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So about that new Batman v. Superman movie…

… I haven’t actually seen it yet, and at this point, chances are pretty high that I won’t. If you pay regular attention to the Internet at all, you’re probably already aware that reviews of this thing are not good. It’s clocking in at 28% on Rotten Tomatoes right now, and on the various major blogs that I follow, even the kinder reviews, the ones where people are saying that they did enjoy the viewing experience for various reasons, are acknowledging that the movie isn’t particularly coherent.

Here’s a roundup of those reviews:

I’ve been reading a lot of reviews all over the place, with a bit of a sinking heart. Because here’s the thing: I like superheroes. Even though a lot of the movie world is complaining about superhero fatigue in cinemas in general, me, I’m still 100 percent on board. I loves me some Marvel Cinematic Universe.

And I want to be on board for the DC Cinematic Universe, too. Christopher Reeve’s Superman was, after all, one of the formative movies of my childhood. And I fangirled the hell out of the first season of Lois & Clark: The New Adventures of Superman in the 90’s. My household adores the DC Animated Universe, which gave me my first real exposure to a lot of the other heroes in the DC canon–notably, the John Stewart Green Lantern. (I would pay serious ticket money to see Idris Elba play John Stewart, just so I can hear him deliver the IN BRIGHTEST DAY speech. 😀 )

And I really want to be excited for Wonder Woman’s first major cinematic appearance. Wonder Woman all by herself was one of the reasons I wanted to keep half an eye on this movie and see if it was worth it for me to show up in the theaters for it.

But I still haven’t seen Man of Steel, and I backed off hard on wanting to see BvS as well, mainly for one big reason: the almost universal description of this film as just not fun. “Grimdark” is not what I want in my entertainment. Intellectually I get the idea of wanting to see how superheroes would really be received in our modern world, and the distinct likelihood that their presence in society would be received with much more suspicion than in eras past.

On the other hand, I find the real world way too grim and dark as it is. At the end of the day, I want my superheroes to be figures of hope. To be heroic. (C.f., my earlier post about this movie pulling a 7-Zark-7.) To have added a bit more color and brightness to the world.

I mean honestly, DC, what’s up with the color palette in your movie universe? You guys don’t seem allergic to color in the TV shows you’re putting out! (And please to note that yeah, I’m on board with The Flash and Supergirl!) I’m not asking you to make your movies look just like Marvel’s, but y’know, some occasional brightness would do wonders. Not to mention better treatment of the supporting characters. And a bit less wholesale death and destruction.

So yeah. I’ll be over here waiting for Wonder Woman’s solo outing next year, and getting my DC on with the TV shows in the meantime. And maybe watching some of the excellent animated stories again. I particularly recommend “World’s Finest”, the three-parter they did with Bats and Supes going at it, which for my money was a way more entertaining version of this story.

(I’ll say this though, for a movie I haven’t even seen, BvS sure is doing a good job of making me talk about it! So there’s that!)

Movies

Batman v. Superman is pulling a 7-Zark-7? SERIOUSLY?

Batman v. Superman: Dawn of Justice is upon us. I’ve been reading over a lot of the reviews, with a sinking heart; I’ve really wanted to be happy about Wonder Woman’s first major cinematic appearance, but all signs indicate that she’s been shoehorned into a plot that the kinder reviews are still calling incoherent and overstuffed, and the less kind reviews are calling “an unholy mess”, which “feels like Zack Snyder hobbling the entire upcoming DC Movieverse before it gets started”.

(Sources: here and here.)

All of which makes me sad. Most of all I’m seeing a lot of reviews that are calling the movie a “joyless slog” and that it’s just not fun. And I have to boggle. Because the DC I see delivering us The Flash and Supergirl on TV is getting the fun part right. I enjoy watching both of those shows, and while they’ve gotten serious in some episodes I’ve seen, they still wholeheartedly embrace the fact that they’re telling freggin’ comic book stories, and don’t seem to feel compelled to make everything colorless and dark and grim and OH SO VERY SERIOUS.

But y’know what’s really making me facepalm?

