Browsing Tag

quebecois music

I’m a raving fangirl for Quebecois traditional music, and have had the great pleasure of meeting several musicians who perform in the genre. I’m also learning to play a bunch of the tunes in the Quebecois trad repertoire. I post a lot about all of this, and this tag is for those posts!

Music

And now, a fangirly PSA: Le Vent du Nord in Oregon in November!

It appears that the boys of Le Vent du Nord are beefing up their application for the position of My New Favorite Band, because this morning, this happened on Facebook!

Aw, They Were Thinking of Me!

Aw, They Were Thinking of Me!

How thoughtful is that? And I mean, it ain’t like I wasn’t going to go already anyway, but if I hadn’t already known about the show they’re going to do in Oregon in November, this would TOTALLY have convinced me to!

Because oh my yes this is happening. November 10th. A Saturday, ever so delightfully enough. There will be a very likely plan of scamper down from Seattle on Saturday morning, hit the show in the evening, and hit Powell’s on Sunday afternoon before heading home again! (Because you cannot be a Pacific Northwest geek, go anywhere near Portland, and NOT go to Powell’s.) Interested parties in the Portland area are highly, HIGHLY encouraged to attend this show if possible. Do it for the podorythmie! Do it for the hurdy-gurdy! And do it for the chance to join me in showing Nicolas, Réjean, Simon, and particularly Olivier how we do La Danse Verticale in Cascadia!

Still need convincing? Three words: Tromper le Temps! You don’t even have to learn French, people, they’ve given us translations of the lyrics. Because they’re just thoughtful boys like that.

Music, Writing

Note to my brain: no, you may not write this yet

Memo to my brain:

No, you may NOT write a short story based on the Le Vent du Nord song “Le dragon de Chimay”. No matter how awesome a mental image you have in your head of a dragon breaking out of chains that hold him underground and surging up into the open air in desperate search of his lady love, and finally transforming back to human shape before her…

… damn, that’s an awesome image, innit? And it is NOT HELPING that I’m totally seeing this young woman and her “preux chevalier si tendre et amant”, as the cathedral collapses on him and he’s forced into dragon shape and she frantically tries to dig him out and no, no, no, dammit brain! You have a novel to finish and a novella to finish and a whole other novella to write and plan for all these lovely Kickstarter people throwing money at you, so STAY ON TARGET!

You are, however, totally allowed to geek right out over the translation of the lyrics, and listen to the song as many times as you like.

Because yes, folks, I like this band so much I want to write them fanfic. Or in this case, songfic!

Music

Let me sing for you the songs of my people

I’ve mentioned before that something I ardently respond to in both Quebecois and Newfoundland trad music is how many of the bands and singers I’m following have learned their music from their parents, who learned it from their parents, etc. I.e., they grew up with this music, and it was woven into their lives so deeply that it made them who they are. Their love for it shines through brilliantly in their performances.

Devon Léger quite correctly pointed out to me that Americans are not without such traditions–you just need to know where to look for them. Certainly many American Celtic or folk or country performers are fortunate enough to have that same sort of background, too, and classical performers as well. Those of us in the science fiction folk music community, filk, have some small rumblings of this too. Filk hasn’t really quite been around long enough to have songs handed down from one generation to the next, but I have met people who are doing it, and it’s really cool of them. (I am thinking specifically of you, userinfomdlbear!)

In the bigger picture of American society, though, people getting together and making music just for the joy of making music is not so much of a thing. This is why I’m so very delighted to have discovered both Irish and Quebecois sessions, and it’s why I linger on the edges of filk circles as well; it’s all part of the same idea.

I had a delightful little epiphany last night, too: all that Elvis Presley music my dad played for me on the stereo when I was a kid is absolutely generational handing down of music. And I’ve actually done it too–playing Great Big Sea songs for userinfokathrynt and userinfollachglin‘s kid Lillian!

So the next time you hear me say “Let me sing for you the song of my people”, I’ll be about to belt out “Hound Dog”. Or “Ordinary Day”. Or maybe now also “Dans le ville de Paris”, or “Re: Your Brains”.

