Browsing Tag

quebecois music

I’m a raving fangirl for Quebecois traditional music, and have had the great pleasure of meeting several musicians who perform in the genre. I’m also learning to play a bunch of the tunes in the Quebecois trad repertoire. I post a lot about all of this, and this tag is for those posts!

Quebecois Music

Le Vent du Nord at Hermann’s Jazz Club, Victoria BC, 4/6/2013

I made absolutely no secret of how crushed I was, Internets, when I missed Le Vent du Nord’s Oregon show this past November. And I was quite disappointed as well when the symphony show in Vancouver was cancelled.

But tonight, I am thrilled to report that the show at Hermann’s Jazz Club in Victoria, BC, completely and utterly made up for both of these things. It was short but tight, and a truly intimate little show. And OMG YOU GUYS, Dara and I managed to snag a table right smack in front of the stage!

Clickie for the in-depth show report goodness!

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Events

This year’s Norwescon!

I’ve had more fun at Norwescon in recent years, in no small part because it’s actually pretty cool to be Dara’s water fairy–i.e., the person who runs water to the musicians she’s bringing in for the concert tracks. It means I get to hang out listening to all the music, and every so often, somebody’ll play something really awesome.

For example, this is the year I discovered Molly Lewis and Hello, the Future!, both of whom involve awesome geek girl singing. And ukeleles. I’m totally now hearing the Doctor in my head saying “I play a ukelele now. Ukeleles are COOL.” And while nerdcore remains not really my Thing, I did nonetheless quite enjoy what I saw of Klopfenpop and Death*Star, in Dara’s MONSTARRS OF NERDCORE concert.

But I also had quite a bit of fun attending three excellent panels. One was a complete geek-out about the movie edition of The Hobbit, in which I amused the panelists by announcing I was reading the book as we speak, in two different languages (and I was told that why yes, that IS extremely geeky). I was particularly pleased that one of the panelists was a young woman who’d just taken a semester on Tolkien at the U-dub, in fact–and that the two men on the panel cheerfully deferred to her as their expert, since her knowledge of the canon was significantly more current.

It will probably surprise none of you that the entire room was pretty much in agreement that 1) yes, we all liked the movie, 2) yes, we all had issues with the movie, and 3) yes, we’re all going to go see The Desolation of Smaug, probably two or three times. I was also quite, QUITE amused at one dude talking about how they prettied up Thorin, Kili, and Fili to get them to appeal to the “tweens and twenty-somethings”, at which point I and the fifty-something woman behind me were all “whaddya mean, twenty-somethings?” Because yeah, we were on board with the Unexpected Hotness of Dwarves.

Another panel was excellently moderated by Diana Pharaoh Francis, and was about Rogues and Anti-Heroes in Fantasy and why we love them and such. We had a delightful discussion about the differences between those character archetypes, and moreover, I was quite charmed by Diana’s purple hair. And Browncoat lanyard. You can’t go wrong with a Browncoat lanyard.

The third panel I quite enjoyed was one on Big Publishing Vs. Small Publishing Vs. Self-Publishing, which, for reasons that should be obvious, is Highly Relevant to My Interests. I wasn’t terribly surprised to see the guys who run small presses of COURSE being all “but of course you should send your stuff to big presses and if not then the small presses”… and this was where I started diverging in opinion from them, because I’ve come to believe that whether or not you submit to a big NY press should in fact depend on what your goals are and how much patience you have. Meanwhile, though, the two women who had more experience with self-pub had stern opinions about whether or not big publishing had worked for them (spoiler alert: it hadn’t, not really).

And in particular, I was pleased to note that Karen Kincy, an author whose book Other had been recommended to me, was on this panel. She spoke quite passionately about her experiences and why she chose to run a Kickstarter for the fourth novel in her series. As a Kickstarter author myself, that was pretty much the most interesting part of the panel for me.

