Book Log

The most recent of the long-running Amelia Peabody series, A River in the Sky, is also unfortunately thus far the weakest for me in the series to date. Like Guardian of the Horizon, it’s one of the “lost journals” of the Emerson saga, going back and filling in gaps of time between previously written books. In this particular case, this one falls after Guardian of the Horizon and before The Falcon at the Portal. Unlike Guardian of the Horizon, however, it doesn’t really have much substance to it. Amelia, Emerson, and the rest of the main cast seem like cursory versions of themselves, and Peters’ writing here has the same issue that I’ve noticed in other recent books (the last few of this series, as well as Book Six of the Vicky Bliss books): to wit, her historical vivacity and spark just are not there.

I really wanted to like this one, too. It does have going for it the fact that it’s set in Palestine, which is a first for a series that beforehand spent the majority of its time in Egypt, with periodic stories in England. There are also several good dramatic scenes where Ramses and David are on the run from the Bad Guys Du Jour, and the obligatory set of colorful side characters. But by and large the Emersons as a group are in reactionary mode rather than really being active all throughout this plot, and there isn’t even much of an archaeological subplot going on to provide interest in the meantime, either.

Overall, I’m sad to react to this one mostly with ‘meh’. I’m enough of an Amelia fan at this point that I’ll keep reading the series for the sake of being a completist, but for everybody else, this one is definitely skippable. Two stars.

My rating: 3 of 5 stars

By publishing order, Guardian of the Horizon is book #16 of the Amelia Peabody series. Chronologically, however, it is book #11, falling in time not too long after The Ape Who Guards the Balance. It’s one of two (as of the writing of this review) books that fill in the gap of time between Balance and the book after it, The Falcon at the Portal. And, if you’re a fan of Book #6, The Last Camel Died at Noon, it’s vital to note that this is also a direct followup to that book as it revisits the lost oasis city where the Emersons first discovered and rescued Nefret Forth.

The young prince Merasen comes to England to bring the Emersons the news that Tarek, the ruler they helped put into power ten years before, is gravely ill and needs their help. Naturally Amelia, Emerson, Ramses, and Nefret agree that they must go–and are in equal agreement that David must not, for he has only just finally won the betrothal of Walter and Evelyn’s child Lia and they all believe it would be cruel to part him from her. And for all that they’d just as soon leave Nefret behind as well, Ramses and his parents must grudgingly admit that Nefret’s medical skill makes her essential on the journey.

That journey proves just as perilous as the one the Emersons undertook before. This time around the story has a darker overtone, as assault and murder and betrayal dog them all the way to the Lost Oasis. Nor does it help matters that a treasure hunter and a young woman who seems rather forcibly in his care cross their paths, for Ramses finds himself uncomfortably drawn to the girl.

And that’s where this book falls over somewhat for me. We’ve just spent two books, Seeing a Large Cat and The Ape Who Guards the Balance, establishing that Ramses has been carrying a growing devotion to Nefret and has pretty much ever since he set eyes on her as a lad. In this very Lost Oasis, for that matter. I won’t go into details here for fear of spoilers for those who haven’t read this book; instead I’ll simply say that the strength of Ramses’ reaction to her is totally out of left field to me as a reader. The ending scene that tries to smooth things over and remind you who Ramses is really destined for doesn’t help, either.

I should also mention that Nefret herself spends regretfully little time doing anything useful in this plot. She becomes a MacGuffin here rather than a fully participating character, and behaves generally out of character as well.

It’s a shame, really, because aside from these two factors the book’s still fairly solid. The Emersons walk right into a trap of political intrigue that follows nicely out of the original adventure in this setting, and at least when Ramses and Nefret aren’t being out of character, there’s decent tension to be had. On my second read through I did appreciate those parts of the story more, which let me add another star to my original rating. Still, though, this is one of the weaker installments of the series. Three stars.

