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Publishing

The print vs. digital divide

Y’all want to know the fastest way to get an epubbed author’s blood pressure spiking? Refer to printed books as “real” books.

This got shoved into the front of my brain yesterday when one of my favorite local bookstores linked off to an opinion article written by a twenty-something who was stridently against electronic readers–to the point that they’d confessed to having irrational hatred for seeing other people reading them. One of their primary objections to them appeared to be that they could no longer sneak peeks at what those other people are reading, if they’re reading electronically! They proceeded to wax eloquent for several following paragraphs about why they would never stoop so low as to acquire an e-reader, because they loved “real” books too much. Snarky commentary was made about how e-reader enthusiasts got on this person’s case about “what are you, a Mennonite?” And even the bookstore in question, in their linking to this article, dropped a cute little remark about how they “don’t have anything against e-readers, no wait, maybe a little”.

This makes me sad.

Part of it is of course that as an epubbed author, I’m really tired of hearing the print books getting referred to as the “real” books. This carries the automatic implication that digital books are “not real”. Imaginary. Lesser in value than books that were fortunate enough to get put into print. Which is an awfully cruel thing to say to somebody who labored just as hard to get her epubbed book written as the authors who are in print. I guarantee you, people, that to us epubbed authors, our stories are every bit as real to us as the ones that are put down on paper.

Part of it though is the bigger question of the print vs. digital argument. It’s yet another variation of the “this thing vs. that thing” debate that crops up in every single aspect of our daily lives: Coke vs. Pepsi. PC vs. Mac vs. Linux. Emacs vs. vi. Etc., etc., on and on, with each side espousing the virtues of whatever they’ve committed to and often sneering at the other side, who are clearly not clever enough or intelligent enough to realize the virtues of the Right Choice.

Don’t get me wrong. I get that the digital book is a threat to traditional bookstores, and that indie bookstores in particular, who have been struggling for ages against the bigger chains, are going to hunker down and cling to their print books for as long as possible. But I’m really tired of the print side sneering at the digital side, and vice versa. For me as both a writer and a reader, this loses sight of the most important thing: the story.

You tell me a good enough story, I’ll read it in whatever format is available–print, digital, on the back of a cereal box, in fortune cookies, in tweets, in skywriting, whatever. Seriously, I do not care about the format. I care about the story. Print has its virtues for me, such as the art of a beautifully designed book–Tolkien’s The Children of Hurin comes immediately to mind. It’s also lovely for reading if the power is out, or if you’ve left your Nook or iPhone at home and/or uncharged. And although this makes me sad too with my writer hat on, truth be told, writers still are compensated better for print than they are for digital. I’d love to see that change, but I’m not expecting it to do so quickly.

In the meantime, though, digital also has its virtues. Many folks like how a well-used book will have crinkled corners and bent pages and such, and this to them is a sign of how much the book is loved. For me, though, that’s an irritant. Because I love my books, I don’t want to damage them. And if I carry them around in my backpack on a daily basis, they will get damaged. Therefore, for me as a reading choice, a reader makes more sense because in its protective case, it’ll take a lot more abuse than a paperback or trade will. Never mind a hardback, which is often going to be too bulky to carry around easily anyway.

You tell me a good enough story, though? I will buy you in print and digital. Print to keep the archive copy around, and digital for day to day reading. I am living proof that you don’t have to choose one or the other. I long for the day that publishers will start offering sales of both print and digital for one nice premium price, because I will totally put down money for that.

In the meantime, though, print enthusiasts, I beg you, please don’t look down your noses at the digital fans. Digital fans, same goes for you in reverse. Let’s just all just agree that yeah, each of us will have our personal preferences as to how we like to read, and get back to the important thing that we all have in common: i.e., reading. Thank you!

Drollerie Press, Faerie Blood, Publishing

Announcements! The winner is…

Announcement the first: It has come to my attention that a shiny new release by Seattle author , Battle of the Network Zombies, is being given away on both Amazon and Barnes and Noble’s ebook sites. So if you’re a Kindle or Nook owner, you might want to scamper over to your site of choice and grab this third installment of the Amanda Feral series! Then, if you really like it, go buy the print version. Because Seattle authors are awesome that way.

Announcement the second: Drollerie is participating in an auction for diabetes, being held by romantic suspense author Brenda Novak. Lots of tasty goodies are being put up for bid, stuff that should appeal to writers and readers alike, and it’s all for a good cause. If you’re interested in supporting this worthy endeavor, you can find out more over here. And if you want to see what Drollerie editor is putting up for bid, you can look here and here.

And last but most assuredly not least, announcement the third:

The winner of the What Should Anna Name Her Nook? poll is NOOKRONOMICON!

This means JGS is the winner of the poll! And since he elected to share his prize with Stickmaker, since Stickmaker built on his idea for the winning name, that means it’s a two-way prize split! Gentlemen, you may each have one of the previous listed prizes:

  • Free electronic copies of both Faerie Blood and Defiance in the format of your choice
  • A free print copy of anything Drollerie currently has in print
  • A $25 gift certificate to the Drollerie Press bookstore

Please to contact me through appropriate channels to let me know what your choice is, and appropriate contact data to which to send your prize! Thanks all for participating!

Publishing

Signal boost for fellow authors

First up, if you like the Jane Austen mashups that’ve been coming out lately, then you’ll probably want to take a look at this! I quite liked Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, so today I finally went down to Third Place Books and ordered me a copy of Mansfield Park and Mummies, by . It’s only available via online purchase or by ordering, so if this sounds like something you’d giggle over, think about ordering your own copy. Vera Nazarian will be very grateful. You can get more details over here.