Meanwhile, I had the pleasure of meeting a couple of local authors I’d seen at a previous Norwescon–Tiger Gray and Vivien Weaver, who have a couple of books in a shared universe that are published under the moniker of Hard Limits Press. When they found out I was an author as well we had quite the delightful chat about each other’s covers–and when I told them I had a book coming out from Carina, they were all “ooh, Deb Nemeth” and I said quite happily that she’s my editor. I quickly bought both of their books in trade, and then came home and bought them again in digital form just so I’d have them easily at hand for my commutes.

And. AND! I sold five print copies of Faerie Blood, three of which were with the help of the lovely people of Book Universe. I sold them on consignment so I didn’t get as much money for them, but hey, they were sold, and I was quite happy to give them a cut for doing the work of selling the copies for me!

Music-wise, I had huge fun at the Find Your Instrument panel, in which I totally bugged userinfosolcita to show me her violin. Because RESEARCH. Also because AWESOME. I finally got it explained to me exactly how a violin does in fact physically differ from a fiddle, and even managed to get a few coherent notes off of Sunnie’s instrument. WOW, holding that thing felt weird to flute-player me, since it was at a completely different angle. And playing it felt even weirder, since I had to try to figure out how to angle the bow to get it to make proper noises against the strings.

I did learn two things that may eventually become useful when writing Kendis, though. And those are: 1) there’s not really any such thing as a chord on the violin, but you can sometimes play two strings at once and that seems to be about as close as you get; 2) if you want to do quick staccato notes, you will want to bow down rather than up, since you get more force that way. (Since one of the questions I asked Sunnie was how to know which direction to bow when.)

Cascadia’s Got Talent was fun again this year, even if it was short, and was sadly lacking in a gong. But that was okay, since nobody was really bad enough to deserve being gonged, and a couple of people were actually actively funny and sang well. And I did love Dara’s schtick about the grand prize of Metro bus passes to Kenmore (“Kenmore! It’s on the way to Bothell! Kenmore! We used to be interesting, thank God THAT’S over! Kenmore! Where the appliances go to die!”).

Dara and I closed out the con with what’s becoming a tradition–the Intro to Irish Session panel, which is small but fun and eventually I’ll have enough damn tunes to actually carry a fair share of one of these. But in the meantime, this time, I heavily geeked out about podorythmie and Quebec music as opposed to Irish music, and had the delight of a lady in the audience name-checking Le Vent du Nord. “YES!” I proclaimed happily, as the aforementioned userinfosolcita beside me gestured in my direction in a “why yes she IS a raving fangirl” sort of way, “I love them!”

And I got told by Alexander James Adams that my singing was good on the GBS fanvid that Dara and I showed off to him. Which was awesome. <3

Music

Le Vent du Nord Plan B is GO

Because I am damn well going to see some Le Vent du Nord SOMEWHERE this coming weekend, I have now enacted Plan B: going to the Victoria show on Saturday night!

Advantages to this plan:

  • Dara is coming with me so I’ll have oodles more fun anyway
  • Dara and I have never been to Victoria and we’ve kept meaning to go, so this is an excellent excuse
  • We can go up on the ferry and come home on Kenmore Air–not quite practically to our front door, sadly, but Lake Union is still a lot closer to Kenmore than SeaTac so it’s all good
  • Seeing Le Vent at a jazz club as opposed to a symphony venue means WOO audience participation baby!
  • And hopefully also PICTURES, because there will still be the obligatory show report!

So let’s see if THIS plan gets to go through. Susan the Awesome is sending me her tickets, of which there are four–so I’ll have two spares. Hopefully I can find them a home!

Music

No Le Vent du Nord symphony show after all :(

Y’know, there’s NEVER a good time to find out that your current favorite band has just had the show you were aiming for cancelled out from under them. But “while you are at a science fiction convention trying to a) promote your work and b) assist with the music programming and c) HAVE FUN” is particularly suboptimal.

Because yeah, I’ve found out today that the Le Vent du Nord symphony show has been cancelled. 🙁 This is not quite as devastating to me as having missed the show in Oregon–at least in this case, “the entire show is not happening”, as opposed to “the show is happening but I’m MISSING IT because my car conked out”. But.

