Movies

Batman v. Superman is pulling a 7-Zark-7? SERIOUSLY?

Batman v. Superman: Dawn of Justice is upon us. I’ve been reading over a lot of the reviews, with a sinking heart; I’ve really wanted to be happy about Wonder Woman’s first major cinematic appearance, but all signs indicate that she’s been shoehorned into a plot that the kinder reviews are still calling incoherent and overstuffed, and the less kind reviews are calling “an unholy mess”, which “feels like Zack Snyder hobbling the entire upcoming DC Movieverse before it gets started”.

(Sources: here and here.)

All of which makes me sad. Most of all I’m seeing a lot of reviews that are calling the movie a “joyless slog” and that it’s just not fun. And I have to boggle. Because the DC I see delivering us The Flash and Supergirl on TV is getting the fun part right. I enjoy watching both of those shows, and while they’ve gotten serious in some episodes I’ve seen, they still wholeheartedly embrace the fact that they’re telling freggin’ comic book stories, and don’t seem to feel compelled to make everything colorless and dark and grim and OH SO VERY SERIOUS.

But y’know what’s really making me facepalm?

How a bunch of reviews are also calling this film out for its response to what a lot of people complained about with Man of Steel: i.e., that Supes and Zod ripped up Metropolis without Superman giving the slightest hint of a shit that he might be endangering innocent bystanders in the battle. To all reports, BvS’s way of addressing this problem is to wedge in little bits of dialogue here and there to try to reassure the viewer that oh my no, bystanders aren’t getting harmed! Like, say, a newscaster who reports that it’s after business hours so downtown is practically deserted! As opposed to, oh, I dunno, having the heroes spend camera time making a point of getting civilians out of the goddamned way. Like heroes should be doing.

And while I am indeed making inevitable comparisons to the Avengers–I’ll be the first to acknowledge that Age of Ultron was a mess in many ways, but by gods, the Avengers spent camera time in it acting to save civilians–my actual main reaction here is, “Really, movie? You’re pulling a 7-Zark-7 here?!”

Context, for those of you who aren’t in my age bracket and/or don’t have any familiarity with 70’s-era anime: go look up Science Ninja Team Gatchaman. Gatchaman was one of the formative animes of the 70’s, really raising the bar for what anime could do. And a guy named Sandy Frank looked at that and went, “Hey, y’know what would be cool? If I translated this thing and brought it over for the US market!”

All very well and good, except for one thing: Gatchaman pulls no punches whatsoever when it comes to violence in its plots. Watch Gatchaman, and you can expect to see a lot of trains exploding, planes crashing, ships sinking, and in general, civilians being killed right and left because of the evil rampages of Galactor. Mr. Frank looked at this and apparently decided that he couldn’t POSSIBLY show such violence to children. So he took 85 of the 110 Gatchaman episodes, and in a lot of those, cut out all the most violent parts. To fill the storylines back out to half an hour, he created a bunch of new footage starring a character called 7-Zark-7, a robot intended to serve as a communications hub and overseer for G-Force, what the English version of the story called the Gatchaman team.

Zark spends a lot of his time telling the viewer about how all those planes we’re seeing are “remote controlled robot planes” and such–thereby handily skirting the entire question of whether any innocent lives might have just been lost in all those explosions.

Don’t get me wrong. I grew up loving Battle of the Planets. But once I discovered Gatchaman, and especially once I started watching BotP episodes back to back with the Gatchaman originals, it very quickly became evident how much of a hack job Sandy Frank did on the storyline.

And pro tip: if your new superhero movie is going to make me think of the hack job version of a storyline rather than the infinitely superior original, maybe, just maybe, you’re doing your movie wrong.

Oh well. I’ll be skipping seeing BvS in the theaters, I think. I’ll hold out a tiny crumb of hope that maybe Wonder Woman’s solo movie next year won’t suck. But that crumb of hope is pretty small. And with all due respect to Condor Joe, I don’t think this is a problem that can be solved with Bird Missiles.

Books

Quick ebook roundup

Magic & Manners

Magic & Manners

Picked up from Kobo:

  • Magic & Manners, by C.E. Murphy. Fantasy. This is userinfomizkit‘s first release in two years, her take on what Pride & Prejudice would have been like with magic. Naturally I had to check this out! Because I mean honestly, there was no way I was NOT reading this. 😀
  • Forest of Memory, by Mary Robinette Kowal. SF. And speaking of Austen-esque authors, this is a new novella by Kowal, and naturally I had to read this too.
  • The Wild One, by Danelle Harmon. Historical romance. Grabbed this because Dear Author had a review up for Book 5 of this series, which sounded like fun. But I don’t like to start a series that far in, so I went to find this one instead. And it’s actually available for free right now, so bonus!