And while we’re on the topic of authors who need some love, ‘s Amanda Feral series is under threat of nixing due to its sales numbers! If you love you some zombies with a heaping helping of snark, you should get the mass market release of Happy Hour of the Damned, or the forthcoming trade paperback of Battle of the Network Zombies. Click here to Mark’s site for more details.

Faerie Blood, Publishing

Never mind Amazon vs. Macmillan, let's talk authors!

So the whole Amazon vs. Macmillan fracas has accomplished three things for me, as of last night:

One, I have bought a nook. The cost of said nook as well as a loverly cover to put it in is roughly about the same as the amount of royalties I have now received for Faerie Blood, and to a tiny degree, Defiance.

(Which of course means that this is the Nook That Faerie Blood Bought, folks. That you all helped me buy. And for this, I thank you all! Watch this space for a forthcoming new poll on what exactly I should name the Nook, and a likely giveaway for a randomly selected winner!)

Two, I’ve also bought five, count ’em, five ebooks by Macmillan authors, up on Fictionwise.

Three, and because I’m really in the mood to show some love directly to awesome authors, I have thrown ten bucks at the current efforts of to sell her commissioned novella “Hot Time in the Old Town Tonight”. It’s set in her Old Races universe and features Janx and Daisani, and she’s selling it directly off her site for ten bucks a pop this month. Hie ye over here and show her some support, y’all!

“But Anna,” I hear you cry, “ten bucks a pop for a novella? Isn’t that more than I’d be paying for a paperback?” Yes. Yes it is. But the beauty of this is, since Kit is selling it directly, she gets every last penny, and since she has an established track record of about a dozen books’ worth of awesome, I’m pretty damn sure $10 for a novella full of her words will be worth the price.

Also, she’s Kit. So go, my Internet armies! And tell her I sent you!

Publishing

Amazon vs. Macmillan: FIGHT!

I spent most of this weekend at the filk convention Conflikt, and that was great fun, but even as a bunch of geeky music was going on I kept an eye on the kerfuffle that exploded between Amazon and Macmillan. The issue at hand appears to be the pricing of ebooks, and as an ebook author, this is of course Relevant to My Interests.

The issue as I understand it is that Amazon and Macmillan are having a huge dispute about how much ebooks ought to cost. Macmillan is aiming for a variable pricing structure from $14.99 down to as low as $5.99, whereas Amazon is standing adamant about $9.99 as a price point. (Side note: since a lot of the ebooks I buy tend to run lower than even $9.99, even when purchased on Amazon, the nuances of the ebook pricing structure are still a mystery to me. But I digress.) They couldn’t reach an agreement, and so Amazon up and pulled all Macmillan titles out of its database, not only the ebooks, but the print titles as well.

To wit, whoa.

Amazon has since capitulated but as of this morning, Macmillan authors are still reporting that new copies of their works are still not available for purchase on Amazon. And the agents I’m seeing chime in on the matter are pretty sure this isn’t over yet by a long shot. I’m still thinking hard about what I want to do about this, if anything. I’ve seen a lot of people asserting that this has been the last straw for them, and that they will cease doing any further business with Amazon; I’ve seen several authors now go and pull all links to Amazon’s pages for their works off their sites.

It’s just one great big mess, and I’m hoping it’ll settle itself out soon. ‘Cause again, Relevant to My Interests. Drollerie is tiny enough that I can’t exactly tell people not to buy Faerie Blood or Defiance on Amazon, if that’s where they want to buy it–especially given that neither of these titles have shown up on Barnes and Noble’s site yet, and Fictionwise doesn’t have Defiance, either. But man, it’s making me inclined more and more just to point folks directly at Drollerie’s own store. Where we don’t have any DRM anyway!

Link roundup, for those of you who want to see more on the matter:

Again, whoa. This is me over here in the corner, munching popcorn and waiting to see how this all plays out.

Publishing, The Internet

Harlequin founds vanity imprint; Internet asplodes!

Now I know several of you likely to be reading this are writers, either already published or aspiring to get that way. Among you, I know that several are specifically involved with the romance genre or the urban fantasy/paranormal romance genre. So you’re probably already aware of the huge debacle that’s exploded across the publishing blogs the last couple of days about Harlequin opening up a shiny new vanity publishing imprint.

I posted earlier this week about another new Harlequin venture, Carina Press. Which I thought was pretty awesome. Harlequin’s new vanity imprint? Not so much.

Here are a whole bunch of links expounding on the brouhaha:

My take on the matter? Well, initially I was going to say that I didn’t really have a horse in this race, since I’m an SF/F author, not a romance author–but pointed out and quite correctly that actually, any writer of fiction has a horse in this race. The reason for this is that if Harlequin actually pulls off doing this imprint of theirs, it’s highly likely that other big NY-based publishers will follow suit. As Writer Beware calls out, a couple already have, although they’ve apparently taken pains to be less obvious about it in their branding.

And, the big sticking point for me is that according to the spin that was going around the Smart Bitches thread from a Harlequin rep, they will be including in standard rejection letters an upsell to the vanity imprint. Which essentially means that an author who comes to Harlequin via traditional publishing routes and who gets rejected would be getting told “we don’t think your book is good enough to be a Real Book, but if you pay us enough money, we’ll humor you and print it anyway!”

This goes against the unshakeable law of writing: money flows to the author. Always.

So yeah, this is huge and the furor is still ongoing. I’ll be very, very interested to see what Harlequin does now that they have not one, not two, but three professional writers’ organizations angry with them.