The tenth Amelia Peabody novel, The Ape Who Guards the Balance, opens with one of my very favorite scenes in the entire series: Amelia barging out to participate in a suffragette rally in London, ready, willing, and even eager to get herself arrested for the cause of women’s rights. Never mind how she winds up having an inadvertant run-in with Sethos who’s planning to rob the very residence she and her fellow suffragettes are targeting for their protest; no, what really sells this whole sequence for me is the note-perfect reactions Emerson and Ramses and their butler Gargery have to the entire situation, up to and including Ramses coming along to lend his support, and Emerson and Gargery asserting their disbelief that any constable in the city is worthy of the task of arresting Amelia P. Emerson.

Really, it’s an excellent start to a very strong novel in the series overall. It’s not entirely perfect, mind you. There are stretches where even a diehard fan like me finds it a bit hard going. Stick with it though–and for the love of Amon-Ra, if you’re new to the series, do not start with this one. The death of a character much beloved of the Emersons takes place in this installment, and you really need to have been following the series from the beginning to really appreciate its impact on the family. Especially upon Amelia, since this incident affects her personally all throughout the subsequent books.

Ramses starts coming into his own for me as a fully adult character with this book, too. He’s had plenty of time to be a full-fledged character, sure, but only as of this book does he really start feeling like a grownup to me. And by ‘grownup’, I mean, ‘swoonable hero’. It helps a lot that as of here, Peters has a better handle on how she wants to present the “Manuscript H” sections of the story. This in turn gives Ramses a much more consistent voice, and goes a long way to establishing him as a romantic hero to rival his father. Four stars.

My rating: 4 of 5 stars

The ninth book of the Amelia Peabody series, Seeing a Large Cat, is a significant turning point in the overall saga of the Emerson family. It’s the first of the internal quartet of books that follows the arc of the love story between Ramses and Nefret, and it’s also the first where Elizabeth Peters starts including the points of view of both Ramses and Nefret in the narrative. Up until this point she’d already been using the schtick of a hypothetical “Editor” who’s organizing the overall collection of the personal papers of Amelia and her family; with Seeing a Large Cat, this gets a bit more obvious treatment as all the sections from Ramses’ POV are from a hypothetical “Manuscript H”, while Nefret’s letters are from “Letter Collection C”. This worked nicely for me as a conceit, overall.

As for the story itself, it jumps ahead a few years from the previous book, The Hippopotamus Pool. Ramses, David, and Nefret are now firmly into their late teens, and the relationship between the three is solidly in place. If you’ve followed the series up until this point this may be a bit jarring, as the barest beginnings of Ramses and David’s deep friendship are in the previous book, and there’s not much on-camera mileage establishing the affection between Ramses and Nefret either, or Nefret and David. But that said, it’s not too difficult a point to get around, nor is it essential to the current story. You basically need to know going in that yeah, the three young people have become quite close in the intervening years; that much is essential, as it’s the relations between these three characters that drive much of the events not only in the aforementioned quartet, but really through much of the rest of the series in general.

With Ramses joining his mother as a viewpoint character, the flavor of the books does take on more dimension, and I really like that. While Amelia continues in her florid first-person style, all of Ramses’ sections are from a more impersonal third-person style, and do a good job of conveying that as a writer, Ramses has a significantly different way with a word than his mother. Also, speaking as a fan of just about everything Elizabeth Peters ever wrote, this is pretty much the only time I can think of ever that she’s written significant chunks of a storyline from a male point of view, and that’s a nice change of pace for her.

Of course, it helps that Ramses is an entirely swoonworthy character. As of this particular book it’s played a little thick, since he’s in a strange transitory age where I don’t quite buy that he can quite pull off everything he does. (Which is quite irrational, given that he’s pulled off this kind of thing pretty much since Book 3, and I oddly buy some of it better when he’s a kid than I do when he’s a teenager. Later on when he’s got more experience and maturity, I buy it better as well.)