10 for the year.

Politics

Yo, United States Senators: #DoYourJob

I don’t normally like to talk about politics. With the state of politics in America these days, bringing up anything political is tantamount to covering yourself in honey and standing in front of a beehive, then swatting the hive with a stick. And I’m not a fan of angry bees.

But I’m also not a fan of partisan politics. I’m sick of Senators and Representatives who’d rather hold the government hostage and cause a shutdown rather than do something like radical like, oh, I dunno, manage to actually work with the opposing party and pass legislation that’ll make things suck a little less for people all over the country.

And I’m particularly sick of the Republican faction in the Senate refusing to do anything even remotely favorable towards Obama.

Case in point: this refusal of theirs to consider any nominee Obama puts forward for the Supreme Court vacancy. The excuse of “we shouldn’t do this in an election year” holds no water, even if the Senate apparently is all over this idea of how “the people should have a voice”. Last I checked, the people don’t actually get to pick justices. That’s the job of the President and of Congress.

And yes, I get that the idea here is that ‘the people’ are in theory supposed to exercise their opinion here by choosing the next President and influencing the justice selection that way.

But y’know what? The election isn’t for another eight months. Obama doesn’t step down from office for another ten.

Furthermore, ‘the people’ had a voice. ‘The people’ put Obama in office. Just because the Senate doesn’t happen to like that particular choice of ‘the people’ does not change in any way the fact that he was elected to be there, so they should deal.

And speaking as one of ‘the people’, I want Obama to be able to continue to do his job for the next ten months, without the Senate falling all over itself to go “LALALALALA I CAN’T HEAR YOU” and refusing to do their jobs.

It’s stupid. It’s pointless. And it needs to stop. Any private citizen trying to pull that shit at their place of employment would very quickly find themselves fired. We don’t get to refuse to do our jobs just because we don’t like the CEOs of the companies we work for.

So hey, United States Senators: DO. YOUR. JOB. Obama’s done his job by picking a nominee. Now you should do yours.

Give Garland a fair hearing. And if you don’t like the guy and Obama comes back at you with somebody else, give that person a fair hearing too.

I had a look at some of the Senate Twitter accounts, and I’m seeing the Republicans RT’ing a bunch of commentary about how the people should have a voice in the matter. Dandy. The people have some petitions going around, and I’ve signed the one from WeAreUltraViolet.org. If you want a voice in the matter too, pick one:

  1. WeAreUltraViolet.Org
  2. CredoAction.com
  3. MoveOn.org

And even though I have a bunch of malaise about posting anything political, I’m going to go ahead and post this anyway. Because the people should have a voice here.

And maybe for once we can be heard over the angry bees.

Editing to add: Mr. Scalzi just put up this post re: the Voice of the People, which I note as a helpful lesson on remembering that all of us are ‘the people’, and we all need to remember that just because some other portion of ‘the people’ didn’t vote the way we want them to, that doesn’t make them any less ‘the people’.

Movies

Indiana Jones 5 is a thing that will happen, apparently

So the news is going around the net today that Indiana Jones 5 has been confirmed for a 2019 release, with both Harrison Ford and Steven Spielberg being involved. And as I’m a documented Harrison Ford fangirl, whose favorite movie of all time is after all Raiders of the Lost Ark, you better believe I have opinions on this matter.

Most of these opinions are centered around a lot of jokes I’m seeing from fandom along the lines of “LOL Indy is old”. I’ve seen jokes about “Indiana Jones and the Lost Rocking Chair” or “Indiana Jones and the Search for the Walker” or whatever. All of which I find pretty irritating, to be honest.

Here’s why.

One: it’s ageist. It is part and parcel of the cultural assumption we have that old people can’t be heroic lead characters. We expect the old to be functioning as mentors while the young people get to be the ones who punch Nazis in the face, or who yank scimitars out of assassins’ hands with a trusty bullwhip, or who sneak into ancient ruins to recover idols, or whatever.

And that’s bullshit. Any fan of Doctor Who understands that “old” and “awesome and heroic” are not mutually exclusive concepts. Sure, the Doctor has been played by younger men through most of the New Who era–but I’ll point out that even our current Doctor, Peter Capaldi, is a dude with gray hair who has demonstrated splendidly that he is still perfectly capable of being a heroic central character.

Here’s another example: Gandalf in The Hobbit and The Lord of the Rings. And before you protest “but Gandalf is a wizard and Indiana Jones is just a human archaeologist”, let me remind you that not all of Gandalf’s activity through those two stories was centered around his magic. Gandalf also whipped Glamdring the Foe-hammer around on more than one occasion. And he went at it hammer and tongs with the Balrog.

