All Posts By

Angela Korra'ti

Great Big Sea

For the B’ys of Great Big Sea: thanks for all the good times!

This article that showed up on the OKP Facebook group this morning has a quote from Alan Doyle in it that makes it pretty much official now: Great Big Sea is done.

I’m not surprised by this. I’ve seen this coming since Séan McCann stood down from the band, and really, I had suspicions of it being on the way even before the 2013 XX tour. But part of me wishes it would have come a bit sooner, and I note we still haven’t had any sort of official announcement via the band newsletter, the band website, or anything of that nature. So people coming to the greatbigsea.com website still won’t have any actual idea that the band’s pretty much done.

But it is what it is, and I feel it’s important now to take a few moments to celebrate what this band has meant to me in the last fourteen years. They’ve brought me huge amounts of joy. They’ve led me to making lifelong friends, to learning brand new instruments, to discovering the dynamic energy of Newfoundland traditional music in general, and most of all, to looking forward to the yearly outing to a concert where I could bounce and sing at the top of my lungs. And sometimes more than one concert in a year.

They led me to founding the Three Good Measures jamming group, and I’m proud to this day of all the fun we had making those MP3s.

They made a guitar player out of me! And they are, of course, responsible for why my best guitar is named General Taylor.

Me and the General

Me and the General

They led me and Dara and a bunch of our friends to have ridiculous amounts of fun participating in the fan song contest in 2010, when Safe Upon the Shore came out.

(Not to mention that we also had a bunch of fun making the blooper reel for these shenanigans, too!)

And of course, Alan Doyle does still hold the record for killing me MOST DED WITH SWOON in any given concert, thanks to our getting him to sing “Can’t Help Falling in Love”. Okay yeah sure, this was an Alan Solo show, but I include this because it’s all part and parcel of the joy these guys have brought to my life!

Which of course also leads me to add that I was also very, very grateful to finally get pics of myself with Alan AND with Séan.

And last but most DEFINITELY not least, these boys are very specifically responsible for why Christopher in Faerie Blood and Bone Walker is a Newfoundlander and a bouzouki player. They are why the very first scene of Bone Walker is, in fact, at a Great Big Sea show, even though I don’t call them out by name. And they are why the third book of the Free Court of Seattle will be set partially in St. John’s, and why Dara and I had such an awesome time in 2012 going there for the Newfoundland and Labrador Folk Festival. Where, I might add, we saw them sing on their home soil, with the added special bonus of Darrell Power showing up to help them sing “Excursion Around the Bay”.

(And man, it was satisfying to see Alan’s doubletake on the stage when he came out and saw Dara and me there, faces he usually saw on the other side of the continent. ;D Particularly since this was only a few months after the Elvis incident!)

And in fact, they did “Excursion” TWICE.

It is part and parcel of life that all good things must eventually come to an end. But the music still lives on in my collection, and in my fingers. I will still come to both Alan’s and Séan’s shows when I can. And I know that whenever I pick up one of my guitars or flutes or whistles, when I start singing “Ordinary Day” on a walk to or from work just because I can, it’ll be because these guys kindled that within me.

Thanks b’ys. From the bottom of my heart. <3

Short Pieces

Working titles for pending Warder universe novellas finally!

As I’ve mentioned in a previous post, my writing’s rather stalled out hard after the release of Victory of the Hawk earlier this year. I’ve released a couple of short stories for sale this past summer and fall, but that’s about it. I’ve been struggling to try to find the mental energy to keep going on other projects, and that’s been challenging–partly out of weariness with juggling the Kickstarter obligations with my obligations for Carina, and partly out of the simple fact that I do have a technically challenging day job, and it’s often difficult for me to muster enough mental oomph to pull words out of my brain when I get home from work in the evenings.

But I’ve gotten really tired of that state of affairs, and I think I’ve managed to replenish enough creative stamina to get back to work. SO!

