderful. And yet again, the music is critical. I always adored that Crowe made a point of learning how to make coherent noises on a violin to lend his portrayal of Jack additional weight, and I love the bits where he and Paul Bettany play their instruments. Mutual love of music is what made these characters become friends, and Crowe and Bettany do a splendid job of communicating their love of music throughout this movie.

The soundtrack’s a joy to listen to, too.

You may be seeing a common thread here to my top favorite films, and if you’re saying “music”, you would be correct. Just about all of my top favorites are important to me because of musical strength. But I’m also putting in a thought to how often I rewatch them, and whether they involve top favorite actors, and whether I’ve done any fan activity based on them (e.g., MUSHing).

Next post on this to come as I think about the next ones on the list! Expect more Harrison Ford, more Russell Crowe, Elvis, MST3K, and Superman!


All hands, brace for *WAAAAAAUGH*

I’m starting to see my fellow Tolkien fans ramping up the discussion and pre-commiseration about how we’re all expecting The Battle of the Five Armies to turn us into blubbering messes, ’cause yeah, we know who’s going to not be surviving the battle. Because AUGH.

I have every expectation that I’ll be an absolute wreck by the time the credits roll on this new film. How do I know? Not only because I’ve read the book repeatedly and know what’s coming, but ALSO because I’ve seen Richard Armitage bring such gravitas and nobility to the role of Thorin that I just KNOW I’m going to sob at Thorin’s eventual fate. And now that Fili and Kili have won my heart, ditto. The Battle of Five Armies in the book, short as it is (all the action takes place over a scant small number of pages), really has only enough time to pack a general punch. And since the dwarves in the book are all very broadly sketched characters anyway, it’s harder to have more than a general ‘well, that’s sad’ reaction to their deaths. The dwarves in the book are pretty interchangeable and mostly distinguishable by the colors of their hoods and what instruments they play (details which mostly evaporate once you’re past the first chapter, too).

But in the movies, now, we’ve had time to bond with these characters. And when you throw this together with Howard Shore’s musical direction AND the previous track record that the Lord of the Rings movies established with me–yeah. I’ll be bawling by the time the credits roll on this.

Here now, in honor of that, is a roundup of the moments in the Lord of the Rings trilogy that move me to tears, even now, a decade after those movies came out.

Fellowship of the Ring:

  • Gandalf falling into the abyss in Moria–and the anguished reactions from the rest of the Fellowship as they flee, particularly Frodo’s scream.
  • Boromir to Aragorn in Lothlorien: “Have you ever been called home by the clear ringing of silver trumpets?”
  • Boromir’s entire death scene, from the point where he roars into battle with the stream of oncoming orcs to where he gasps his last words to Aragorn: “My brother… my captain… my king.”
  • Sam wading out after Frodo even though he can’t fucking swim: “I made a promise, Mr. Frodo! A promise! ‘Don’t you leave him, Samwise Gamgee!’ And I don’t mean to!”

The Two Towers:

  • Aragorn, Gimli, and Legolas reuniting with Gandalf.
  • Gandalf breaking the spell on Théoden, and the look of joy on the king’s face as he sees Éowyn beside him.
  • When Haldir dies at the Battle of Helm’s Deep.
  • Smeagol’s temporary victory over Gollum in Gollum’s pointy little head. Makes you want to hug him. ALSO, Gollum’s reaction to Faramir’s men catching him at the pool, and how his realizing Frodo has betrayed him shatters that temporary Smeagol victory.
  • Théoden at the battle: “Where is the horse and the rider? Where is the horn that was blowing? They have passed like rain on the mountain, like wind in the meadow. The days have gone down in the West behind the hills into shadow. How did it come to this?”
  • More Théoden at the battle: “Let this be the hour when we draw swords together. Fell deeds awake. Now for wrath, now for ruin, and the red dawn. Forth, Eorlingas!”
  • The shining, radiant glory of Gandalf leading Éomer and the Rohirrim down the hill to save the day.

Return of the King:

  • Faramir’s last desperate assault on Osgiliath, trying to win it back for Gondor and do SOMETHING to make his father love him, while Billy Boyd sings over the action.
  • Théoden’s death at the Battle of the Pelennor Fields.
  • Again, Sam: “I can’t carry it for you, Mr. Frodo–but I can carry you!”
  • And Sam and Frodo, on the burning slopes of Mount Doom: “If ever I were to marry someone, Mr. Frodo, it would have been her!” And, “I’m glad to be with you, Samwise Gamgee, here at the end of all things.”

    (And oh hell, Elijah Wood’s FACE through pretty much this entire movie. The man is a master of the You Have Not Only Run Over My Puppy, You Have Dismembered It AND Set It on Fire face.)

  • Frodo: “We set out to save the Shire, Sam. And it has been saved… but not for me.”
  • The entire scene with Frodo and Bilbo departing on the ship for the West.
  • And “Into the West”. OH GOD. Really, this whole movie starts me crying about halfway through, and by the time Annie Lennox starts singing over the credits, I’m wrecked. Lennox is just there to finish me off. But OH GOD that song. It’s why I can’t listen to the Return of the King soundtrack very often.

How about you, my fellow Tolkien nerds? What are the bits of these movies that slay you?