“Until at last I threw down my enemy and smote his ruin upon the mountainside,” as he says in the movie edition of The Two Towers.

Gandalf’s battle with the Balrog was physical as well as mental. It broke his body. Gandalf does not survive the battle. The only reason he comes back into the plot at all is because Iluvatar resurrected him and sent him back to Middle-Earth, because his job wasn’t done yet.

And even aside from that, Gandalf spends a great deal of time running around in battle all throughout that story–at Helm’s Deep as well as in Gondor on the Pelennor Fields. We see Gandalf fighting with both sword and staff all over the place. Activity which is physically demanding, and yet, nobody was snickering and going “LOL Ian McKellen is old” or “LOL Gandalf is old”.

As near as I can tell, the only difference here between Gandalf and Indiana Jones is that Gandalf is portrayed on camera as old at all times, both in the movies and in the books. Whereas with Indy, we first meet him when he’s young.

Which brings me to why I mentioned Gandalf in the first place–because we also know, from Indiana Jones and the Last Crusade, that Indy has had his lifespan extended. He drank from the Holy Grail, f’r cryin’ out loud. And this is even hinted at in the Young Indiana Jones Chronicles as well. So in the scope of the Indiana Jones universe, with events that have already happened on camera, we have had it established that there is no particular reason to assume that Indy doesn’t remain physically active in his latter years. He’s no longer entirely pure vanilla human normal.

And that brings me to…

Two: If a character is aged yet has a physically demanding role in the story, what’s wrong with that? Yes, the sheer reality of aging does mean that an older character is going to have physical challenges that a younger character won’t. He’ll be more prone to aches and pains. His stamina might not be as good. But that shouldn’t mean that that older character is not ever allowed to swing a sword or a staff, to flick a bullwhip, or punch a Nazi in the face.

Good writing should be able to sell us on the idea that an aged character can still be heroic, while also acknowledging the burden that physical heroism may place upon him. Hell, the earlier Indy movies were excellent at this even while Ford was young.

Marion: You’re not the man I knew ten years ago.
Indy: It’s not the years–it’s the mileage.

Iconic lines, which, I might add, were in a scene that happened after Indy got beaten to hell and back in the truck chase, stealing the Ark from the Germans–including getting shot. Last Crusade did it too, when Indy painfully pulls himself back up from over the cliff while the others think he’s dead, and he keels over from exhaustion while his father is urging him to get up.

So there’s no reason that a well-written Indy movie can’t use the same style of humor to acknowledge the problems Indy might have when he’s 75 vs. when he was 35. It doesn’t even have to be a huge deal. I could easily see a wry little exchange, say, between Indy and his son in which Indy is having to steel himself to go into a fight. His son could be all “uh, Dad, maybe I better handle this”–and Indy has to gruffly step back and let his son get in the fight, while he does something else clever like, oh, say, setting explosives or deactivating a trap. And then his son can bitch at him later after he gets his ass handed to him, and Indy could be all “well you didn’t want ME in on the fight, what are you complaining about?”

Make it the same sort of chemistry Indy had with his own father. It could be awesome. It writes itself.

Three: Harrison Ford demonstrated in The Force Awakens that he is still perfectly capable of acting, and he brought some nuance and depth to Han that I for one was thrilled to see. Sure, that Han is old and isn’t the same character that I swooned over in the earlier movies. That’s okay. I’m older too. The character is still awesome.

Long story short: I’m way less concerned about Harrison Ford–and Indiana Jones–being old than I am about whether the story in Indiana Jones 5 will suck.

I’m not convinced that it won’t. And I say this as someone who really, really wanted to like Indiana Jones and the Kingdom of the Crystal Skull, too. I mean, not only did it bring back Marion and follow up on Indy and Marion’s relationship, it also had Cate Blanchett (one of my nominees for Queen of Everything) as the villain. It was setting itself up as Anna Catnip from start to finish. I did in fact enjoy it enough that I saw it twice in the theaters.

And yet, even I acknowledge that that movie was… not so good.

Here’s the thing, though: of the objections I had to that movie, none of them had a thing to do with Indy being old. And whatever else you might say about the movie, it already has given us the setup necessary for a younger character to have adventures right alongside Indy. One does presume that young Henry Jones III will be showing up alongside his father in Indy 5.

So yeah. As long as Ford’s physically up for the role, I say go for it, Harry. But I will be keeping an eye on further news of this movie, and I will be paying very close attention to what kind of a plot it’ll hand us before I’ll decide whether I’m firmly on board.

