All Posts By

Angela Korra'ti

Book Log

I got paid!

And I still have room on the nook (although I’m getting close to needing a memory card for the thing)! So y’all should be able to guess what that means. Yes, that’s right: another book roundup!

Purchased electronically recently (and most of these were last night):

  • Rebel, by Zoe Archer. Paranormal romance, Book #3 of her Blades of the Rose series. Review is forthcoming!
  • Pegasus, by Robin McKinley. Fantasy, and I believe this also counts as YA? Bought because, well, Robin McKinley.
  • Half Past Dead, by Zoe Archer and Bianca D’Arc. Paranormal romance. Got this as a freebie from B&N, mostly because of the tie-in with Archer’s aforementioned Blades of the Rose novels.
  • The Secret Sister, by Elizabeth Lowell. Romantic suspense; this is a re-buy of a book previously owned in print.
  • Whirlpool, by Elizabeth Lowell. Same.
  • Dragonhaven, by Robin McKinley. Fantasy/YA. See previous commentary re: Robin McKinley! I actually already own this in hardcover as well, but wanted the e-copy so I can actually get the darned thing read, since I’m not likely to carry the hardback around.
  • A Kiss Before the Apocalypse, by Thomas E. Sniegoski. Urban fantasy; incarnated angel of war as a PI. Not sure of the angel aspect, but I did like this guy’s piece in the Mean Streets anthology, so I thought I’d give his series’ Book 1 a shot. (This is also actually a re-buy of a book previously owned in print, though I haven’t read this one yet.)
  • Touched by an Alien, by Gini Koch. Urban fantasy/paranormal romance (not sure which yet). Bought mostly because it got a lot of lulz when it came out and I’ll want this when I’m in the mood for something light and fluffy.

And, bought this morning in print, just because I can still walk into a physical bookstore and find something I’ll want to buy if I pay attention to the wishlist:

  • The Ivy Tree, by Mary Stewart. Because you don’t get much more awesome than Mary Stewart when it comes to old-school Gothic romance.

Total for the year: 343!

Movies

Daniel Craig + Old West + aliens + Harrison Ford = AWESOME

I just saw this post go up on tor.com, and most of it I was all “yeah yeah yeah whatever” about, until I got to the trailer at the bottom.

The one that involves Daniel Craig and Harrison Ford in a movie set in the Old West with ALIENS. Money quote:

If you need one guy to send those aliens running back to space with their tentacles between their tentacles, it’s Daniel Craig. Basically, if you are engaged in any sort of endeavor and wish to achieve victory, you call Daniel Craig. He’s the English Steve McQueen, it’s almost an unfair fight. But considering that in the Old West, without even the A-bomb to halt the aliens’ malevolence, you need a bit of an edge. So get Daniel Craig on alien-ass-kicking detail, STAT.

And here’s the trailer-y goodness:

Daniel Craig and Harrison Ford in the same movie? SIGN ME UP!

Mirror's Gate

Works in progress update: Mirror’s Gate

My muse has been an aggravating and fickle creature all year. Usually I’ve been able to coax it to do something for me only after I’ve had a long enough dry spell that it starts to aggravate me, and then and only then can I start kicking the words into gear again. And even then, only if I come at it obliquely and try not to stress too much about getting something done.

Bah. My discipline has suffered sharply this year, and it’s still taking much to get it to recover.

But that said? I wrung words out of my brain tonight. Part of tonight’s work, I think, has been fueled by needing a break from editing Lament of the Dove for Carina Press–and so I’ve thrown about five hundred words at Mirror’s Gate tonight, continuing Chapter 2, and letting my heroine Yevanya follow up on the strange sighting of a man who looked very disturbingly like her dead husband. She’s come to visit her husband’s teacher and colleague Genrek, and Genrek reacts quite strongly to her news:

“Do I want to know what you were trying to accomplish?” For the first time in more days than she could remember, Yevanya felt herself grinning with honest pleasure. Genrek was a great hulk of a man, towering over her by many inches, and yet she had never found him anything but amiable in his gruff fashion. She always supposed it was not because he found her fragile and dainty; next to Genrek many things were, such as carriages, hills, and the smaller varieties of bear. No, she’d won him over for venturing what her cousin had never been able to: interest in the nature and workings of magic, for all that she had not a shred of the talent herself. Nor had it ever hurt that Genrek had been Aleksandr’s best and favorite teacher–and later, his colleague and his friend.