How a bunch of reviews are also calling this film out for its response to what a lot of people complained about with Man of Steel: i.e., that Supes and Zod ripped up Metropolis without Superman giving the slightest hint of a shit that he might be endangering innocent bystanders in the battle. To all reports, BvS’s way of addressing this problem is to wedge in little bits of dialogue here and there to try to reassure the viewer that oh my no, bystanders aren’t getting harmed! Like, say, a newscaster who reports that it’s after business hours so downtown is practically deserted! As opposed to, oh, I dunno, having the heroes spend camera time making a point of getting civilians out of the goddamned way. Like heroes should be doing.

And while I am indeed making inevitable comparisons to the Avengers–I’ll be the first to acknowledge that Age of Ultron was a mess in many ways, but by gods, the Avengers spent camera time in it acting to save civilians–my actual main reaction here is, “Really, movie? You’re pulling a 7-Zark-7 here?!”

Context, for those of you who aren’t in my age bracket and/or don’t have any familiarity with 70’s-era anime: go look up Science Ninja Team Gatchaman. Gatchaman was one of the formative animes of the 70’s, really raising the bar for what anime could do. And a guy named Sandy Frank looked at that and went, “Hey, y’know what would be cool? If I translated this thing and brought it over for the US market!”

All very well and good, except for one thing: Gatchaman pulls no punches whatsoever when it comes to violence in its plots. Watch Gatchaman, and you can expect to see a lot of trains exploding, planes crashing, ships sinking, and in general, civilians being killed right and left because of the evil rampages of Galactor. Mr. Frank looked at this and apparently decided that he couldn’t POSSIBLY show such violence to children. So he took 85 of the 110 Gatchaman episodes, and in a lot of those, cut out all the most violent parts. To fill the storylines back out to half an hour, he created a bunch of new footage starring a character called 7-Zark-7, a robot intended to serve as a communications hub and overseer for G-Force, what the English version of the story called the Gatchaman team.

Zark spends a lot of his time telling the viewer about how all those planes we’re seeing are “remote controlled robot planes” and such–thereby handily skirting the entire question of whether any innocent lives might have just been lost in all those explosions.

Don’t get me wrong. I grew up loving Battle of the Planets. But once I discovered Gatchaman, and especially once I started watching BotP episodes back to back with the Gatchaman originals, it very quickly became evident how much of a hack job Sandy Frank did on the storyline.

And pro tip: if your new superhero movie is going to make me think of the hack job version of a storyline rather than the infinitely superior original, maybe, just maybe, you’re doing your movie wrong.

Oh well. I’ll be skipping seeing BvS in the theaters, I think. I’ll hold out a tiny crumb of hope that maybe Wonder Woman’s solo movie next year won’t suck. But that crumb of hope is pretty small. And with all due respect to Condor Joe, I don’t think this is a problem that can be solved with Bird Missiles.

Movies

Indiana Jones 5 is a thing that will happen, apparently

So the news is going around the net today that Indiana Jones 5 has been confirmed for a 2019 release, with both Harrison Ford and Steven Spielberg being involved. And as I’m a documented Harrison Ford fangirl, whose favorite movie of all time is after all Raiders of the Lost Ark, you better believe I have opinions on this matter.

Most of these opinions are centered around a lot of jokes I’m seeing from fandom along the lines of “LOL Indy is old”. I’ve seen jokes about “Indiana Jones and the Lost Rocking Chair” or “Indiana Jones and the Search for the Walker” or whatever. All of which I find pretty irritating, to be honest.

Here’s why.

One: it’s ageist. It is part and parcel of the cultural assumption we have that old people can’t be heroic lead characters. We expect the old to be functioning as mentors while the young people get to be the ones who punch Nazis in the face, or who yank scimitars out of assassins’ hands with a trusty bullwhip, or who sneak into ancient ruins to recover idols, or whatever.