You may be asking, but what about the plot? There’s some nice callback here to the events of Book 4, since a couple of the characters from there, Donald and Enid, make another appearance. This is simultaneously fun and frustrating, since Donald’s part in this plot sets him up to be spectacularly gullible. (Enough that you wonder whether the man suffered sunstroke in Egypt in the time since Book 4, or something.) But that’s the B plot; the A plot involves a Colonel Bellingham and his spoiled daughter, and a body found in a mysterious tomb that turns out to be none other than the mummified corpse of Bellingham’s dead wife. How precisely the wife came to be in such a state is the mystery the Emersons must solve this time around, and it’s an engaging story indeed.

One more thing that added colorful character detail to this one for me was the changeover in the Emerson cats. The family cats are a long-running worldbuilding detail all over the series, and here, the death of the first, Bastet (a.k.a. “the cat Bastet”), and the attempt of her offspring Sekhmet to win over Ramses is worth several “aww” moments all over the story. ‘Cause yeah, really, this story IS all about Ramses. Even for the cats. Four stars.

My rating: 3 of 5 stars

Truth be told, it’d been so long since I’d read The Hippopotamus Pool, book 8 of the Amelia Peabodies, that I’d totally forgotten what it was about–and in particular, that it introduced the critical character of David Todros, grandson of Abdullah, the Emerson family’s reis. After recently re-reading it, I didn’t came away with much more than that either.

Which is not to say that things don’t happen in The Hippopotamus Pool, because they do. There is quite the upheaval in the underworld of Cairo following a Certain Event at the end of the previous book, and the Emersons must deal with two different antagonists. As with the previous story, there’s a tie-in with how the adventure at hand seems to tie in with the translation work on Egyptian myths Amelia’s doing; this time around, though, that particular plot device didn’t work for me as well as it did in Book 7.

On the whole, too, the plot just didn’t work for me as well. Even after recently re-reading it, I’m having a hard time thinking of things that stand out aside from the introduction of one other important character: Bertha, who is quite important in the next couple of books. So just to get the context on her as well as the introduction of David, you might make sure to include this book in a comprehensive read of the entire series. But if you’re looking for the high points, you could skip this one without too much trouble. Three stars.

My rating: 5 of 5 stars

I have frequently admitted that I am a sucker for an amnesia plot, that grand old staple of television series and of romance novels–and yeah, Elizabeth Peters has one, too. That would be The Snake, the Crocodile, and the Dog, Book 7 of the Amelia Peabodies, in which Emerson loses enough years off his memory to make him think he doesn’t have a wife. You can guess that this causes Amelia quite a great deal of consternation.

Really, though, this book is almost less about that than it is about Amelia and Emerson rekindling the romance of the early years of their relationship. Ramses and Nefret are not active in this plot, although periodic letters from Ramses threatening his imminent arrival in Egypt bring some Funny, and much of what drives the events in this story are the ramifications of news getting around about the Emersons finding Nefret. This clears the way for Amelia to focus exclusively on her husband and with the mystery at hand. And that’s not the only relationship getting explored, either, as there are quite a few twists involving a particular character I shall not name for fear of spoilers.

And I’ll say for Peters that her particular handling of an amnesia plot is at least slightly less goofy than many. Yeah, you have the obligatory nasty crack on the head, but that’s not all the abuse that Emerson takes at the hands of his captors; there’s enforced intake of opium as well. I could have done without the psychologist showing up later to spout assertions about how Emerson doesn’t really want to remember that he has a wife, but hey, it does fuel Amelia’s tension through most of the plot. Plus, there is a nicely understated resolution to it all.

This would not be an Amelia Peabody without the appearance of at least one memorable cat. In this case, it’s Anubis, the first male cat to join the Emerson family, and the comparisons between him and Bastet and how the Emersons’ workmen react to each animal add some amusing color to the proceedings. There is delightful character interactionb between Amelia and Abdullah. And, of course, there is excellent mileage with Sethos. But I’m not sayin’ where. Wouldn’t want to give a Master Criminal away, after all!

All in all a fairly self-contained story, not vital to the overall arc of the series, but fun nonetheless, and the adventure ties in nicely with the Egyptian tale that Amelia translates through the course of the novel. Five stars.