Because no matter where you’re from, Quebec or Newfoundland or Kentucky or any filk circle in any science fiction convention in the world, if you love music, and you get up and you share it with those around you, you are my people. And I will sing your songs.

Quebecois Music

Quebecois band recommendations: La Bottine Souriante!

Last but OH MY definitely not least in the slightest, we come to La Bottine Souriante!

Of all the groups I’ve been getting into, La Bottine is the oldest, and as near as I can tell they are pretty much the modern Quebecois trad version of the Chieftains. They’ve been around since the late 70’s, and became famous for taking the folk melodies and slapping a lively horn section on top of them. That, combined with the showmanship of lead singer Yves Lambert, made La Bottine a phenomenal live band during their earlier heyday. As I’ve posted before, I had the fortune of seeing them perform at the same Celtic concert where I first saw Great Big Sea, and I’m here to tell you–they WERE awesome. Monsieur Lambert had an amazing rich, round voice that hit my ears like 900-calorie cheesecake, and their horn section was laying down a wall of sound that steamrollered the audience.

So yeah, when it comes to modern Quebecois trad, La Bottine are the giants on whose shoulders everyone else after them are standing. If you want to get into this music at all, you cannot do wrong at all if you start with La Bottine. Even their name, “The Smiling Boots”, sums up why I love this music so much–not only because of the podorythmie, but because of the lively, upbeat energy. Well, that, and the aforementioned wall of sound from the horns, which do yea and verily ROCK.

Be aware that since La Bottine has been around for so long, they have gone through a huge number of membership changes over the years. This will therefore impact what level of awesome you get from one of their albums, depending on where in the discography you’re looking. I have only five of their many albums myself, and all of them are in the earlier stretch of La Bottine’s long range of activity: Chic & Swell, En Spectacle, Jusqu’aux P’tites Heures, Les Épousailles, and Rock & Reel (which has the distinction of being the only La Bottine album released in the States). Of these albums, I would most recommend either Rock & Reel or En Spectacle, which is a live album–either of these will give you an excellent introduction to the band’s canonical sound.

A big difficulty here though is that La Bottine’s albums are hard to find. Since Rock & Reel is the only one that was ever released in the States, and since a lot of the places that historically have sold music have been losing out to online distribution sources, even that one will be hard to find outside Canada. And very few La Bottine tracks, sadly, are available electronically! The US iTunes store, for example, has only a small number of La Bottine tracks, and all of them are single tracks on compilation albums. None of them are on the band’s own works.

The one electronic recommendation I can make is that La Bottine appears on the Chieftains collaboration Fire in the Kitchen. Great Big Sea fans will know this album well, since it’s got a GBS track on it, a take of “Lukey”. However, the La Bottine track on it, “Le Lys Vert” is very strong. This album IS on iTunes, and you should get it if you can–not only because of GBS and La Bottine being on it, but also because it’s a great overview of Canadian folk.

If though you want to find their albums, Amazon.com has them all (I think all, anyway) here. Amazon.ca represents over here. Archambault.ca, here (and they DO have La Bottine available as MP3 downloads, but again–only for Canadian customers).

YouTube-wise, there are a LOT of La Bottine vids of various quality, and most of them appear to be either older songs with static images, or else live performances involving the current-day members. Of these:

This one is the studio version of “Le ziguezon zinzon”, which goes clear back to the early album Chic & Swell, which is early enough that André Marchand–now over in the Charbonniers–is still in the band! And I think this may in fact be M. Marchand singing lead on this track; I’m not quite sure.

From Rock & Reel, I give you YoYo Verret, which is arguably one of the very first La Bottine ditties I ever fell in love with. The vid is static images only, and includes several of the modern lineup of members–so keep in mind that this is actually an older La Bottine song. I’m pretty sure that Michel Bordeleau, the other former La Bottine member now in the Charbonniers, has the lead here. And listen for the shiver-inducing deep harmony at the very end of the vocal section!