“Bah. If you had been here in the city these past months, you would not need to ask that question.” Genrek clapped both his great hands upon her shoulders and gazed down at her, all traces of levity fleeing his face. “You should not have come to Istra, my child. Tell me you have not brought the children?”

Her grin fading, Yevanya shook her head. “My uncle looks after them in the country. I didn’t wish to subject them to–” To my selling the house, her mind finished, even as she could not. Nor did it seem to matter, with Genrek’s worried scowl so fixed upon her. “They are safe,” she said instead. “What haunts this city, Genrek? I must know!”

The words came out more stridently than she intended, and the sorcerer’s gaze upon her sharpened. “What have you seen?”

“Purest impossibility.” To her dismay and disgust, sudden wetness blurred Yevanya’s sight. She offered no denial, no equivocation; relief that he’d so quickly divined her purpose required matching forthrightness. “A man on the streets, as my cousin and I went past in our carriage. Genrek, he…” Her voice shook. “He was so like Aleksi that he might have been his twin. Or his ghost.”

“Blood of the saints,” Genrek rasped, round-eyed. Then, before she could utter another word, he whirled and stalked away to one of the room’s innumerable shelves. From one he plucked a corked and slim-necked bottle; from another, a pair of small cups that looked as fragile as eggshells in his grasp. Returning to her, he thrust one of the cups at her. He uncorked the bottle with his teeth and spat the cork aside, heedless of where it fell. “Drink,” he commanded, pouring for her into her cup, and then into his own.

It’s going to be fun when Yevanya actually finds the man she saw. Muaha.

Written tonight: 508
Chapter 2 total: 2,877
Mirror’s Gate total (first draft): 6,660

Book Log

Book Log #75: Scoundrel, by Zoe Archer

Scoundrel (The Blades of the Rose, #2)

My rating: 4 of 5 stars

Scoundrel, Book 2 of Zoe Archer’s Blades of the Rose series, came across my radar with a bang thanks to the Smart Bitches Trashy Books ladies and their current montly book club. As I mentioned in my review of Book 1, Warrior, I was very happy to see a cover with a hero who’s not only fully dressed, but who also seemed to come right out of a mold I find most swoonable indeed: the Indiana Jones archetype, ready for adventure.

Even more so that with Book 1, Scoundrel delivered this in spades. I enjoyed Scoundrel quite a bit more, in no small part due to the hero. Bennett Day of the Blades of the Rose is an unhesitant rake, cheerfully cutting a swath through the dozens of women willing to go at it with him in the sheets in between his far more serious missions for his compatriots, and sometimes both at once. Little does he know he’s about to meet up with London Harcourt, the daughter of an Heir of Albion–and whose husband Bennett in fact once killed. London has no idea whatsoever of the nefarious activities of her father and spouse, and suffice to say, her worldview is blown wide open when she finds out that her father has hauled her off to Greece to make use of her gift with ancient languages. Harcourt’s bent on tracking down the same Source Bennett’s pursuing, and Bennett and his fellow Blades have no choice but to abduct London, clue her in, and hope like hell that she’ll defect to their team and help them.

A couple of things kicked Scoundrel up another notch over Book 1 for me. One is the secondary romance playing out between the witch Athena and the boat captain Kallas, which was in some ways almost more fun than the primary romance of London and Bennett–but only almost, because I had great fun with them too. I very much liked that London had refreshingly little angst about Bennett’s womanizing ways, which led beautifully into Bennett flooring himself with his obligatory Realization of True Love(TM). The big revelation of said True Love in particular was quite charming; look for the “monkeys in hats” lines, here.

