Books

One more book update

I’m not sure yet if this is the last round of B&N freebies; the promotion was supposed to run up through the 14th, so I’m thinking there’ll be at least one more round before they’re done. This one I’m particularly happy about though since it includes King Solomon’s Mines, a novel that’s specifically called out in the Amelia Peabody series by Amelia herself when she describes the adventures her family has. Woo!

Here they are. As you can see they’re all generally famous historical classics and I’m pleased that the Fairy Tales one is in there too.

  • Two Years Before the Mast, by Richard Henry Dana
  • Sailing Alone Around the World, by Joshua Slocum
  • The Enchanted Castle and Five Children and It, by Edith Nesbit
  • King Solomon’s Mines, by H. Rider Haggard
  • Kim, by Rudyard Kipling
  • A Connecticut Yankee in King Arthur’s Court, by Mark Twain
  • The Canterbury Tales, by Geoffrey Chaucer
  • The Prince and the Pauper, by Mark Twain
  • The Jungle Books, by Rudyard Kipling
  • The Arabian Nights
  • Gulliver’s Travels, by Jonathan Swift
  • Fairy Tales, by Hans Christian Andersen

Meanwhile I have finally bailed on the hiatus! Friday evening, I went to meet userinfosolarbird, userinfospazzkat, and userinfojennygriffee for dinner after their day of PAX, and after, since Jenny and I had had a bit of plum wine, we decided to hang out in B&N until Jenny felt okay to drive. “Oh DARN,” we said to each other, “whatever shall we do in a bookstore?”

The answer for me was “buy the latest by userinfomizkit and userinforachelcaine“! So I walked out with Truthseeker and Total Eclipse, respectively! Had a sharp eye out for userinfoseanan_mcguire‘s An Artificial Night, but didn’t see that yet.

Still holding off a bit on buying new ebooks, though. Wanting to make a bit more progress through the Amelias, up to at least The Falcon at the Portal. And probably up until the next paycheck anyway.

Total for the year: 275. It’ll be interesting to review these numbers and see how many of these books were freebies, how many were digital, and how many were print. Possibly also how many were both!

Publishing

Print vs. digital, addendum

Two different people have brought up to me in the comments on my last post a point which I wished to call out and separately address. To wit, that part of the question of print vs. digital is a question of privilege.

It absolutely is, I agree. That I am able to own not one, not two, but three different devices capable of reading ebooks (my nook, my iPhone, and my computer, and yes, the computer counts) is absolutely a question of my privilege of having enough income to do so. This is me acknowledging that. Since I grew up in a family environment that had quite limited income, I daresay this went a long way towards books being the one big indulgence I generally allow myself. (I apparently lack the usual girly genes involving clothes, shoes, purses, makeup, etc. All my disposable income goes to books, electronic devices, and music.)

I very, very much respect and acknowledge the fact that even though prices on ereaders are dropping regularly, they are still very much luxury devices. Many will not be able to afford better than secondhand prices for books in general, which counts them out of buying most if not all ebooks, and never mind the expense of a device to actually read them on. This is one of the biggest reasons that people who like to read digitally really, really should never snark on people who prefer to read in print.

At the same time though let me point out that the question of privilege is not entirely one-sided here. There’s also the question of health and age privilege; consider for example the oft-quoted scenario of a nearsighted person who finds that reading on an ereading device, and therefore being able to adjust the font size to something comfortable for them, means they can suddenly read a lot more easily than they can a print book. I’ve seen countless people testify to this on various blogs and on Twitter, and a couple of people have talked about it directly to me.

This though was the point of my original post: i.e., that both print and digital readers have very good reasons for preferring to read in the formats they do, and to express the hope that each side will refrain from snarking about the other. As I said in the comments on that post, publishing is going through massive upheaval over not only the formats of books to be published in, but over its ongoing ability to make money in general. Nobody knows how things are going to shake out in ten, fifteen, or twenty years down on the line, although predictions abound. It’s very scary, all around!

One thing though I’m pretty sure we can all agree on: books will survive, in one form or another, and as long as that is the case, there will be people to read them.

P.S. Sorry about comments being disabled on the LJ and DW mirrored versions of that last post. I’d forgotten I turned those off for a previous poll post, and never turned ’em back on! You may now comment on the original WP post as well as its LJ and DW mirrors.

Publishing

The print vs. digital divide

Y’all want to know the fastest way to get an epubbed author’s blood pressure spiking? Refer to printed books as “real” books.

