All Posts By

Angela Korra'ti

Music

Back to the eight-stringed path

This post starts, like many of my days do, with the Handsomest of Marketboys yakkin’ at me the other day on my morning walk through the market. I was, I believe, telling him about my forthcoming furlough, in which I shall be not only taking time off from work but also from the Internet–so it’ll be me, my writing, my userinfosolarbird, and my guitar. He told me by way of reply that if I ever wanted a thousand-dollar Stratocaster, I should let him know.

Now this gave me pause for a couple of reasons. One, I already kinda knew that the HofM seemed to have a bit of musical inclination; I’ve heard him sing a time or two off the top of his head. Two, Jesus Jumping Christ on a pogostick, if you’ve got a thousand-dollar Strat sitting around and you’re not playing it, you are doing it a sore injustice. (Said the owner of a near-thousand-dollar Taylor 210, who is very conscious of the General STERNLY awaiting her return to him.)

So I told him I had no need of another guitar, since I had two, and he should be playing his!

Which of course sent me down the path of remembering I haven’t been playing my guitar much lately–not out of lack of interest, but because of change in focus at session. In the back of my brain, though, I’ve been pondering that I’ve got all these other songbooks and things, and other instruments, and it’d be nice to bring at least one other instrument with me to session that I could pair up with the piccolo to trade off between. Maybe not the General since the General’s too much instrument when I’m really playing him and he’s really more of a I WANT TO COMMAND THE RHYTHM LINE instrument anyway, at least in my hands. Which is not what I want to use the General for when I’m in a session.

Bring in Le Monsieur Beaudry and his bouzouki. As I’m looking through Le Vent du Nord’s site gallery tonight, I’m thinking–y’know what, I’ve got a goddamn bouzouki myself. AND an octave mandolin, neither of which have been played much in the last few years. So I tuned up both Autumn and Spring tonight, and looked in my mandolin fakebook, and lo and behold, there is “Banish Misfortune” waiting for me to start playing with it. It’s a slightly different arrangement than what we’ve been doing in session, but that is entirely okay. This is where my fledgling “pay attention to what my fellow session players are doing” powers can start activating!

Tried playing both Autumn and Spring tonight and realized that right now, Autumn’s fret spacing feels more comfortable to me, possibly because I’ve been more used to the General lately so I’ve been used to a narrower neck. So when Dara and I have our off-weeks for session practice, I’m going to start spending time on Autumn as well as with Shine, who will remain my primary session instrument for the time being.

I feel very good about this plan. \0/

August 20, 2011 by
Quebecois Music

Pretty bouzouki player pics achieved!

Now I totally need me a French version of the My Fandom Plays Bouzouki icon.

Because yum, oh my, and hell, he even looks good just HOLDING the bouzouki. Fortunately, he can also PLAY it:

Furthermore, it must be said that damn, that boy’s voice is pretty too:

Also, this pic of the pretty Monsieur Beaudry and his colleague Monsieur Demers on the fiddle TOTALLY wants a caption. I love that look on Olivier’s face. I’ve seen looks like that exchanged between The Doyle and the McCann!

August 20, 2011 by
Music, Quebecois Music

And the winner is…

Le Vent du Nord, who take over as my official Second Favorite Band. They narrowly, narrowly beat out La Volee d’Castors on the grounds that:

  • Simon Beaudry is gorgeous, and as previously noted, I have a marked fondness for cute dark-haired bouzouki players! (Note: yes, I am aware he’s holding a guitar in that picture. I have not yet found a suitably pretty picture of him with a bouzouki. Being imaginative, I can extrapolate!)
  • LVN actually seem to periodically do US shows, if their tour calendar is any indication. Which means there’s an off-chance I might actually get to see them perform if they ever head out this way, and if they do, I am ALL OVER THAT.
  • LVN’s website has an English edition as well as a French one. LVC’s website currently does not, and while I can still kinda poke my way around theirs and make reasonable guesses about what’s what, a coherent full English site is still more helpful.
  • LVN also provide lyrics on their website. While I speak only a meager handful of phrases in French, I can at least use the French lyrics to read while I’m listening to the songs, which can let me start to try to parse them as words, as opposed to “lyrical nonsense being sung by guys with sexy voices”! The English lyrics provided are spotty at best, and are clearly the half-assed output of a translation engine, but they are at least enough to give me a half-assed idea of what various songs are actually about.
  • Nicolas Boulerice has a hurdy-gurdy, and Unusual Instruments FTW!