And that’s bullshit. Any fan of Doctor Who understands that “old” and “awesome and heroic” are not mutually exclusive concepts. Sure, the Doctor has been played by younger men through most of the New Who era–but I’ll point out that even our current Doctor, Peter Capaldi, is a dude with gray hair who has demonstrated splendidly that he is still perfectly capable of being a heroic central character.

Here’s another example: Gandalf in The Hobbit and The Lord of the Rings. And before you protest “but Gandalf is a wizard and Indiana Jones is just a human archaeologist”, let me remind you that not all of Gandalf’s activity through those two stories was centered around his magic. Gandalf also whipped Glamdring the Foe-hammer around on more than one occasion. And he went at it hammer and tongs with the Balrog.

“Until at last I threw down my enemy and smote his ruin upon the mountainside,” as he says in the movie edition of The Two Towers.

Gandalf’s battle with the Balrog was physical as well as mental. It broke his body. Gandalf does not survive the battle. The only reason he comes back into the plot at all is because Iluvatar resurrected him and sent him back to Middle-Earth, because his job wasn’t done yet.

And even aside from that, Gandalf spends a great deal of time running around in battle all throughout that story–at Helm’s Deep as well as in Gondor on the Pelennor Fields. We see Gandalf fighting with both sword and staff all over the place. Activity which is physically demanding, and yet, nobody was snickering and going “LOL Ian McKellen is old” or “LOL Gandalf is old”.

As near as I can tell, the only difference here between Gandalf and Indiana Jones is that Gandalf is portrayed on camera as old at all times, both in the movies and in the books. Whereas with Indy, we first meet him when he’s young.

Which brings me to why I mentioned Gandalf in the first place–because we also know, from Indiana Jones and the Last Crusade, that Indy has had his lifespan extended. He drank from the Holy Grail, f’r cryin’ out loud. And this is even hinted at in the Young Indiana Jones Chronicles as well. So in the scope of the Indiana Jones universe, with events that have already happened on camera, we have had it established that there is no particular reason to assume that Indy doesn’t remain physically active in his latter years. He’s no longer entirely pure vanilla human normal.

And that brings me to…

Two: If a character is aged yet has a physically demanding role in the story, what’s wrong with that? Yes, the sheer reality of aging does mean that an older character is going to have physical challenges that a younger character won’t. He’ll be more prone to aches and pains. His stamina might not be as good. But that shouldn’t mean that that older character is not ever allowed to swing a sword or a staff, to flick a bullwhip, or punch a Nazi in the face.

Good writing should be able to sell us on the idea that an aged character can still be heroic, while also acknowledging the burden that physical heroism may place upon him. Hell, the earlier Indy movies were excellent at this even while Ford was young.

Marion: You’re not the man I knew ten years ago.
Indy: It’s not the years–it’s the mileage.

Iconic lines, which, I might add, were in a scene that happened after Indy got beaten to hell and back in the truck chase, stealing the Ark from the Germans–including getting shot. Last Crusade did it too, when Indy painfully pulls himself back up from over the cliff while the others think he’s dead, and he keels over from exhaustion while his father is urging him to get up.

So there’s no reason that a well-written Indy movie can’t use the same style of humor to acknowledge the problems Indy might have when he’s 75 vs. when he was 35. It doesn’t even have to be a huge deal. I could easily see a wry little exchange, say, between Indy and his son in which Indy is having to steel himself to go into a fight. His son could be all “uh, Dad, maybe I better handle this”–and Indy has to gruffly step back and let his son get in the fight, while he does something else clever like, oh, say, setting explosives or deactivating a trap. And then his son can bitch at him later after he gets his ass handed to him, and Indy could be all “well you didn’t want ME in on the fight, what are you complaining about?”

Make it the same sort of chemistry Indy had with his own father. It could be awesome. It writes itself.

Three: Harrison Ford demonstrated in The Force Awakens that he is still perfectly capable of acting, and he brought some nuance and depth to Han that I for one was thrilled to see. Sure, that Han is old and isn’t the same character that I swooned over in the earlier movies. That’s okay. I’m older too. The character is still awesome.

Long story short: I’m way less concerned about Harrison Ford–and Indiana Jones–being old than I am about whether the story in Indiana Jones 5 will suck.

