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Posts about general Internet-related topics

Other People's Books, The Internet

And because signalboosting is love

In between smiling winningly at the lot of you in the hopes you’ll help me with my project, I’d like to take the opportunity to mention some other excellent crowdfunding projects going on. Because I believe in subsidizing awesomeness, not to mention arts patronage and signalboosting!

First, I give you We See a Different Frontier, which is on Peerbackers rather than Kickstarter–but the same general mechanism of crowdfunding. (Peerbackers collects payment via Paypal rather than Amazon.) This project is for an anthology about colonialism in space, but they’re specifically interested in non-white, non-First-World perspectives, and it’s headed up by Djibril al-Ayad, general editor of The Future Fire, who I know via the Outer Alliance.

Second, back over on Kickstarter, let’s talk THE WARLOCK’S CURSE: #3 in the Veneficas Americana series, which is M.K. Hobson’s effort to continue the series she started with The Native Star and The Hidden Goddess! I liked The Native Star quite a bit, so if you like steampunk with a heaping side helping of romance and magic, you might go check this out!

Third, if comics are more your thing, you might check out Whispers from the Void™, a project that came across my radar thanks to the Paranormal Mystery list I’m on.

And last but most assuredly not least, I’d like to give serious plugging love to Mine to Love, the Kickstarter by none other than Leannan Sidhe, a local musician who’s worked with (and performed with) my very own Dara! She’s working to get her second album out, and I’m here to tell y’all, girl can sing. She has an amazing sweet soprano voice, and so if you like music by oh, say, Loreena McKennitt, you cannot do wrong at all by checking out her work!

Anybody out there know of other awesome ongoing projects you’d like to promote? Link ’em up in the comments and spread the signalboosting love!

The Internet

PSA: About that I Write Like meme going around

Y’all might want to check here and here for what seems to be going on with that. This is what you get for when bored geeks are on the case.

(I myself have been told I’m reminiscent of Esther Friesner and Barbara Michaels/Elizabeth Peters in some ways, which means quite a bit more to me than some random meme, so hey!

But what I’d really like is to be told ‘you write like somebody we’d like to publish, here, have a contract to get you into print!’)

The Internet

On being a consumer vs. being a creator

So yeah, the iPad has dropped, and it’s caused the obligatory storm of reaction all over the Net. Cory Doctorow in particular, I noted, had a very passionate post up on boingboing about why he’s not going to buy an iPad and why he thinks the rest of us shouldn’t either. Now, most of his arguments I’m not going to touch upon, but one thing I did want to mention was something I’ve seen brought up quite a bit elsewhere.

Which is to say, objections to the iPad on the grounds that it’s intended for people who want it to consume content, rather than create it.

And with all due respect, folks, I have to call bullshit on this on two grounds.

The first is that I’ve already heard people who’ve bought iPads geeking out about starting to write and do other creative tasks on them; , for example, I saw saying something about getting a wireless keyboard talking to hers. Related to this, speaking as someone who’s done a fair bit of writing on her iPhone, I can say right now without even having touched an actual iPad myself that I could write on one, too, if I wanted to. Sure, it’s being marketed with the overall idea of “look at how many shiny things you can watch or read on this, ain’t that neat?” But the point is, anybody who puts their mind to it can probably very quickly figure out how to make the device let them get some work done on it. Maybe not up to the same standards they could on other devices–and maybe those other devices let them get the job done better, which is why they prefer them. That’s fine, that’s not the part I take issue with.

Which leads me to my second point.

More than once I’ve seen this notion of “oh, the device is only meant to consume content, not create it”, presented in such a way that it somehow implies that consuming content is bad. This too is bullshit, and here’s why: there’s not a one of us who isn’t a consumer of content at some point. Every last one of us. We fling links to YouTube videos around. We all read blogs and online news. We laugh ourselves silly at pictures of funny cats. Even those of us who ostensibly fall into the “creative” camp gobble up our share of the content, and we all have our days when we’re consuming more content than we’re actually creating.