This got shoved into the front of my brain yesterday when one of my favorite local bookstores linked off to an opinion article written by a twenty-something who was stridently against electronic readers–to the point that they’d confessed to having irrational hatred for seeing other people reading them. One of their primary objections to them appeared to be that they could no longer sneak peeks at what those other people are reading, if they’re reading electronically! They proceeded to wax eloquent for several following paragraphs about why they would never stoop so low as to acquire an e-reader, because they loved “real” books too much. Snarky commentary was made about how e-reader enthusiasts got on this person’s case about “what are you, a Mennonite?” And even the bookstore in question, in their linking to this article, dropped a cute little remark about how they “don’t have anything against e-readers, no wait, maybe a little”.

This makes me sad.

Part of it is of course that as an epubbed author, I’m really tired of hearing the print books getting referred to as the “real” books. This carries the automatic implication that digital books are “not real”. Imaginary. Lesser in value than books that were fortunate enough to get put into print. Which is an awfully cruel thing to say to somebody who labored just as hard to get her epubbed book written as the authors who are in print. I guarantee you, people, that to us epubbed authors, our stories are every bit as real to us as the ones that are put down on paper.

Part of it though is the bigger question of the print vs. digital argument. It’s yet another variation of the “this thing vs. that thing” debate that crops up in every single aspect of our daily lives: Coke vs. Pepsi. PC vs. Mac vs. Linux. Emacs vs. vi. Etc., etc., on and on, with each side espousing the virtues of whatever they’ve committed to and often sneering at the other side, who are clearly not clever enough or intelligent enough to realize the virtues of the Right Choice.

Don’t get me wrong. I get that the digital book is a threat to traditional bookstores, and that indie bookstores in particular, who have been struggling for ages against the bigger chains, are going to hunker down and cling to their print books for as long as possible. But I’m really tired of the print side sneering at the digital side, and vice versa. For me as both a writer and a reader, this loses sight of the most important thing: the story.

You tell me a good enough story, I’ll read it in whatever format is available–print, digital, on the back of a cereal box, in fortune cookies, in tweets, in skywriting, whatever. Seriously, I do not care about the format. I care about the story. Print has its virtues for me, such as the art of a beautifully designed book–Tolkien’s The Children of Hurin comes immediately to mind. It’s also lovely for reading if the power is out, or if you’ve left your Nook or iPhone at home and/or uncharged. And although this makes me sad too with my writer hat on, truth be told, writers still are compensated better for print than they are for digital. I’d love to see that change, but I’m not expecting it to do so quickly.

In the meantime, though, digital also has its virtues. Many folks like how a well-used book will have crinkled corners and bent pages and such, and this to them is a sign of how much the book is loved. For me, though, that’s an irritant. Because I love my books, I don’t want to damage them. And if I carry them around in my backpack on a daily basis, they will get damaged. Therefore, for me as a reading choice, a reader makes more sense because in its protective case, it’ll take a lot more abuse than a paperback or trade will. Never mind a hardback, which is often going to be too bulky to carry around easily anyway.

You tell me a good enough story, though? I will buy you in print and digital. Print to keep the archive copy around, and digital for day to day reading. I am living proof that you don’t have to choose one or the other. I long for the day that publishers will start offering sales of both print and digital for one nice premium price, because I will totally put down money for that.

In the meantime, though, print enthusiasts, I beg you, please don’t look down your noses at the digital fans. Digital fans, same goes for you in reverse. Let’s just all just agree that yeah, each of us will have our personal preferences as to how we like to read, and get back to the important thing that we all have in common: i.e., reading. Thank you!

Books

Book update!

I came to the decision that since I’d violated my New Books Hiatus by buying that antho (although I still excuse myself for that on the grounds of Special Circumstances, and also, supporting userinfojpsorrow), I am therefore delaying buying new books at least for a few more days even though the Hiatus is technically over!

So I’ll be going at least until my paycheck which should drop this weekend, or if I feel really virtuous, the next paycheck. 😉 I know a lot of fine, fine authors have had new titles come out lately, and I know that Good and Virtuous Readers Who Want to Support Fine Authors should buy them during their release weeks… but hey, folks, still trying to come out of rent shortage here. I’ll buy those books ASAP, I promise!

Besides, I’m still working through the Great Amelia Peabody Reread, and it’ll be a bit yet before I’ll be done with that. Just finished The Ape Who Guards the Balance, and will now be breaking out of publication order to jump to Guardian of the Horizon, which is actually the one that’s next chronologically. Then I’ll read the new one, A River in the Sky. Then it’ll be back to finishing out in publication order, picking up again with The Falcon at the Portal. Which, by the way, will probably be the next ebook I buy since my only copy of that right now is in hardback and I don’t want to haul that to and from work.