I’m not convinced that it won’t. And I say this as someone who really, really wanted to like Indiana Jones and the Kingdom of the Crystal Skull, too. I mean, not only did it bring back Marion and follow up on Indy and Marion’s relationship, it also had Cate Blanchett (one of my nominees for Queen of Everything) as the villain. It was setting itself up as Anna Catnip from start to finish. I did in fact enjoy it enough that I saw it twice in the theaters.

And yet, even I acknowledge that that movie was… not so good.

Here’s the thing, though: of the objections I had to that movie, none of them had a thing to do with Indy being old. And whatever else you might say about the movie, it already has given us the setup necessary for a younger character to have adventures right alongside Indy. One does presume that young Henry Jones III will be showing up alongside his father in Indy 5.

So yeah. As long as Ford’s physically up for the role, I say go for it, Harry. But I will be keeping an eye on further news of this movie, and I will be paying very close attention to what kind of a plot it’ll hand us before I’ll decide whether I’m firmly on board.

Because I’m very firmly of the belief that we do need more heroic older characters. Hollywood is very age-phobic, and it’s even worse for women than it is for men–just look at all the shit Carrie Fisher got for being old on camera in The Force Awakens, even worse than Harrison Ford did. This is a thing that needs to change, for men and women alike.

And a well-written Indiana Jones 5 would be a good start.

Movies

Movie review: Star Wars Episode 7: The Force Awakens

Dara and I, accompanied by friends Mimi and Layna, have finally seen The Force Awakens.

YOU GUYS. That? That right there? That was a goddamned Star Wars film. And let me put this in perspective for you: do you all know the last time I would have walked out of a movie theater entirely emotionally satisfied with a Star Wars film? That would have been 1980–the year The Empire Strikes Back came out.

And I can say this. Even having had a major plot point spoiled for me (and I am STILL cranky at the player on Dungeon Boss chat who blew that for me, grr), I was still full of the feels. And I have many, many thoughts on what I just witnessed, and I shall now share them with you all!

Needless to say, SPOILERS SPOILERS SPOILERS OMG SO MANY SPOILERS YOUR FLEET CANNOT REPEL SPOILERS OF THIS MAGNITUDE AND DID I MENTION SPOILERS? If you’re coming over from one of the social media networks or from LJ or Dreamwidth to read this, I beg you: please stay right on angelahighland.com if you want to drop comments. Because there will be spoilers and I want to minimize their presence anywhere this post gets mirrored. If I see you drop a spoiler-related comment on any of my social media networks where this post goes up, I WILL DELETE THAT COMMENT. Do not make Han cranky!

Han says NO.

Han says NO.

Thank you in advance for your patience and understanding! Let’s get to it, shall we? And did I mention OMG SPOILERS?

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Movies

Movie review: Jurassic World

It took a bit for Dara and me to finally see Jurassic World, but we got a chance today as part of a big afternoon birthday party bash for our good friend Mimi! We all gathered downtown for a movie and dinner shindig, and a lovely time was had by all.

Picoreview for the movie in particular: I liked it far better than I was expecting, actually! I was wary after seeing this review over at the Bitchery, as well as Seanan McGuire’s disappointed commentary. Seanan’s in particular had me worried, because she is a devoted fan of the franchise. We’re talking fangirling on the same level I throw at Great Big Sea and Le Vent du Nord here, people, so she knows what she’s talking about.

So I went in with fairly low expectations, prepped to be annoyed by gender portrayals but wowed by the nonstop RAAAR! And actually, I found myself only mildly vexed by the gender portrayals, so I count that in the win column.

And really, let’s get real: the primary reason I wanted to see this movie was this guy right here.

Owen Means Business

Owen Means Business

Although that said, Jurassic Park is only a little bit behind Star Wars, The Empire Strikes Back, and Raiders of the Lost Ark when it comes to formative movies of my adolescence. And it certainly ranks up very high on the list of my favorite John Williams soundtracks. So I have a pretty hefty fondness for the original movie, and that was pulling me into the theater to see this one, too.