I’ve had to cancel my Amtrak train reservations now, because that was after all the entire point of the trip. I’m now scrambling to see if I can arrange plan B: attending the show they’re having in Victoria on 4/6 instead.

Susan the Awesome will not be able to come out from Ontario at all, on the grounds that she HAD been going to attend both shows, but if the cornerstone show has been cancelled, she can no longer justify the expense especially given that the band will be having a show much closer to her a week later. But I’m working with her to see if I can take her tickets off her hands.

I’m hoping to use one and perhaps two of them if Dara wants to join me for a weekend trip to Victoria. Which would mean that Susan would have two tickets left. So if anybody in the Pacific Northwest reading this thinks they might like those other two tickets, talk to me ASAP to make arrangements. I’d REALLY like to see the tickets get into the hands of fellow fans of Le Vent du Nord!

But DAMMIT. I was really hoping for symphonic goodness. Mope.

About Me, Music

Imminent Anna sightings!

For Seattle-area locals, hey, I’m going to be at Norwescon! Not in a professional writer-type capacity, but I WILL be there, and I’ll be easily found providing assistance to Dara during the music concerts! And just in case anybody wants one, I will also be bringing my few remaining print copies of Faerie Blood. And I’ll have some special CDs as well with ebook copies on ’em, offered at a special price for con attendees! Look for me if you want either of these things, or both!

And NEXT week, of course, I will be happily boinging up to Vancouver to see Le Vent du Nord perform with the Vancouver Metropolitan Orchestra! This time, I am taking the TRAIN. Because I am NOT trusting our car to be driven any farther than the distance necessary to get to and from work. And if the train should encounter any difficulties, you may rest assured that I am FULLY PREPARED to fight my way through any zombie apocalypses that may overwhelm the tracks. Because nothing, I repeat, NOTHING is going to stand between me and seeing a show which is going to look and sound a LOT like this:

You may also rest assured, O Internets, that I am sternly reminding myself that no, it is NOT socially acceptable for me to shove the VMO’s piccolo player into a closet so I can steal their seat. No matter HOW much I want to see whatever sheet music they’ll be using for the evening! Likewise I will be sternly reminding myself that as this is a symphony venue, it will NOT be really acceptable to jump out of my seat and start dancing or singing the response lines at the top of my lungs, no matter HOW great the urge.

(Though I’m tellin’ ya, Internets, with inspiration like this, this is going to be a hard, hard test of my fangirly willpower!)

And at this show I’ll be seeing Susan, who, as I have expressed on previous posts, IS made entirely of awesomeness. And I’ll be staying with Geri, who is ALSO made of awesomeness. And I’ll be seeing fellow GBS fangirls Kate and Angela, with whom I have every hope of carrying out shenanigans the day after the show. Possibly also hijinx, and maybe even mischief!

Any of the rest of you who are also in Vancouver, if you want to meet up, let me know! I’ll be in Vancouver from the afternoon of April 4th through the evening of the 6th. I still have time free on Saturday for possible brunch or lunch!

Music

Hey look, I made a MUSIC!

Internets, I cannot tell you how much I needed to forget dealing with computers for a couple of hours, and go play me some music with the local Quebec session crowd. We had a pretty tiny group tonight, and things were relaxed and groovy–all the better for a newbie player like myself to try to figure out how to play along with unfamiliar tunes, while not making too much of a nuisance of herself in the corner.

This time, however, I had the distinct pleasure of being able to ask for specific tunes. Namely, the ones Alexandre of Genticorum had taught me! (6/8 d’Andre Alain, and Gigue du Père Mathias!) I wasn’t able to play through them perfectly at speed, but I got within range of it–and it’s worth noting that a couple of passes through where I had to drop out was because I had to get my breath back, not because I’d forgotten what I was doing. Such is the peril of being the only flute player in a room full of fiddlers and accordion players!