I am very pleased to announce that I finally have some working titles for the three Warder universe novellas that are the final obligations I need to clear off my plate for the 2012 Kickstarter. To refresh everyone’s memories, these novellas are:

  1. What I was previously referring to as my “psychic chick of size” story, in which Elizabeth Breckenridge, a psychic in Providence, Rhode Island, must assist her client Ross Taggart in tracking down what or who murdered his sister Edith, the Warder of the city. This story now has the official working title “A Power in the Blood”. Bonus for those of you who have read Faerie Blood and Bone Walker: Luciriel, Queen of the Unseelie Court, will be making a guest appearance in this story. It’s actively back in being worked on again, thanks to Scrivener!
  2. A story featuring a tuba player who is recruited by the local Warder–a woman who also happens to play in the same community orchestra–to help her guide a migration of supernatural sea creatures when she discovers they’re being hunted. Possible working title for this story: “A Last Sweet Breath of Song”.
  3. And last but most definitely not least, an origin story for Millicent Merriweather, the Warder First of Seattle in Faerie Blood and Bone Walker, and how she first came to Seattle and became its new Warder. The possible working title for this is still kicking around in my head, but it’s likely to involve “Bone” somehow. (I realize this is repetitive given the title of Bone Walker, but there’s also a theme of “blood, breath, and bone” that I’m playing with here. I do however reserve the right to change my mind once I make it around to finishing this story up!)

I don’t have a target release date for these stories yet. I am however going to target finishing “A Power in the Blood”‘s first draft by the end of November, as a sort of unofficial Nanowrimo. December, the plan will be to hand that off to whoever would like to beta read it for me, while I shift over to writing story #2. Then I’ll need to finish writing Millicent’s story.

There is ALSO a potential fourth novella brewing in my head, one which will feature Christopher’s cousin Caitlin Hallett, and her imminent conflict about whether she’s going to take up her father’s mantle and be the next Warder of St. John’s–because she’s about to fall head over heels for Gabien Desroches of les Gardiens of Quebec. And when two young people of the Warder lineage fall in love, somebody is going to have to leave their home. In the meantime? They’ll have to save St. John’s, too.

I am not sure yet whether I will be releasing these stories for individual sale or whether I will do them as a collection. If I do the latter, chances are very high it will be under the title Walking the Wards.

Stand by for more data on this as it happens!

Writing

Now joining Team Scrivener: Me!

I’ve been super stalled on my writing a lot these last few months–perhaps a combination of mental weariness (albeit a good weariness, the kind you get from having a technically challenging job) from my day job, and a bit of needing to rest up from getting the Rebels of Adalonia trilogy finished off. But this has been going on long enough that I’ve finally decided I need to do something about that. And what I decided to do about it is investigate a potential new way to shoot new life into my writing’s workflow.

A lot of authors I know swear by Scrivener, a program intended to help you better organize your writing. You can write stuff in it and do basic word processing, but that’s less of the point. The program’s a lot more oriented towards letting you organize not only your drafts of your writing, but also accompanying notes and research materials.

I pulled down the trial version on Friday night and spent some time this weekend going through the entire tutorial that comes with it. Which, I gotta say, was splendidly written and gives a great overview of the program and its capabilities. Speaking as someone whose day job is indeed technically challenging, I very much appreciate a well-written tutorial.

After I did that, I started actually trying to do some work in the program. I built a new project from scratch, pulling in the already-written words for the still-unnamed Warder universe story about psychic Elizabeth trying to help Ross discover who murdered his Warder sister.

I’ve gone ahead and paid for the program to activate it, and will be using it as my primary means of writing a draft, moving forward. Still to practice: using it to export into useful formats, like HTML for building ebooks, and PDF for saving archive copies of drafts, and Word docs for anything I need to send to an editor.

What I really, really like about the program so far:

  • The aforementioned tutorial. If you’re at all interested in checking out this program, I highly recommend doing the tutorial, just to get a broad overview of its capabilities.
  • It’s super-helpful having the notes I’d written for the story immediately accessible in the sidebar, along with the individual scenes for the story itself.
  • The dialog box for showing your project target word counts is very helpful and motivating, if you’re trying to hit a daily word count. Progress bar for the win!

I hear rumors there’s an iPad build on the way, and I daresay I’ll be buying that–because having access to Scrivener projects via Dropbox on my iPad would ALSO be super-helpful.