Now, all this squeeing aside, LVC are still very, very close behind the gentlemen of LVN, on the strength of their music alone!

And I fear that Carbon Leaf has now slipped to fourth place. Sorry, lads! (I do however resolve to check out CL’s forthcoming live album/DVD set, and show them some love too.)

August 18, 2011 by
Music

I’ll get the hang of this yet!

userinfosolarbird and I have been doing this thing for the last several weeks where we go to session only every other week–and use the off-week as a practice night. Meanwhile, I’ve shifted from taking the General to session to taking my piccolo instead, and focusing on learning the actual melody lines for various tunes.

This is working out pretty well! I can only play five or six tunes semi-reliably–by which I mean, I can actually play “Si Bheag Si Mhor” by heart, and about five others if I’m reading the sheet music at the time. I ALMOST have “Banish Misfortune” down by heart but the C part is still eluding me. What this tells me though is that by practicing, I CAN learn these things. And it gets noticed in session, too! Once you start showing up and being able to play the tunes, you get significantly more cred, even if you’re still pretty much a newbie like me.

Right now I’m focusing my efforts on the handy dandy PDF session leader Matt gave me, with about 25 tunes he’s fond of and considers a good introduction to sessions in general. From that, I’ve been working on “Banish Misfortune”, “Road to Lisdoonvarna”, “Morrison’s Jig”, and a bit of “Blarney Pilgrim”. Although I haven’t actively practiced them yet, I can also whip through “Kesh Jig” and “Foggy Dew” if I’m reading the PDF.

Meanwhile, I’ve got TunePal on the iPad and I spend a good chunk of session these days just listening to what the others are doing–and seeing if TunePal can figure out what the tunes are so I can save ’em for later exploration. Half the time, the app has a pretty good idea of what it’s hearing. If it wibbles and has no goddamn idea, I’ll just ask! Then I can look it up manually. And once you have a tune in the app, you can make it play it for you, adjusting the tempo if you need to. It’s a GREAT learning/reference tool for session newbies. Highly, highly recommended if you have an iPad.

Last night’s session in particular was relaxed and groovy, with just me, Dara, Matt, and a couple new folks Dara and I hadn’t met before, a woman who played fiddle and mandolin and a guy who played guitar and bodhran, and from them I picked up a couple more tunes to add to TunePal for later investigation: “The Yellow Tinker” and “The Frieze Breeches”. Plus, I had to giggle and giggle at one particular wibble TunePal had trying to identify tunes–when it offered me “Whiskey Makes You a Lunatic”. Which had NOT A GODDAMN THING to do with what was actually being played, but the title alone made me LOL, so I had to add it to my list.

And to tie back to my French Canadian fangirling post, I’ve also decided I have designs on learning “The Jig of Slurs”, “Irish Washerwoman”, and “Atholl Highlander”, which make up the “Fortierville” set that’s track one on La Volee d’Castors’ kickass live album. It’ll be approximately oh, I dunno, EIGHT YEARS before I’m able to play that set nearly as fast as they do, but TunePal helpfully provided me the sheet music to each. I’m armed. I’m dangerous. I HAVE A PICCOLO. BRING IT.

August 18, 2011 by
Television

Big Finish just levelled up in AWESOME

So I’ve been following my Doctor Who Podcast boys for a while, and one of the awesome things they did a while back was to interview Scarf Doctor himself, Mr. Tom Baker. In that interview one of the questions raised was whether Baker would consider joining the Fifth, Sixth, Seventh, and Eighth Doctors in recording audio adventures with Big Finish. At the time Baker made ambivalent yet interested noises, and userinfosolarbird and I both were all OOH OOH YES PLEASE DO THIS.

