About Me

Breast cancer survivor awareness

Earlier today I had to link again to a post I did earlier this year regarding my take on the memes that periodically go around the social networks (Facebook is where I’ve personally seen this happening but it wouldn’t surprise me if it showed up elsewhere) and encourage women to post cryptic status messages in the name of raising breast cancer awareness. I think I’ve made it pretty clear at this point what my stance is on those memes, and the convenience of linking back to that post is one small part of why I posted it–so I won’t have to post it AGAIN.

This post is a followup to that and has to do with breast cancer awareness in general. As I asserted in that previous post, in my experience it’s pretty nigh impossible, at least in North America, to NOT be aware of breast cancer. For the last several years, I’ve found that in order to NOT be aware of breast cancer, you pretty much have to avoid going in a store or looking at the Internet for the entire month of October in particular. Shelves in American stores get flooded with products branded with pink ribbons. The Safeway I usually get my groceries from holds month-long in-store fundraisers to get people to donate a few dollars along with their purchases, so yeah, I get reminded of what month it is every time I set foot in the place, all throughout October.

So yeah, I don’t think the lack of breast cancer awareness is the problem. If anything, I think there’s so much awareness of breast cancer that it’s taken on this amorphous existence and frequently doesn’t seem to have much connection to reality. Or to the women (and sometimes men) that have to fight the disease in the first place.

This particularly goes through my mind when I see well-meaning campaigns with names like Save the Ta-Tas or Books for Boobs going around. Notice where the emphasis on those names is? It’s on the breasts. As if the breasts themselves are these independent entities that are in danger of extinction, and which must be saved at all costs.

And while I got off pretty lightly in the whole battle with breast cancer thing, I nonetheless have had it change the course of my life enough that I’m really, really tired of seeing so much emphasis placed on saving the breasts and not much at all on saving the women.

Let me tell you a bit about what it’s like to be a stage 0 DCIS patient, Internets.

It means that you have to negotiate with your workplace to take time off to go do radiation therapy. And that even if you’re young and in reasonably good health, it will be a significant drain on your energy and ability to handle life in general. If you’re fortunate, you’ll have a workplace that’s supportive of your medical needs and the simple fact that if you’re having to go do radiation therapy, this means that sometimes you will not actually be in the office. Not all breast cancer patients are that fortunate.

It means that you have to go through several massively stress-inducing conversations with your medical professionals about what exactly this means for your life. Especially if you have a family history of cancer. It means you have to spend many months trying not to flip out because your mother died of cancer, and you’ve been diagnosed at about the same age as she died, and even though you’re not particularly prone to depression or anxiety, you still can’t escape the fear of shit am I doomed?

It means that you have to have mammograms every six months, and if there’s the slightest irregularity in the results, your stress level gets to spike back up. And it means you get to go in for periodic new MRIs, too.

It means you wake up from a mastectomy to discover half of what you used to see every time you looked down is gone. You have body dysphoria because that just does not make sense to you, and your center of gravity is off, and wearing a prosthetic only helps when you’re actually wearing a bra.

It means that when you opt for reconstruction surgery, you get to prolong the months of going in for medical activity as a chunk of your back is moved around in front to build a brand new breast, and that tissue has to be stretched before a proper implant can be put in. This is not fun, and it’s not comfortable, and even once the implant is in it feels distinctly weird.

It means that when your reconstruction surgery is done, you’re going to have some big lingering ugly scars even if you’re more or less symmetrical again. Emphasis on the “or less”.

It means that because a significant portion of your musculature has been rearranged, the entire right half of your upper body is prone to tensing up in odd ways. You have to be careful about twisting in the wrong direction if you want to avoid cramps along your back or chest, and you have to go in for semi-regular massage by way of pain management. Especially during winter months when it’s cold. Or damp. Or both. Like it gets in Seattle. (I don’t so much mind the gray of Seattle winters, but I’ve gotten a LOT less fond of the damp.) And it also means that you have to be very careful not to take too much aspirin or ibuprofen, and that eventually, you have to accustom yourself to a low default rumble of pain in your consciousness. An entirely pain-free day is a blessing and a gift.

Speaking of pain management, it means you get a lot more aware of your personal pain threshholds and you still have to struggle to acknowledge when you’re cranky and stressed because you’re in pain. And you have to still periodically remind yourself that it’s okay to step back and deal with that.

It means you get to be skittish about wearing a one-piece bathing suit, and never mind a bikini, for reasons that have nothing to do with your figure or your weight.

It means that even if you have a decent paying job with good medical benefits, you are still going to sink several thousand dollars into your medical care costs. And let’s not even talk about what a cancer patient who doesn’t have good medical benefits is going to have to deal with. (Hint: see previous commentary re: the fucked-up state of the American health care system.)

It means that you get twitchy every time you see articles like this one circulating the Net, because yes, it has in fact occurred to you to wonder whether you were over-diagnosed, and whether there was any possibility whatsoever that you might have avoided three years of stress and massive surgical procedures. And then you have to just deal with it, ’cause it ain’t like you can go back and change what happened now.