But in the meantime, if you’re not already a Scrivener user and you think you might want to check it out, it lives over here. If you ARE a Scrivener user, what things do you like about it? Let me know in the comments!

Books

A book roundup brought to you by the Brownstone Spire

Earthrise

Earthrise

Two quick purchases from Kobo:

Welcome to Night Vale, the new novel from Joseph Fink and Jeffrey Cranor, the folks who’ve brought us the amazing podcast by the same name. (Which I heartily recommend if you haven’t gotten into listening to it already.) I’m going to be plowing through this pretty soon!

Also, Earthrise, which I nabbed when I saw James Nicoll post about it. The cover attracted me, both for having a heroine of color and an elven-looking male who seems to be a primary other character and possibly a love interest. Also, set in space, which apparently means ELVES IN SPACE, and I’m down with that.

BONUS: Earthrise is apparently book 1 of a trilogy, and at least as of this writing, it’s FREE. Which I’m also down with. And the covers on the other two books are also lovely, so I’m hoping it’ll be a fun read!

77 for the year.

Faerie Blood

Hey, Kobo readers! 50% off sale for Faerie Blood!

Those of you who read on the Kobo, be advised that if you don’t already have Faerie Blood, you should be able to pick it up for 50 percent off over the next couple of days! The Writing Life folks are running a promotion described in full here.

Pertinent discount codes to use at checkout are as follows:

Canada
October 28th – October 31st
Promo Code: CA50SALE

United States/Australia/New Zealand
October 27th – October 30th
Promo Code: GET50SALE

United Kingdom
October 30th – November 2nd
Promo Code: UK50SALE

Spread the word around to anybody you know who reads via Kobo, won’t you? Thank you!

(Note also: this will only apply to Faerie Blood, since my other two indie titles, Bone Walker and The Blood of the Land, are currently deployed to Kobo via Smashwords and are not active in the Writing Life system.)

Television

Supergirl 1.01: Pilot

Supergirl

Supergirl

I’ve been seeing good buzz for the new Supergirl show on the Mary Sue and Tor.com for ages now, and this week, the show finally premiered. Picoreview: I liked it! It had a few heavy-handed moments in it, and it does suffer from the whole “need to do the origin story” problem that just about all superhero storylines do. But on the whole I quite enjoyed it. Melissa Benoist as Kara is awesome. Callista Flockhart as Cat Grant was sublime, and plus, I hadn’t realized her character was in fact Cat Grant, who I also adored from way back in the days of Lois & Clark.

Mehcad Brooks as Jimmy James Olsen was an unexpected treat. NICE change of pace for Jimmy Olsen. 😀

Plus, the plot did some things right out of the gate that I was not expecting either. And in general I just really appreciated the overall upbeat, optimistic “yeah actually I have superpowers and I WANT TO HELP PEOPLE and did I mention HOLY CRAP FLYING IS AMAZING” attitude of it all. So yeah, I’ll be sticking around for at least the next few episodes to see what happens next.

The Mary Sue has their recap post for the episode up. Tor.com also has a review post up, talking in particular about how the episode establishes its intent re: feminism. I’m more or less on board with both of these posts, which will be no surprise to y’all. I did find the “rah rah feminism” a bit heavy-handed, but on the other hand, not unwarranted either–particularly in this day and age where so often, feminism is taken as a bad thing. There are folks out there that need to be reminded that yes, girls can be superheroes too.

But now that we’ve gotten the origin story out of the way, I look forward to Kara actually learning to be more effective with her powers–and hopefully, less dialogue gymnastics to try to keep everybody from having to identify Superman by name, or explain why he’s off camera and can’t be arsed to actually, y’know, pick up a phone and call his cousin every so often.

Because yeah. Flying IS freggin’ awesome. And so is a superhero show that brings some light and optimism to the watching.

Books

I promise, folks, people are not abandoning their ereaders

I’ve seen a lot of articles going around lately like this one, trumpeting how paper sales are soaring and people are putting down their ereaders.

This is really not as simple as this article and others like it would make it seem, for a few very important reasons.