Because I’m very firmly of the belief that we do need more heroic older characters. Hollywood is very age-phobic, and it’s even worse for women than it is for men–just look at all the shit Carrie Fisher got for being old on camera in The Force Awakens, even worse than Harrison Ford did. This is a thing that needs to change, for men and women alike.

And a well-written Indiana Jones 5 would be a good start.

Writing

How to do change tracking and comments

This is of interest to anyone who might want to help out with beta reading Queen of Souls. As y’all saw in that post, what I need is for people to load the manuscript into a word processor that supports Office-style change tracking and comments, so that I can take your comments and merge them all into a master file.

Here’s the important thing to note: you do not need to actually have Microsoft Word on your system.

Yes, Microsoft Office is king of all the word processing, and in particular, it’s what gets used in the vast majority of work in the publishing industry. But because it is so ubiquitous, other word processors pretty much have to have some level of compatibility with it in order for people to actually get work done. This includes Pages, if you’re a Mac owner and/or an iOS device user, and Open/LibreOffice, if you’re a Linux person.

The functionality that’s of most interest to me here is the ability to leave comments, but you’ll need to turn on change tracking to get to that functionality, most likely. Here are assorted bits of instructions as to how to do this, depending on what word processor you have immediately available.

Continue Reading

Bone Walker, Faerie Blood

In honor of Norwescon, latest Faerie Blood and Bone Walker sale!

Norwescon is next week and I’ll be there selling the print editions of Faerie Blood and Bone Walker, as well as the Bone Walker soundtrack CD! And as I usually do when I’m going to be at a convention, the ebook editions of Faerie Blood and Bone Walker will ALSO be on sale. I’ve punted the prices down on each to 99 cents!

These prices will be in effect through the end of March, and apply to the major ebook vendors where I sell as well as to my Square marketplace. As always, here are the major places you can buy both books:

Faerie Blood: Amazon | Nook | iBooks | Kobo | Smashwords | Google Play | Square

Bone Walker: Amazon | Nook | iBooks | Kobo | Smashwords | Google Play | Square

If you choose to buy the book from the Square store, please note that there are two prices available on those pages, so choose the sale price! Also, if you want to buy from Kobo or B&N or iBooks, give it a day or two if you don’t see the 99 cent price point. It may take those sites a bit to catch up.

Please spread the word!

Queen of Souls

Queen of Souls is now available for beta reading

Okay, this is overdue, but it’s finally done: I’ve gotten as much polishing done as I can on the second draft of Queen of Souls. I have arranged with the editor who worked on the Rebels of Adalonia books for her to do a freelance edit pass on this manuscript, and I’ve agreed to hand this off to her on 4/3.

Which means that if anybody is available for beta reading, I need you NOW!

If you’re up for it, this is what I need from you.

I have a full manuscript file in Microsoft Word .docx format. (By request, I can also save out to .doc or .rtf format, but will stick with .docx unless I hear otherwise.)

If you can beta read the manuscript, I need you do the following things:

  1. Email me directly, PM me, or drop a comment on this post and let me know how I can send you a copy of the file. Let me know if you need .doc or .rtf, as well.
  2. I will send you a copy of the file. Please load this into Word, or into any other word processor you have available that supports Office-style change tracking and comments.
  3. Go down through the file and drop a comment on anything you would like to bring to my attention.
  4. Send the file back to me and I’ll merge it with my master copy, and evaluate which changes I want to take before I hand the file off to my editor.

(In the past, I have let people send me comments in a variety of ways. However, I found this very difficult to organize and keep track of. In the name of speed and of my sanity, I’m asking that if you want to do a serious beta pass on this thing for me, do please use change tracking in Word or a similar editor. It’ll make things a LOT easier for me in the end and I thank you in advance.)

What kinds of reading I need done:

  1. Basic proofreading. If you see a typo, call it out.
  2. If you have any level of geekery about Greek mythology and you see something I screwed up, definitely call that out. I tried to do a lot of checking against theoi.com as my source of mythological data, but it’s certainly plausible that I might have screwed something up.
  3. Any obvious general continuity errors or things that don’t make any logical sense to you as a reader.

Keep in mind that I am paying to have this book professionally edited, and this is the same editor who did the Rebels books for me–and so I’ll be asking her to do developmental-level edits for me as well as copyedit-level changes. So I don’t need people to go over this manuscript in huge detail, that’s what I’m paying Deb for!

But that said, do as much as you feel like you have time for. If you just want to read over the manuscript and give me an overall thumbs up or thumbs down, even that is valuable too! Just, as I said above, if you do have comments you want to make, again, use change tracking.

As with previous books, I will be giving credit to all beta readers in the Acknowledgements.

Any questions, talk to me!