And I was a stage 0 DCIS patient, Internets. Kick this up a few more orders of magnitude for every additional stage of severity a breast cancer patient might go through. I was really, really fortunate and I’m grateful for that to this day. But I’m also very cognizant of what other women I know have gone through fighting this same fight.

So I’d like to ask you all, this coming October, when you see the inevitable Breast Cancer Awareness campaigns fire up… please think about it in terms of the people who have to deal with it.

We are working women and retirees. We are writers and musicians and mining engineers and product managers and countless other professions. We are mothers and grandmothers and adults without any children at all. We are sisters and daughters and wives. We are young. We are old. And we are every age in between. We are countless colors and creeds and sexual orientations.

We are women, and we are defined by much, much more than our breasts.

Thank you.

Vengeance of the Hunter

Vengeance of the Hunter: TURNED IN

Internets, I am pleased to report that finally, finally, I have turned in a draft of Vengeance of the Hunter, book 2 of the Rebels of Adalonia trilogy, to my editor at Carina Press.

I have come away with a few lessons from this. The first of these is that writing to a known deadline has proven harder than I anticipated–not only getting the book done, but planning it in such a way as to produce a still fairly coherent draft. When I sent the book that became Valor of the Healer to Carina, I’d had time to polish the hell out of that. It was draft six.

This time, not so much. I was working pretty much right off the draft of the synopsis I’d sent in to my aforementioned editor, so I had a pretty decent overall idea of where the story was going to go–but holding to it, and keeping the words going, was a challenge.

And um, yeah, I sorta kinda blew my deadline. Not horrendously, but close enough that I’m now going to be hard pressed to plow through the developmental and copy edits when my editor hands them back to me so we can stay on schedule. Lesson learned: start Victory of the Hawk sooner.

Also, have I levelled up again in Writer by stumbling across a deadline, or what? I’m not the first writer to do so and I’m sure I won’t be the last, but um, yeah, my chagrinned face. Let me show you it. *^_^*;;

ALSO: surprising me deeply, this has proven to be the shortest manuscript I’ve ever completed, clocking in at around 76,500 words. Given that Valor of the Healer came in in its final form at 118K, you can imagine that I’m baffled by this TOO. This was me trying to apply my editor’s lessons from the work done on Valor to cut down hard on my natural tendency to verbosity, but I’m thinking at this point that I probably hugely overcompensated. I’ll have to find out when the requested edits come back.

Now, my style has tightened up somewhat since I originally wrote Faerie Blood, as well as the earlier drafts of Valor. Bone Walker came in pretty compact as well. And, Vengeance has a lot less of me setting up the characters since as of this book, I have introduced most of the major characters already–and I’m upping the stakes of what’s going on and expanding the scope of the action as well. So a lot of this book is plot-driven rather than character-driven.

But I’m introducing notable new characters as well and I’m not sure I’ve developed them enough yet. I’ve flagged this as a place where I need guidance, and am now on standby for my editor’s requested changes.

Internets, my brain, it is GOO. But Vengeance of the Hunter in its initial incarnation is DONE DONE DONE. More bulletins as the book begins to progress towards its shipping form. And meanwhile: stand by for further updates on the coming of Bone Walker!

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In which Anna finds her tiny doppleganger

Yesterday was the anniversary of Elvis Presley’s death, and as many of y’all will know, Elvis was my very first musical fandom, the very first musician I ever adored. So naturally, I took it upon myself to post amusing Elvis-related things to the Intarwebz (such as a callback to last year when Alan Doyle sang “Can’t Help Falling in Love” and killed me DED FROM SWOON).

Then a Facebook friend (hi Venus!) sent me this! And this is the most OMG ADORABLE thing I have seen this entire week: a baby girl singing along with Elvis on “American Trilogy”. In no small part because it totally reminded me of how my dad used to swear up and down that among the first words I ever uttered were “Play more Elvis, Daddy!”

I’m not sure what slays me more, how she keeps going Daddy Daddy Daddy HI DADDY, how she then realizes there’s music happening and swaps back and forth, how she starts coming in on “look away”, the bit where she headbangs, or how she’s either conducting the orchestra or maybe playing imaginary timpani in the bridge leading up to the final chorus. <3

If this kid starts asking for Great Big Sea and Le Vent du Nord next, I’m going to have to have a word with Dara about my clones escaping into the wild too early. 😉

Writing

On handling unruly characters

I was asked the following question on Google+:

How do you deal with characters who suddenly hare off and do something you really REALLY didn’t plan?

This is an excellent question, and requires a bit of a longer answer than would fit comfortably into a social networking comment. So here, y’all get a blog post!

A lot of writers I’ve heard address this topic will swear up and down that YOU ARE THE WRITER, BY GOD, so you, not the character, are the one in charge of a character’s actions in a story. From what I’ve seen these tend to be people who have more active plans in place before they start a book, so they’ve got clear ideas at all times of what they expect a character to be doing. Maybe they’ll even have a full outline sketched out.