Meanwhile, I’m eying tasty new releases by userinfomizkit, userinfokatatomic, userinfoseanan_mcguire, Mary Robinette Kowal, a couple of shiny new Carina Press releases, and a Diane Duane I saw get recommended over on tor.com. Lots of fun new stuff to read.

But it’s going to have to wait till I’m done with Amelia and Emerson!

I’ll leave y’all now with this latest drop of B&N freebies, and this week’s theme of freebies appears to be supernatural/SFnal, which is awesome:

  • Twenty Thousand Leagues Under the Sea, by Jules Verne
  • The Time Machine and The Invisible Man, by Jules Verne
  • The Strange Case of Dr. Jekyll and Mr. Hyde and Other Stories, by Robert Louis Stevenson
  • The Essential Tales and Poems of Edgar Allan Poe, by Edgar Allan Poe
  • The Legend of Sleepy Hollow and Other Writings, by Washington Irving
  • The Inferno, by Dante Alighieri
  • Frankenstein, by Mary Wollstonecraft Shelley
  • The Picture of Dorian Gray, by Oscar Wilde
  • The Woman in White, by Wilkie Collins
  • Metamorphosis and Other Stories, by Franz Kafka
  • Heart of Darkness and Selected Short Fiction, by Joseph Conrad

Plus, two extra non-classics freebies: Hour of the Hunter by J.A. Jance, and Billy Boyle: A World War II Mystery, by James R. Benn. 261 total for the year!

Book Log

Book Log #58: Crocodile on the Sandbank, by Elizabeth Peters

Crocodile on the Sandbank (An Amelia Peabody Mystery, #1)

My rating: 5 of 5 stars

One of my all-time favorite authors is Elizabeth Peters, a.k.a. Barbara Michaels–and of her many, many works, my all-time favorite hands down is the Amelia Peabody series. Which starts off with a mighty roar in Crocodile on the Sandbank, a book I can go back to again and again. And do!

For those of you unfamiliar with the series, they’re the adventures of a husband and wife team of Egyptologists, set in the late 1800’s to early 1900’s. Book 1 introduces spinster Amelia Peabody, who has set out to tour Egypt following the death of her father and her inheritance of a quite credible fortune from him. During her travels, she takes lovely young Evelyn Forbes under her wing, and the two of them join forces to see the great sites of Egypt.

Cue introduction to the Emerson brothers, Walter and Radcliffe–though the latter detests his given name, and from this book and all throughout the series, he is known to the reader as simply Emerson. Walter’s a gentle and charming fellow, in direct contrast to his obstreperous brother. It should be no surprise to anyone that Evelyn takes to Walter, while Amelia herself clashes with Emerson. And this, my children, lays down the beginning of a long and lively relationship.

Amelia and Emerson are absolutely stunning together. Emerson is bullheaded, tactless, and rude, and has no patience whatsoever for interfering females–while Amelia will have absolutely none of this nonsense, and gives Emerson back every bit as good as he puts forth. That their relationship really gets underway when she has to nurse him out of severe illness should not be taken as anything so plebian as the standard “heroine must nurse hero back to health” romance trope–because Peters plays it splendidly.

As if this weren’t enough (and it’s quite a bit of awesome), there is of course a mystery to solve. Not long after Amelia and Evelyn take up with the Emersons, the dig site at which they’re working is visited by nothing less than what seems to be an ambulatory mummy. There’s murder, assault, and shady suitors. I love it all. I love it all so much. (heart)

The story’s written in first person, with the schtick that it’s the first of Amelia’s many journals, written during her lifetime. Peters gives her a very florid style (Amelia is quite fond of repeatedly mentioning Emerson’s “sapphirine” eyes, for example), but given that Peters is deliberately paying homage to H.R. Haggard and similar authors, it’s very much in theme for what she’s doing. So stick with it, and look out to the end for the inevitable proposal of marriage scene, which ranks as one of my favorite marriage proposals in a novel ever.

And trust me, it’s so very much not a spoiler that Amelia and Emerson get married. In fact, I adore that they go straight to getting married, and clear the way for the length of the series to focus on their married life and their adventures together. Don’t ever let anybody tell you that you can’t base a series on a married couple, folks–because Amelia and her beloved Emerson say otherwise. And you don’t want to argue with a woman with a parasol! Five stars.

Book Log

Book Log #57: Blood, Smoke and Mirrors

Blood, Smoke and Mirrors

My rating: 3 of 5 stars

Robyn Bachar’s Blood, Smoke and Mirrors was favorable reviewed on Smart Bitches, and that’s always a fine thing, so I took it upon myself to check this book out. It was my first from Samhain Press, who certainly did make an impression upon me with the gorgeous cover for this thing. Yeah, sure, it’s yet another Headless Paranormal Romance/Urban Fantasy heroine, but I will at least give this one points for not having a tramp stamp!