And in the meantime, heads up: the spoilers are HIDING BEHIND THE FOLD and they are totally tracking you.

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Movies

Even Saruman must go into the West

The Internet is exploding this morning with the news that Christopher Lee has passed away, and I’m with Dara: this week is so very, very fired.

I realize that Saruman is an easy answer for my favorite role of his, but hey, this is what happens when the Middle-Earth movies are among my all-time favorite movies ever, and when I’m a lifelong Tolkien geek. But I have to also give him props for Count Dooku in the Star Wars movies, say what you will about the prequel trilogy. Lee was still pretty freggin’ awesome. Moreover, I have to give him props for his Hammer film appearances. We love us some Hammer films at the Murkworks, and so I’ve had the pleasure of seeing him in some of those, too.

And while I don’t even like heavy metal, I gotta say, releasing a heavy metal album at age 92? Unbelievably awesome. I just hope I’m that lively and awesome when I’m in my nineties.

The BBC article I’m linking to is saying a lot of folks are calling him ‘a titan of cinema’, and they are not wrong. Rest in peace, Sir Christopher. Culture worldwide will be a little poorer for your passing.

Movies

Movie review: Jupiter Ascending

Jupiter Ascending

Jupiter Ascending

So Dara and I finally watched Jupiter Ascending, and, since fellow Here Be Magic author Joely Sue Burkhart has a review up today, I thought I’d talk about my own thoughts on the movie as well!

I gotta say, Dara and I both found this movie far more coherent than we were expecting, given the overall “THIS MOVIE IS SO TERRIBLE AND YOU SHOULD WATCH IT ANYWAY!” reactions we were seeing. If somebody has that reaction to a movie, what that says to me is, “this movie is a riffable MST3K fest”. ‘Cause y’know, Dara and I have a long history of loving us some crappy movies. So we went into this movie totally expecting to have to break out the booze while we made with the riffs.

And honestly? That’s not the movie we got. Neither of us felt the need to point and laugh at anything we saw, which was a pleasant surprise.

Dara mentioned to me that it totally played for her like a version of the Dune movie only with a female protagonist–and that in her view, people had been interpreting this movie as a “Chosen One” plot, when it’s not. It’s a “Hidden Princess” plot, which is not one we’ve seen much of in popular media the last several decades. So it’s kind of unsurprising that a lot of audiences aren’t entirely sure how to react to this plot.

Overall, we both found it perfectly easy to follow, and there were quite a few bits of it that I in fact actively liked. Jupiter’s father, to my surprise, was played by James d’Arcy; when I saw that, I was all “HEY that’s the guy who played Jarvis!” Which was great fun. I liked him as a character, and outright loved that his love of astronomy led him to want to name his daughter after the biggest planet in the solar system, because of that same sense of love and wonder.

And I loved that Jupiter’s family on her mother’s side had a lot of on-camera actual Russian dialogue.

And as a bit of worldbuilding-in-dialogue, I quite liked the concept of “when genes reappear in the exact same order, that’s reincarnation”. It was a single quick line, and rather deftly tossed out a tasty new way of looking at reincarnation that I hadn’t thought about before.

And okay yeah, Channing Tatum was pretty tasty as Caine, I’ll admit–as y’all might guess from my books, I’m rather a sucker for guys with pointed ears. But what I found most appealing about him? The flying boots. Because that? That was pretty awesome.

The three siblings contending for mastery of the Earth were all pretty over-the-top, sure. But given the interstellar society they’d set up, and given the plot reason they specifically set up for WHY they were considering the Earth as a resource, I was willing to buy that these were all reprehensible people in their own individual ways.

Sure, there were a bunch of silly contrivances in the plot, but nothing particularly sillier than anything else I’ve seen in SF movies over the years. All in all I filed this in the category of “Big Stupid Fun”, akin to Brendan Fraser’s The Mummy. Which is to say: kind of fluffy, but absolutely entertaining. Enough so that I’m considering buying my own copy to add to my library, ’cause yeah. I’d like to see this again.