As you know, O Internets, in the ongoing dearth of Great Big Sea shows in my life, I have turned to the joy and consolation of the principle of “Any Band With a Beaudry gets me across the border”. Which of course means mes gars of De Temps Antan–who last year broke my personal record of “How many times I visited Canada in one year to see the same band”–and most definitely, Le Vent du Nord!
By now the Rogue in Vancouver has a very warm place in my heart, since I’ve seen both Le Vent and De Temps Antan there twice each. This time around the venue was not set up with tables, which surprised me! But Le Vent did sell the place out, so it does not surprise me that they wanted to get as many people in there as possible. And most importantly, they did leave space for us to boing by the stage as we liked. That’s important, you know.
As for the show itself–it’ll surprise exactly no one that I enjoyed myself immensely. Particularly because this show included five, count ’em, five brand new songs that’ll be on the forthcoming new album, AND because we got the rare and unexpected treat of Olivier Demers taking a break from his usual masterful fiddling to demonstrate that he also plays guitar. AND: “Papineau”, a multi-layered turlutte that showcases all four of the boys’ voices to splendid effect, is now officially one of my top favorite Le Vent songs and that album isn’t even OUT yet. Everyone was in excellent voice and high spirits, band and audience alike, and by the end of the proceedings we had quite the crowd dancing around to “Au bord de la fontaine”. It was AWESOME.
In-depth show proceedings behind the fold!
My third visit to St. James Hall, a.k.a. the Rogue, proved every bit as delightful as expected and as they always do, De Temps Antan put on a lively and spirited show.
A satisfyingly large posse of my local AND online Quebecois trad fandom friends were on hand: in addition to myself and Dara, Dejah and Michelle from the Seattle crowd came up for the show. Ginny and Gary from Coquitlam were on hand, as well as Carol all the way from Iowa! And this time I brought Geri along so that she could see De Temps Antan in action, since she had not before. We all claimed a table close to the front of the room, since Ginny and Gary had ever so helpfully reserved it. There was singing! There was podorythmie! And there may possibly have been mammoth jigs on Dara’s head while the band was playing “Valse St-Sévère”.
Full deets behind the fold!
When you go to Canada for two consecutive weekends, Internets, you tend to get behind on posting stuff to your blog. Which means for you that I got delayed posting my writeup of the MOST excellent concert by De Temps Antan at the Rogue. But I’m home again, and posting again, so here you go!
Previously in our adventures with Festival du Bois 2014, yours truly got to chat with both Éric Beaudry AND André Brunet after the close of official festival events on Saturday night! And y’all may recall that SOMEBODY got a little creative with how he did his signature on the inside of my copy of Ce monde ici-bas!
So what happened? Full concert blow-by-blow behind the fold!
As you know, O Internets, I was extremely eager for my first Le Vent Du Nord show. I’ve been getting ridiculous amounts of glee out of listening to their albums and watching their YouTube videos, and of course, I had the challenge laid down by fellow Le Vent fan Susan that in her considered opinion, Le Vent gives much better concerts than Great Big Sea! Which, of course, is a mighty challenge indeed to issue to this passionate Great Big Sea fangirl. And so, the question of the hour is: how did Le Vent do?
Let’s put it this way. I ain’t saying I’m throwing over The Doyle for Simon Beaudry, when it comes down to Most Favored Bouzouki Player Who Isn’t Dara–but I will say it’s a damn fine thing that I have room in my heart for all manner of joyous music. And love my B’ys as I do, they better be bringing their A game when they go back on tour next year, because the show Le Vent put on for us in Vancouver shot straight up to stratospheric levels of awesome, and it will be extremely hard to top.
I hadn’t been to a GBS show that tiny since they stopped playing the Showbox in Seattle, and the level of energy they let loose was every bit the rival of those earlier GBS shows. Le Vent might not have the same sheer physicality that the B’ys do; they don’t bounce around the stage the same way at all. But that’s every bit of quite all right, because all the energy they didn’t spend bouncing came right out their instruments. They were charming and funny, especially Réjean Brunet. Simon’s singing is a direct threat to the structural integrity of my knees. Olivier Demers does amazing things with his fiddle, especially given the amazing things he does at the same time with his feet. And Nicolas Boulerice? That man commands a room with his voice, and when he unleashed a solo that caused Dara to use the phrase “bitchin’ metal hurdy-gurdy solo”, he was channelling lightning.
But that’s just the picoreview! This being a patented Anna the Piper In-Depth Concert Squeefest, let me get into the details!