Points off, though, for how the girl on this cover is significantly thinner than I think the heroine’s actually supposed to be. That’s one of the things that stood out for me reading through this: i.e., that the heroine frequently describes herself as overweight if not outright fat. So I’m thinking that a bit more realism of cover portrayal might have been nice here, even as I acknowledge that yeah, that probably wouldn’t have sold as well. C’est la vie.

Anyway, the core concept of the book was the other thing that grabbed me: i.e., that our heroine is a witch who’s been banished by her brethren for violation of the Do No Harm rede–in self-defense against a would-be rapist. Naturally, Cat’s pretty bitter about this, and it doesn’t help much either that the one who turned her in was her own lover, Alexander Duquesne. But: Cat’s also in line to become the Titania, the mortal representative to Faerie in her neck of the woods. And cranky as she is at Lex, she’ll have to team up with him to find out who doesn’t want her anywhere near the Titania position.

All well and good. I waffled though about whether I liked the worldbuilding or not; it was certainly clearly laid out and pretty detailed. Some aspects of it were definitely unusual, such as “witches only do this kind of magic and necromancers only do this kind and guardians only do this kind”, not to mention an apparent progression of necromancers eventually becoming vampires. I’ll give due credit for that. I must note though that some of that also made me go “wait, what?”, a bit too much for my liking.

Same deal with Cat and Lex. What kicked this over into paranormal romance land for me, rather than urban fantasy, was three things: 1) their relationship was one of the biggest conflict drivers of the book, 2) there was quite a bit of emphasis about the sexual attraction between them, and 3) the Big Misunderstanding trope showed up. And while paranormal romance land is not a bad place to be in the slightest–witness the number of paranormal romances I’ve read and have on my to read queue–I found myself wishing there was a little less relationship angst and a little more plot.

Cat herself was another thing I waffled about. I liked that she came across a lot as a truly everyday woman, not only because of her weight, but because of her tastes in clothes and food. But at the same time, she was very much in the mold of Smartass Heroine, often to her own detriment, and that’s something I’d really like to see a bit less of in my heroines these days. (Less smartass, more smart.)

Last but not least, I found most of the antagonists a bit too much “evil because that’s their function in this plot” rather than “evil because they have actual motive”. Cat’s father didn’t work for me as a character, and neither did “Lovely Laura Barrenheart”, just because I had a very hard time imagining how any vampire who expected to be taken seriously would actually saddle herself with a name like that. But that said? Zachary Harrison did work, and was deliciously ambiguous.

All in all I liked it well enough, and can definitely see how the parts that didn’t necessarily work for me might work a lot better for others. I think for me this was just a question of taste and style preferences in my reading rather than any real fault of the book. Three stars.

Book Log

Book Log #56: Matters of the Blood, by Maria Lima

Matters Of The Blood (Blood Lines 1)

My rating: 4 of 5 stars

You can’t pick up an urban fantasy these days without getting some variation on the “heroine in tough pose and generally without a head” cover. Nor are your chances good of finding an urban fantasy that does not involve vampires. Maria Lima’s Matters of the Blood has both of these things. But don’t let that stop you from picking this up, since it is in fact a fun read!

First up, this is actually less of an “urban” fantasy per se and more of a “rural” one. I’ve said in reviews of other things (c.f. Doranna Durgin’s A Feral Darkness) that I like seeing contemporary fantasy novels that aren’t set in major urban centers. Lima’s series is set out in a more rural stretch of Texas, and the setting alone adds a lot of color to the book.

Second, while Lima’s heroine Keira follows the standard mold of Heroine Who Has Great Magical Powers and Much Attitude But Who Really Just Wants to Be Left Alone, she’s nonetheless likable. Keira doesn’t go too overboard with the sass, and what attitude she’s got towards her family is justified! To balance that out, she’s got a lively friendship going on with her best friend Bea, and an intriguing almost-a-relationship with Adam Walker, the mysterious owner of a local dude ranch.

Which of course brings me around to the vampire part of the story. It’s not a spoiler to say that Keira discovers that OH HEY this guy’s a vampire; it’d almost be more surprising if she discovered he wasn’t, really. As a character Adam brings nothing new to the vampire milieu, but even given that, I liked him. He wasn’t overly angsty as a vampire love interest goes, which helped.

The mystery’s fun, too, as Keira, her brother Tucker, Bea, and Adam must investigate recent murders around their town–including that of Keira’s undertaker cousin Marty, the one member of their family who has no powers whatsoever. There are interesting power plays going on with Adam and his subordinates, and good backstory to bolster it all up. I’ll be coming back for more. Four stars.