Book Log

I’ve had quite a bit of fun lately listening to SF audiobooks on my iPhone, and 7th Son is one of the most notable things I’ve listened to lately. Audio is the form I mostly dealt with it in, although it’s critical to mention as well that Book 1 of this story is available in print and ebook form. Once I got far enough into this story that I realized I did in fact want to own a copy, I snatched up the ebook. If you like SF-flavored thrillers, it’s definitely worth your time.

The story starts off with a literal bang: the shot of the gun that takes out the President of the United States. What shocks the nation even more than the assassination is the assailant: a four year old boy who mysteriously dies days later. And in the aftermath of this, seven men leading seemingly disparate and unrelated lives are abruptly snatched up by a top-secret government agency, brought together, and set to the task of finding the mastermind who brought about the President’s demise.

This would have been shock enough to the seven men, but far greater a shock is their discovery that they resemble one another enough to be identical brothers, modulo external physical differences. They soon learn that this is because they haven’t led natural lives at all–they are clones, and moreover, they’re the clones of the man they’ve been brought together to seek.

I say all this because it’s not really spoilery. Much of the initial stretch of the story has to do with the seven clones all reacting to the shock of this discovery. Because there are many viewpoint characters here, and because each of the seven men gets the story of their abduction told, the real action does take a bit to get underway. Especially if you’re listening to the audio version. Have patience, though; things continue to get quite intriguing, and as you get periodic glimpses of what mastermind John Alpha is up to, there’s a lovely sense of impending dread as all of his machinations go on while the clones are still trying to figure each other out.

In the audio version, author J.C Hutchins does an excellent job reading each chapter. Things are spiced up as well with guest narrators coming in on many of the later chapters to summarize previous action for you, and there are nicely spaced musical hits in between major scenes to maintain the mood. The audio is definitely worth listening to. But on the other hand, don’t discount buying a print or ebook version, either. The official released book is just different enough from the older audio version that it’s intriguing to wonder what led to the decision to shift certain things around. Without getting too spoilery, I’ll simply note that you might be on the lookout for two of the major characters swapping roles as to who does what in the final third of the story.

Overall this was a gripping little narrative, sometimes with slower pacing than most modern thriller fans might like. But it helps to keep in mind as well that this is only Book 1 of a true trilogy, and that Books 2 and 3 eventually continue and conclude the overall adventure. Unfortunately Book 1 is the only installment of the trilogy that’s in print, and the only one expected to be released–but if you like the audio version at all, support J.C. Hutchins by buying the print or ebook version! Four stars.

Ah yes, Immortal in Death, the third of the “In Death” series by J.D. Robb, in which yet another critical side character gets her turn to shine in the spotlight as Eve’s investigations must involve her. This time around it’s Mavis Freestone getting the plot love, when she winds up being the prime suspect in the murder of a top supermodel. Turns out her current boyfriend was going to work with said model, and there were heavy rumors of romantic entanglement–until Mavis came along!

The plot’s complicated by the rumblings about a new wonder drug that’s said to dramatically slow the effects of aging, a veritable fountain of youth. Not terribly surprisingly, the investigation into the murder and the investigation into the drug eventually dovetail, like they do in an “In Death” book. But Mavis brings an undeniable effervescence to the story, enough that you almost regret that she and Eve are already established friends as of Book 1. It would have been fun to actually see their meeting on camera.

I like as well that this is one of the “In Death” books that reminds you that this is a setting far enough in the future that space travel is in fact commonplace. The drug around which much of the plot hinges has offworld ties, and even though that’s a fairly offhand worldbuilding detail, it’s still nice to see for a skiffy fan like me.

All in all, a fun early episode in the series. Four stars.

Glory in Death is the second of the long-running “In Death” series, and it’s early enough still that it doesn’t quite have its feet under it yet. The relationship between principal characters Eve and Roarke, which for my money is way more interesting once their marriage is established, is only just getting to the point of marriage here; moreover, another long-running critical character, Peabody, is barely introduced as of this installment. (I’d totally forgotten, upon re-reading, that she didn’t show up until Book 2. And I freely admit I cheered when I got to her first appearance!) You can tell, too, that Peabody still isn’t entirely fleshed out as a character as of this story; mostly, her function in this plot is to be noteworthy because of her unusual observation skills, her ambition to get into Homicide, and the fact that she gets quite, quite drunk at Eve’s engagement party.

I’d also forgotten how early the critical character of Nadine is introduced in the setting, as well. Nadine’s right in the forefront with the string of murders this time around, especially when one takes place right outside her own station–and Eve can’t help but notice how a rival of Nadine’s is surprisingly quick on the scene as each successive murder occurs.

I’ve said before that the “In Death” books are formulaic, but certainly at this early point in the series, the formula is still quite fresh. If you’re re-reading them like me, it’s nice to go back and see the characters coming into play. If you’re a new reader, this second book in the series is still early enough and gritty enough to give a greater sense of presence and reality for this futuristic version of New York than what comes later. And it’s certainly an enjoyable way to spend one’s reading time. Four stars.

This is the very first of the “In Death” series by J.D. Robb, who is of course better known by her other name, Nora Roberts. To this day I remain very fond of this entire series, since it’s among the first that got me into regularly reading romantic suspense, and it’s a good bridge between that and my more preferred genre of SF.

And given Ms. Roberts’ usual mode of writing, this first of the long line of Eve Dallas novels is actually more enjoyable to me for the futuristic worldbuilding than it is for the romance. Don’t get me wrong, Roarke is a very swoonable love interest–but his main function in this plot is to be handsome and mysterious, and to put our heroine, NYPD cop Eve Dallas, through a wringer of OHNOEZ HE IS MY PRIMARY SUSPECT YET I CANNOT RESIST HIS HOTNESS. Compared to how their relationship develops later, Eve and Roarke are really kind of cliched getting out of the gate. On the other hand, it must definitely be said that the way Roarke really gets to Eve emotionally, giving her real coffee, is both a great little worldbuilding detail, since real coffee is rare in this timeframe, and very, very sweet.

But don’t let that stop you from enjoying this book, if you like your romantic suspense with a light dose of SF on the side. The setting is just far enough into the future that we’ve got flying cars (YAY!), droids, interstellar travel as well as super-swift planetary transit, and other technological marvels. What appeals to me just as much are the political and social worldbuilding details, though. In the Eve Dallas universe, prostitution has become legal and those who engage in it are “licensed companions”; the Browncoat in me just has to grin at this. Motherhood is considered a paying career choice, and women who elect to stay home and raise their children are in fact paid salaries as full-time professional mothers, which is awesome.

This early in the series–and this is something I’d forgotten, given how long it had been since I read this one the first time–the setting is rather grittier than you see later on as well. Eve is still primarily a street cop, and she hasn’t gotten her future aide Peabody as of this story. So you see a lot more of her doing legwork and encountering various disreputable characters as she works the case. I really rather miss that from the later books, since it makes this one and the couple that follow stand out better as individual plots.

As for the case itself, it’s a high-profile serial killer case that has Eve running afoul of a U.S. senator as well as Roarke, the richest and most powerful man on the planet. The plot structure won’t surprise anyone familiar with Roberts’ work or really, with romantic suspense cop plots in general. But it’s a fun light read and a great start to a series with impressive longevity indeed. Four stars.