I also have to give Archer props for actually making me not skim past a sex scene, for once. If an author is going to actually make me read a sex scene, she needs to have either a masterful command of the language and make me swoon on the sheer power of words alone. Or, she needs to say something interesting about the involved characters, and give me something more to go on than just the physical depiction. Archer does the latter in a goddess-play scene that I’ll freely admit was, indeed, rather hot for the delightful things it said about London as a character and as a woman.

Meanwhile, in the main plot, we’ve got ourselves a chase through Greece through lovingly described islands and waters. The Heirs are still fairly flat as villains–I still never really get a sense of any of the Heirs as actual people rather than bad guys spouting “For the Glory of Britain!” Here, though, London’s father is actually genuinely creepy in the final big showdown between them. The Heirs’ dark mage, as well, is legitimately creepy in a scene involving torture.

All in all not something to take too seriously, but a highly engaging read nonetheless, in no small part because of the charm of London and Bennett. Four stars.

Book Log

Book Log #74: Warrior, by Zoe Archer

Warrior (The Blades of the Rose, #1)

My rating: 3 of 5 stars

I came into Zoe Archer’s Blades of the Rose series courtesy of the fine ladies at Smart Bitches Trashy Books, when they chose the second book of the series as a book club read. Pretty much right out of the gate I wanted these books, and I’m not ashamed to admit that a big part of that was because of the covers on Books 1 and 2. First and foremost, I want to thank whoever did the cover art! Gabriel on the cover of Book 1, I’m not ashamed to say, totally slew me for looking like he stole Indiana Jones’ outfit, and even aside from that appealing to my fangirl sensibilities, I just found it such a refreshing change from a lot of the shirtless, overmuscled guys on the covers of romance and paranormal romance these days.

Happily, the book itself also proved to be quite enjoyable. Warrior, as the opening book of a series, has the task of setting up the world for us, and it does a nice strong job of doing so by giving us our hero, Gabriel, drawn into saving a man’s life in a brutal attack. The man he tries to rescue dies, but not before begging Gabriel to take a message–and a mysterious compass–clear around the world to Mongolia.

Gabriel, you see, has stumbled into the ongoing conflict between two factions at war over magical Sources, artifacts all over the globe which are so named for being the repositories of great power. The Heirs of Albion are bent on securing these Sources for the greater glory of the British Empire, so that Britain might take over the world. Pitted against them are the Blades of the Rose, sworn to avoid using any magic save that which is theirs by gift or by right, and to keep all Sources safe in the hands of their rightful people.

And the man Gabriel has to take the dire message to? He is of course a Blade, living in Mongolia with his daughter Thalia, who is naturally afire with the ambition to follow in her father’s footsteps. Neither want to embroil Gabriel in their affairs, but Gabriel won’t be put off easily. He has after all come all the way from England at the behest of a dying man. Also, Thalia is awfully, awfully hot.

It’s a nifty worldbuilding concept, and Archer has great fun with it, setting up an engaging blend of period adventure and supernatural activity that hearkens indeed back to the aforementioned Indiana Jones as well as the Mummy movies with Brendan Fraser. As these are in fact paranormal romance novels, you do have the obligatory blazing chemistry between the lead characters and more than one sex scene in which they indulge it–but for once, my tastes in such things are actually pretty in line with what a romance novel has to offer with that. Archer’s very good at giving her female leads strong sexual agency, and the sense of equality between her heroines and heros is awesome both within and outside of romantic contexts.

In this particular story, as she’s been brought up in Mongolia, Thalia is very much afraid that a man from her native Britain will expect her to behave like a proper British lady–and she’s delighted to discover that Gabriel, as a commoner and a foot soldier, is just as happy that she’s anything but. The two of them must set out to find and protect the Source the Heirs are targeting, and along the way, have themselves quite the adventuresome ride. There’s a bit too much obvious pointing at characters who are destined to have their own installments as the series progresses, and a bit too much simplistic motivation on the part of the bad guys. But all in all this was fun and it made me quite interested in continuing with the series. Three stars.