People, it looks like Big Finish have indeed scored Tom Baker. There are going to be new Fourth Doctor adventures as of next year! With Leela as the Companion in the first set of them, and Romana I coming in for the second set!

I told Dara this last night, and watched her eyes get huge and her face light up. She then informed me that we need ALL OF THESE–given that Leela is her favorite Classic Who Companion and all! That set is due out in January 2012, so WOO! Yule present, baby!

So for those of you who like Scarf Doctor, GO TO. Hell, you should check out Big Finish if you haven’t already, because they do excellent work with the other Doctor adventures they offer as well–full cast plays with excellent sound effects and music. They have several productions in particular of stories that had been scripted for the TV show but never got produced, and so they call those “Lost Stories”. Great fun!

August 17, 2011 by
Quebecois Music

Fangirling, French Canadian style!

Nobody, and I mean NOBODY, can ever dislodge my beloved B’ys from the top of my music list–but I gotta say, Le Vent du Nord and La Volee d’Castors are duking it out HARD for the esteemed position of My Second Favorite Band. Especially after I went and found some videos of Le Vent du Nord this afternoon, and realized WHOA HEY WAIT A MINUTE, their guitarist/bouzouki player is really rather cute. Thus continuing my grand tradition of being partial to cute dark-haired bouzouki players!

Here, have some Le Vent du Nord goodness, them doing “Cre Mardi”, one of my favorite songs of theirs. The dude in the front, nearest to the person who took the vid, is the aforementioned cute guitarist/bouzouki player. When he moves out of the way towards the latter half of the song, you can see more of the awesome podorythmie action from his bandmate behind him! WHILE THE GUY IS PLAYING THE FIDDLE. I mean damn.

I grabbed a couple more of theirs for my YouTube favorites list as well, like this one, which is a full ten minutes of a capella excellence (all four guys in the band take turns singing lead, and I got a giggle out of this one featuring a tune La Volee d’Castors covered, “Les Coucous”), and this one, which is also long but is a nice segue from an instrumental into vocals. Mad props to YouTube user bordurat, too, who took all three of these vids and who is clearly an LVN fan.

For comparison, I also give you La Volee d’Castors here and here. I like these guys just about as much as Le Vent du Nord–their harmonies aren’t as smooth and polished in these vids (although NOTE: they’re really a lot more polished on their latest album, Le retour), but they have GBS-like levels of vigor on their awesome live album Y a Du Monde À’ Messe! and I TOTALLY want to see them in concert. And check THEIR foot-rhythm guy, who totally meets and matches LVN’s–LVC’s guy makes with the footstompy + accordion!

I highly recommend both of these groups for any GBS fan who either speaks French or digs the sound of it sung!

August 15, 2011 by
About Me, Valor of the Healer, Writing

I have a cunning plan

Which is to say, I’m going to take the entire week of Labor Day off since I have the vacation time to spare, and work on finishing my edits. To further this goal, I will be also dropping off the net for the duration of that week. I’ll still be answering email, but I won’t be monitoring Twitter, Facebook, or Google+, and for the most part I’ll only be answering email sent directly to me (as opposed to any of the mailing lists I’m on, or comments on any of my posts).

Noting this now by way of general accountability. I may post status updates during that week–again, for purposes of accountability–but I can’t guarantee I’ll answer any comments on them.

We’ll see how much I can get done before then; any little bit I can get done before does after all further the goal. And anything I can write above and beyond finishing the edits on Lament will be bonus. Christopher and Kendis are looking VERY expectant in the back of my brain, you know.

So there you have it. If you think you might want to get a hold of me during that week for whatever reason, email, text, or phone will be best! If you think you should have those means of contacting me and you don’t, let me know.

August 12, 2011 by