Me, I’m not quite that much of a pre-planner. I’ve completed four manuscripts to date, and am about to complete a fifth. So far, my way of doing this is to have a general broad picture of what the book’s supposed to be about, going in. This is very similar to how I used to do plots in my days of playing MUSHes, where we’d do things called ‘tinyplots’–i.e., a general broad, open-ended idea of a plot concept–and then the characters on the game would then roleplay the plot out. It’d often go in unexpected ways due to the live, real-time nature of the RP, and that was a known and expected thing and considered to be part of the fun.

Now that I’m writing, I go in with that same broad idea of how the plot should work and some core character concepts for the major members of the cast. I start writing, and maybe I’ll get in a few chapters or so and then take a step back and think, “okay, now what happens next?” I’ll do a little bit of planning, then write that bit, and then do a little bit more planning, lather, rinse, repeat, until the book’s done. I’ll usually be taking notes in an outline file, with chapter summaries, as I go. It’s been a very organic process for me and usually it works.

However, sometimes I will have a character go HI I NEED TO DO THIS NOW, completely out of the blue. This is usually code, in my brain, for “Okay Anna, you haven’t thought something through well enough”–either my concept of what that character is supposed to be like, or else something about the overall plot. It happened to me early on, in fact, in the writing of the book that eventually became Valor of the Healer, and what I did at that point is to just readjust what I was intending to write in the chapters in question and keep going. I was still within the broad overall concept of what I wanted to do, so I wasn’t blocked.

But in another book I’ve got that’s still a work in progress, I hit a point where I realized that what I’d written so far just felt wrong. So in that case I just ditched that draft and started a new one. I was only four chapters in, so it wasn’t quite as severe a situation as having to completely trash most of a book.

How about the rest of my fellow writers out there? How do you deal when your characters raise their hands and go AHEM I’M DOING THIS NOW?

ETA: This post is attracting comments on its mirrors on Livejournal and Dreamwidth, so I encourage readers to check those out to see what a few of my other fellow authors are saying!

Books

August is full of all the awesome books roundup post

Ebooks grabbed from Book View Cafe:

  • A Fatal Twist of Lemon and A Sprig of Blossomed Thorn, by Patrice Greenwood. First two books of a cozy mystery series oriented around a tea shop. Grabbed these because 1) I like tea! and 2) Book 1 was very favorably reviewed by Doranna Durgin on Goodreads. And I’m quite willing to follow her recommendations!
  • Dispossession and Light Errant, by Chaz Brenchley. Couple more books by the excellent Chaz Brenchley, ebook repubs of some of his backlist.
  • French Fried, by Chris Dolley. Humor/true crime, grabbed because I saw it while poking around the BVC site and I thought it sounded potentially charming and amusing.

And from Barnes and Noble:

  • Codex Born, by Jim C. Hines. Book 2 of his Libriomancer series, bought because urban fantasy with book-based magic! Also because I adore Jim’s books.
  • Possession, by Kat Richardson. Book 8 of the Greywalker series. Bought because, as previously mentioned, big fan of those books.
  • Blood of Tyrants, by Naomi Novik. Book 8 of the Temeraire series. Bought because BOOK 8 OF TEMERAIRE SERIES. 😀

144 for the year.

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PSA: Plants Vs. Zombies 2 has shipped for iOS!

The good news: Plants Vs. Zombies 2 has finally shipped from PopCap!

The bad news: It’s iOS only, at least for now. I’ve been poking around and see at least one mention of a tweet from PopCap staff that indicates that they’re releasing to iOS first with other versions to follow later. (Source.) However, no word yet on when this is going to happen.

The good or bad news depending on your iOS device type: Apparently the game requires a front-facing camera. My friend Kaye on Facebook reported that she couldn’t install it on her first-gen iPad, because it complained about that lack of camera. Why in the world the game wants that I couldn’t tell you, but, be advised, those of you with older iOS devices.

The good or bad news depending on how you feel about free-to-play games: The iOS apps are free-to-play. For those of you unfamiliar with the term, that means you can install the games for free, but they’ll make their money selling you oodles of in-game powerups. According to what I’ve read, you are supposed to be able to play through the whole game without having to buy anything.

The HIGH-larious news: PopCap put a zombie ad on the Space Needle. BWAHAHAHAHA.

And, note to self: NO YOU MAY NOT DOWNLOAD THIS GAME UNTIL YOU FINISH AND TURN IN VENGEANCE OF THE HUNTER. JUST SAYIN’.

Publishing

This just in: SFWA boots unspecified member

Just saw this over on James Nicoll’s LJ. He links off to this official notice from SFWA in which they say that an unspecified member has been expelled from the organization.

The now-former member in question being, of course, Vox Day. He has a post up about it on his own site (to which James also links), but I ain’t linking to that guy. Click over to James on LJ or James on Dreamwidth if you’d like to actually see what Mr. Day had to say about it.

(I did actually read his post, which was surprisingly bile-free. But I didn’t look at the comments, because I like not running up my blood pressure.)

And I daresay this would also explain this post of Mr. Scalzi’s.

As I’ve said before, I am not actually a member of SFWA so I have no actual horse in this race. But I do feel like they did the right thing, on the general principle of making the organization more welcoming to people who aren’t raging egregious asshats.

ETA: Also! My belovedest of Daras has an excellent musical contribution of her own to contribute to this topic.