Off of En spectacle, here is “La Grand’ Côte”, one of the best tracks in the performance. There’s a stunning footwork solo towards the end–where the feet are flying fast enough that it sounds like machine-gun fire!

By contrast, if you search for “la bottine souriante 2011” on YouTube, you should be able to find several videos of the current lineup of the group. This one unfortunately has clipping issues on the sound, but you CAN see Éric Beaudry over on the side making with the footwork with a guitar in his lap, and the guys with the horns kick in fairly quickly. Of note as well is the dancer on the stage, Sandy Silva, whose primary function in the group does in fact appear to be dancing. This one is notable because I recognize what they’re playing–it’s “Landslide Village Medley”, a.k.a. “Medley des Éboulements” from Rock & Reel! And, this one is only a partial, but again there’s M. Beaudry there on the side, and Sandy Silva dancing all over the stage.

La Bottine remains an active band, although that’s a bit hard to glean from their website–the YouTube search is a much better indicator. AND! AND! I am seeing rumblings on their Facebook page that they do have a new album on the way. So I’d recommend keeping an eye on their site, and if you are Facebook-inclined, they have a group right over here as well as an actual fan page!

It’s greatly comforting to see that the band’s current lineup is continuing its long and proud tradition, and here’s hoping that the new album will enjoy some electronic release!

Quebecois Music

Quebecois band recommendations: Galant, Tu Perds Ton Temps!

It gives me ridiculous amounts of glee that a (mostly) female group has dived into the male-dominated Quebecois trad genre, and this is exactly what you get with Galant, Tu Perds Ton Temps! I tend to listen to male groups in general just because I’m a sucker for the sound of several guys singing in full round harmony, a thing of mine that goes clear back to Elvis and the Jordannaires–but if you give me a bunch of women doing the same thing, oh my yes, I’m there.

The Galant group is technically not 100% female–they do have one male member of the group, Jean-Francois Berthiaume, who does their footwork and other general percussion. However, he doesn’t sing–so all the vocals are in fact female. And yeah, the Galant girls meet and match their male colleagues in this genre with some kickass vigorous harmonies! I haven’t identified which girl is which yet in terms of ranges sung, but whoever’s got the lower ranges in particular is delivering some great contralto/tenor lines, and whoever’s got the highest soprano is notable as well.

They’ve got only two albums available to date, Fais-toi pas d’illusions and the self-titled Galant, tu perds ton temps, which is actually the newer of the two albums. To further confuse matters, the band gets its name from a song of the same name, and that song appears on the earlier album! “Galant, tu perds ton temps” translates roughly to “Suitor/lover, you waste your time”, which is another thing that makes me giggle and giggle. Especially given that my boys over in La Volée d’Castors have also covered this song.

So which album should you get? That’s a bit of a hard call. I’ve got a LOT of tracks off the newer one on my Favorites list, and that one does have the selling point of being a double CD so you get a lot of music for the money. On the other hand, the three tracks I’ve marked as favorites on the other album are in fact the ones I’ve recently played more often. So really, it becomes a question of which one you can find, and which one you feel like paying money for.

YouTube has a lot of videos of them up, though, so if you search for “galant tu perds ton temps”, you should be able to find them. Here’s one of them doing “Mary of the Wild Moor” in English, and the video quality is good, so you can get an excellent idea of their overall vocal style. And here’s a partial vid of them doing “Les promesses du galant”, which is one of my favorites off the newer album, and I’m desperate to find proper lyrics for it because I’m FAIRLY SURE they aren’t actually singing “Monsieur Pants” in there. XD This one is “Faites-moi un homme sans tête / Reel Bergerville”, which I like off the newer album as well!

They’ve got no links to buy on their site, so your only option (that I know of) is iTunes if you want their music electronically and you’re outside Canada. Archambault.ca has only the second, larger album available for download, and their downloads are only for Canadian customers. For physical CDs, Amazon.com, Amazon.ca, and Archambault.ca all have those, but as with my earlier rec posts, if you’re not actually in Canada, be on the lookout for large shipping charges and be prepared to double up your purchases to qualify for free shipping if necessary! Or, if you are so inclined, recruit a Canadian friend to buy albums for you and ship them to you!