I also asked about playing Ciel d’Automne, a.k.a. Autumn Sky, which has the distinction of being the first Quebec tune I fell in love with ever. This is because it’s the loveliest instrumental on the La Bottine Souriante album Rock and Reel (as it was called when it was released in the States), and to this day, stands out for me as one of my favorite slower tunes. I was particularly happy recently to learn that OH HEY it was written by André Brunet–so no wonder I like it–and so naturally I was determined to learn it. Bonus points to me for figuring out that I could practically whistle the whole thing from memory, which helped a lot in figuring out how to play it.

And I’m here to tell you, when you’re a session newbie facing a room full of musicians WAY more familiar with the material than you are, and the phrase “you’ll have to teach it to us” gets winged at you, that’s SCARY. Maybe only slightly less scary than “HEY ANNA! Get up and play this for us, will you?” However, that scary was leavened with a generous dose of AWESOME. Particularly when I was able to point people at thesession.org’s writeup of the tune!

Also notable: recognizing Réjean Brunet’s “Maison de Glacé” and being able to jump in on it, even though I had title server failure and only confirmed later that OH RIGHT I actually knew that tune.

(Yes, folks, I’m apparently slurping up All The Slow Tunes By the Brunets. There are worse ways to be spending my musical time. ;D )

So that was three whole tunes I was able to more or less play along with. And there was a fourth tune I recognized by ear once they hit the B part; I’d heard the session group play that one before. I could even sorta kinda pick up on the B part, though the A part was harder for me to parse. I asked about that one and was informed it was called Hommage à Edmond Parizeau. Not long after that, another fun-sounding one called Reel Ti-Mé was played–though I have to stop myself from thinking of that one as Reel Timmain. Which is what I get for being an Elfquest fan!

And now I have two more identified tunes to add to the list of Things Played in Local Session. I have homework to do!

Many many thanks to the Legers for giving me a ride home, and to our hostess Pascale, who gave me guidance on how to get to her place by bus (even though I had to leave work late and THEN had bus fail that wound up getting me there half an hour late)! A lovely little evening of music all around!

Music

A milestone achievement

Out of general curiosity I looked at the total number of tracks in my iTunes library tonight so that I could do some quick numbers.

I have a total of 8,473 individual tracks in my library. In most cases these are in fact songs, although some of the things I have in MP3 form are actually audio drama. This number does not however include audiobooks or PDFs that are also in my iTunes library.

Of this number, a total of 974 tracks are by Quebecois performers. This means, O Internets, that roughly 11% of my iTunes collection is now Francophone! To put this in perspective for you, only 677 of my iTunes tracks are by Elvis!

Quebecois music now outnumbers Elvis Presley in my music collection.

Elvis. Aron. Presley. Y’know, that guy whose music I grew up listening to and back to whom I can trace pretty much every single thing that makes me swoon about music EVER.

Some amusing sub-stats–a breakdown of track counts by my top groups:

  • La Bottine Souriante: 167 items
  • Le Vent du Nord: 92 items
  • La Volée d’Castors: 91 items
  • Les Charbonniers de l’Enfer: 81 items
  • Genticorum: 45 items
  • Galant, Tu Perds Ton Temps: 43 items
  • De Temps Antan: 25 items

(Those last few counts are going to get boosted soon, too! Galant, Tu Perds Ton Temps AND De Temps Antan are working on new albums. I hear rumors Genticorum has one on the way, too!)

I can only now conclude that Quebec must have passed a provincial resolution of some sort, perhaps La Loi du Colonisation des Playlists d’Anna Avec La Musique Traditionnelle. Either that or it’s a genre-wide conspiracy for every trad musician within a hundred-klick radius of Montreal to send me the following musical message:

“Bonjour, Anna! Nous entendrons que t’aime la musique traditionnelle. Nous avons des bouzoukis. Et des violons. Et la très, très belle podorythmie! Et avons-nous mentionné des bouzoukis? Nous avons des CDs pour toi. Tu peux apprendre un peu français, oui? Tu apprends le français, nous vendrons des CDs! Victoire pour tout le monde!”

I have to admit, they’re making one hell of a pitch. ;D Well done, entire province of Quebec. Well done, VRAIMENT.