You know what, though? I think a lot of us creative types sometimes forget that the “consumers” are in fact the ones that we want buying our content. It’s easy to sneer at a device that’s only intended to let its user watch or read, but what about when the material being watched and read is something created by you?

“But Anna,” I hear you saying, “we’re only sneering at the people who let the content passively come to them and don’t let their imaginations be sparked by it!”

Again I say, bullshit. How can we know who’s going to be reading our books or listening to our songs at any given time? How can we predict how our work will engage them? What if a reader is a very quiet and private person who doesn’t feel the need to share with others how our work may have affected them, and just wants to keep the couple of hours of pleasure we may have given them to themselves, as a nice little experience they have to savor? Not everybody is an extroverted fan who will feel up to writing fanfic about our work, or composing filk, or jumping onto every forum or mailing list they’re on and gushing all about how awesome we are. Not everybody has the same creative spark we do.

And I really, seriously think that we creative types need to remember that. We need to remember that it’s okay if someone just wants to kick back for an hour or two and enjoy the content we’ve created without any expectations of how they should engage with it. We are, after all, hoping to entertain them. Let’s let them be entertained, okay?

And let’s let them do it on any devices they damn well please. If anybody out there is reading Faerie Blood or Defiance on an iPad, more power to you, and I thank you for your support!

The Internet

Please help Peter Watts

A lot of you reading this will probably see this posted elsewhere, but just in case you haven’t, word is going around the Net today about how Canadian SF writer Peter Watts was stopped at the US/Canadian border on his way back into Canada, beaten by border guards, and released in his shirtsleeves into the middle of a snowstorm. Various pertinent links include:

I’d previously downloaded the four Creative Commons copies of Peter’s novels from his site, and have elected to send him a Paypal donation for roughly the amount I’d have paid for these books if I’d bought them in paperback in a store. If like me you are deeply appalled that this happened to him, I would encourage you to consider sending him whatever you can spare as he gets a defense fund together.

More formal efforts to get something organized for him are underway, but in the meantime, he has a Paypal donation button here. If you use it, please also send him a separate note specifying that you’re donating to his legal fund since the button was originally set up for veterinary bills for his cats.

Thanks, folks. Let’s hope this works out for the best.

ETA 12/12/09 11:47am: Peter has posted again with an update, specifically touching on how a Michigan newspaper story on the incident is telling a version of events that contradicts what he said happened. He’s clearing up a couple other points as well, and voicing his thanks to folks who have given him support.

Publishing, The Internet

Harlequin founds vanity imprint; Internet asplodes!

Now I know several of you likely to be reading this are writers, either already published or aspiring to get that way. Among you, I know that several are specifically involved with the romance genre or the urban fantasy/paranormal romance genre. So you’re probably already aware of the huge debacle that’s exploded across the publishing blogs the last couple of days about Harlequin opening up a shiny new vanity publishing imprint.

I posted earlier this week about another new Harlequin venture, Carina Press. Which I thought was pretty awesome. Harlequin’s new vanity imprint? Not so much.

Here are a whole bunch of links expounding on the brouhaha:

My take on the matter? Well, initially I was going to say that I didn’t really have a horse in this race, since I’m an SF/F author, not a romance author–but pointed out and quite correctly that actually, any writer of fiction has a horse in this race. The reason for this is that if Harlequin actually pulls off doing this imprint of theirs, it’s highly likely that other big NY-based publishers will follow suit. As Writer Beware calls out, a couple already have, although they’ve apparently taken pains to be less obvious about it in their branding.

And, the big sticking point for me is that according to the spin that was going around the Smart Bitches thread from a Harlequin rep, they will be including in standard rejection letters an upsell to the vanity imprint. Which essentially means that an author who comes to Harlequin via traditional publishing routes and who gets rejected would be getting told “we don’t think your book is good enough to be a Real Book, but if you pay us enough money, we’ll humor you and print it anyway!”

This goes against the unshakeable law of writing: money flows to the author. Always.

So yeah, this is huge and the furor is still ongoing. I’ll be very, very interested to see what Harlequin does now that they have not one, not two, but three professional writers’ organizations angry with them.