Out of all the Quebec groups I’m following, in some ways I’m most delighted by this one because, well, girls. And I heartily encourage checking them out in particular, if nothing else to encourage them to put out more albums–and to encourage other female groups to jump in on this genre as well. Because I’ll totally buy them, if they are this awesome!

Quebecois Music

Quebecois band recommendations: Les Charbonniers de l’Enfer!

The Charbonniers stand out very, VERY strongly against the rest of my Quebec boys on the grounds that they specialize in the two big things that I love the most about Quebecois traditional music: the mouth reels, and the podorythmie! They are entirely a cappella, and so this is ALL these guys do. It’s like they are a concentrated blast of French Canadian AWESOME.

We’ve got five gentlemen here, a bit on the older side but all with very, very strong voices. Their two (and they have TWO!) podorythmie guys, Michel Bordeleau and André Marchand, have the distinction of being former members of La Bottine Souriante–and Michel in particular has a distinctive enough voice that I’ve pegged him now on earlier La Bottine tracks. All five of the Charbonniers take turns singing lead, so all of them get a chance to show off the character of their voices, though.

I’m a big fan of M. Bordeleau’s footwork, but I’ve got to say that of the various gents’ voices, I’m favouring Jean-Claude Mirandette’s the most. He’s got a beautiful tenor voice that is shown off to great advantage on several of the tracks on their live album, which I’m about to get to now!

Hands down and no contest, their live album, En personne, is my favorite of their work. They’re good in the studio and I have several of their tracks on repeat play, but they are an order of magnitude more vigorous in the live album’s performance. I’ve been playing the hell (AHEH–you did translate their name, didn’t you?) out of this album for weeks now, and they’ve been leading the charge in getting me more interested in translating Quebecois French lyrics so that I can try to understand them myself, as proper words rather than ‘pretty noises the nice men are making’, and sing along.

Three very excellent live vids from this performance are up on the LinkTV site: “Yes Very Well” (see previous commentary re: M. Mirandette, who takes lead on this one, and also note M. Bordeleau on the left making with DANGEROUS footstomping), “Sur La Vignelon” (where I believe Monsieur Normand Miron is taking the lead on this, and he too has a very distinctive voice), and last but MOST DEFINITELY not least, “Les Turlutes”, where the boys tear right through one gigantic chain of turluttes. XD I’ve posted about this last vid before–look in particular for the podorythmie stomp-off in the middle!

All three of those songs are among my repeat plays off of En personne, but the Turlutes track is very, VERY high on the list just because of how much the Charbonniers are getting into the performance in that video. They’re clearly having such great fun that I cannot help but enjoy watching them–and you can see glimpses of the audience really getting into it too!

I’m given to understand that the physical CD of this concert comes with a DVD, and I plan to order this ASAP. The album IS available electronically on iTunes, but it’s not on Amazon MP3–and I’d recommend you order the CD anyway so that you can get the DVD too, if at all possible!

The rest of the Charbonniers’ discography does also appear to be available on iTunes, though. Most of the tracks on En personne come off the album called , and you can really tell, comparing them, how much more vigorous the live album is. So while that album certainly isn’t bad, if you wanted to get a studio Charbonniers album instead I’d recommend either À la grâce de Dieu or their most recent one, Nouvelles fréquentations. The more recent one is notable for having less of a trad emphasis; in fact, according to this link that went up on Facebook earlier today, it’s actually up for an award for Best Contempary for the 2011 Canadian Folk Music Awards! I like the other studio album better just because it has more of a trad bent, but this one’s good too; it very much reminded me of the Nylons, who y’all remember were the group that did that awesome a cappella version of “Kiss Him Goodbye” many years ago. Bonus LOLs on this album for having a French version of “In the Jailhouse Now”, which I know from the movie O Brother Where Art Thou?.

The Charbonniers’ site does NOT have links off to buy their albums that I can see, so if you want to order physical copies, your best bets are probably going to be Archambault.ca or Amazon.ca or Amazon.com.