One, agency pricing has been reinstated by the major publishing conglomerates. I’ve posted about this in the past, but as a brief refresher, what agency pricing means is that publishers get to set the prices for their ebooks. On the surface this sounds like a good thing, since it’s a blow against Amazon being so fond of the 9.99 price point for ebooks.

The problem with this, however, is that this means that the major publishing houses now have bumped the prices back up for a LOT of new ebook releases. So we’re seeing a lot of titles coming out with price points like $12.99, $13.99, and $14.99, and sometimes even higher.

Of course the big publishers are going to trumpet print sales rising. It’s in their best interests to keep people buying print books. In fact, they’re specifically interested in getting people to buy hardbacks–because those are still the big things that rake in money for their coffers. They have far fewer fucks to give about digital than they do about print, because the hardbacks are still the things they want to make money on.

But you know what they’re not talking about? How indie digital sales are doing. Which brings me to point two: that this hype going around is completely ignoring the independent, self-pubbed digital market. I point you over here, at AuthorEarnings.com, where they’re talking about how there is a strong shift in ebook purchasing over to indie-published and Amazon-imprint-published ebooks.

There’s a real simple reason for this, and that reason is ebook pricing.

As a member of NIWA, I’m in a position to see a lot of my fellow indie writers experimenting with their pricing, trying to find a price point that actually moves titles. The vast majority of indie writers I know sell their titles for way, way cheaper than the big publishing houses do, because they’ve discovered that selling a novel for $2.99, $3.99, or $4.99 is going to get them way more sales than trying to sell at $12.99 or up.

Likewise for digital-first imprints, like Carina. There are reasons my trilogy with Carina sells for $2.99 for each of the three books, and that reason is that that price point has been regularly demonstrated to be way more effective in pulling in digital readers.

Dear Author and Smart Bitches both run regular features on their sites highlighting books that have gone on sale for $2.99, $1.99, or $.99, because the romance genre in particular is full of readers that burn through so many titles that they are eager to snap up books for as cheaply as they can get them.

And this certainly lines up with my own experience as a purchaser of ebooks. As y’all know if you regularly follow me here on my blog or on the social media sites, I buy ridiculous numbers of books every year (as documented on my gosh-i-have-a-lot-of-books tag. I’m very, very grateful that I have enough disposable income that I can in fact afford to buy all the books I want whenever I want them–but I do also have to exercise at least some level of judiciousness in it.

So I am very, very unlikely to buy a book at more than $12.99. I’ll make occasional exceptions, but if a new release I want comes out at that price or above–usually because the accompanying print edition has come out in hardback–then I am NOT going to get that ebook when it releases. I’m just not. I’ll be a lot more likely to buy it later when the mass market version comes out in print, and the accompanying ebook price comes down.

Because here’s the thing. I can either get one ebook for $14.99, or I can get three for $4.99. Assuming all the authors in question write a book that genuinely entertains me for whatever reason, that’s three times the amount of entertainment for a similar price. I and other power-buyers like me cannot ignore this. My income is good, but it is not infinite.

And when those cheaper books are books by indie authors, this is going to fly right under the radar of media sources that still only have fucks to give about what the big names in publishing are doing.

Point number three: sure, Waterstones stopped selling Kindles. But as The Digital Reader points out, this is less of a question of people abandoning digital reading in general, and more of a question of people moving towards reading on general-purpose tablets or on their phones instead.

See previous commentary re: disposable income. If you want to get into reading ebooks, it’s a very legitimate question as to whether you should spend your money on a device that does only one thing–or whether it would be much more cost-effective to get a general-purpose device like an iPad or an Android tablet instead. Or a large phone, for that matter. That way you can still read ebooks, and do a bunch of other things on the same device.

This is a particularly important question if you don’t have much disposable income to spare.

The overall takeaway I encourage you to get from this: if people are buying print books, awesome, more joy to them. Just please don’t make this all about “yay people are buying REAL books”. I’ve said it before and I’ll say it again: a digital book may not be in physical form, but I guarantee you, that book is every bit as real to its writer as a book that made it into print.

And for a reader who loves that book? It’s still every bit as real too, whether she read it on her phone or on her tablet or in a web browser.

So don’t sound that death knell for digital yet. It’s not going anywhere. Trust me.