Book Log

Book Log #73: Lord of the Silent, by Elizabeth Peters

Lord of the Silent (An Amelia Peabody Mystery, #13)

My rating: 3 of 5 stars

After the mighty awesomeness that was He Shall Thunder in the Sky, any book Elizabeth Peters might write would have its work cut out for it. Thunder is so clear a culmination of the Ramses/Nefret love story that in many ways it serves as an admirable stopping point for the series. It would be somewhat unfair to Lord of the Silent and its immediately following book, Children of the Storm, to call them afterthoughts. But Silent definitely takes the Emerson saga into a new phase, one that loses something of the charm of many of the previous books while at the same time still having charm of its own to offer.

Like many of the later Amelia Peabody books, this one brings back characters we’ve seen before. This time around we got Margaret Minton, last seen in Book Five, Deeds of the Disturber, annoying the devil out of Kevin O’Connell. She is of course much older at this point, though in some ways not particularly more mature–because her entire plot arc involves her reacting to a surprise encounter with none other than Sethos himself. This being a series with a long tradition of pairing off side characters along with the main action, it’ll probably surprise no new readers to this series that at least on the part of Miss Minton, the encounter proved quite romantic. Nor will anyone who read Thunder be surprised that this book, in playing out Sethos’ reaction to the woman chasing him, continues the whole concept of reforming the erstwhile Master Criminal. It’s inevitable, really, given what Margaret’s previous appearance in the series had established about her resemblance to Amelia–and, of course, Sethos’ own attachment to same. It’s a nice touch on Peters’ part. (Though at the same time, I must admit to being vaguely disappointed, since he’s one of the liveliest characters in the entire cast, and the idea of reforming him is almost ridiculous. As Sethos himself snarkily observes!)

Meanwhile, fans of Ramses may find it almost disappointing that now that he’s won Nefret, the resolution of that romantic tension fundamentally changes the position of those two characters in the overall framework of the series. There’s good stuff here with the British government being desperate to pull Ramses back into intelligence work, and Ramses adamantly refusing with his family’s staunch support. Nor can I really speak against the value of exploring how the newly married younger Emersons’ relationship develops, given that similar exploration between Amelia and Emerson has of course defined the heart of this entire series. But Ramses is not his father, no matter how kindly the advice of his parents in marital matters might be meant, and so some readers may find that the passages where Ramses and Nefret explore their new married state drag a bit in comparison to the rest of the book.

There’s some fun here as well exploring the character of young Sennia, and the introduction of Jumana and her brother Jamil expands the cast a bit, providing good contrast between a young woman who wants to prove herself and her reprobate, lazy brother. And there’s still enough substance to Peters’ writing here that unlike later novels in the series, this one’s still a pretty solid read. Three stars.

Other People's Books

Signal boosting: Call for submissions for Gay City anthology

Forwarding this on behalf of Eric Andrews-Katz, mentioned below. If you think this might be your cup of tea, follow the link he provides over to information about his anthology!

Howdy,

Please find below an Open Call for submission for both Writers and Artists/comics/photographers for the new anthology, Gay City. Vol. 4 – At Second Glance. Please feel free to pass this on to anyone you might think is interested and if there are any community boards that it can be posted on, that would be very much appreciated. I’ve included an on-line link for your convenience.

Thank you.

Sincerely,
Eric Andrews-Katz

On line link:
http://libraryofthelivingdead.lefora.com/2010/10/26/submission-call-gay-city-vol-4-at-second-glance/

At Second Glance

Open Call for Submissions: Gay City: Volume 4-At Second Glance ~Familiar stories from different views

Edited by: Eric Andrews-Katz & Vincent Kovar

Gay City’s Mission is to promote the health of gay/bisexual men and prevent HIV transmission by building community, fostering communication, and nurturing self-esteem. This year, our anthology series continues with volume 4: At Second Glance.

There are always at least two viewpoints of every story and yet, we usually only hear one side. In the tradition of WICKED, The Red Tent and The Mists of Avalon, a different perspective can provide an entirely different story than the commonly known tale; the other side of the looking glass, so to speak. You are encouraged to experiment with sexual and cultural norms, technology and historical events. Sensuality is fine, but please no erotica.

More at the link!