Tired tonight

But I did throw about 200 words into Chapter 2 of Mirror’s Gate, and therefore have done something writing-related! Thus, I can go to bed with a clear conscience.

Thanks by the way to everybody who has made such encouraging comments about the appearance of Oscar on my character radar! Props to sticckler in particular for finding me fiction that stars tuba-playing protagonists (although I note that in all cases, they’re all general fiction and not fantasy, mystery, or romance, so I’d be REAL interested to see if anybody could find me genre novels that fit the bill). She’ll be getting that copy of Faerie Blood I promised!

And I’ve already watched a few of the YouTube video links kathrynt and wrog provided, just to get a feel of how classical tuba music should sound. Some good stuff there, and it begins to give me an idea of what I want Oscar’s own music to sound like, but I need to listen to more. I’ve found an album called “British Tuba Concertos” on iTunes, which includes the Vaughn one in F minor, and I do believe I’ll be buying that; there’s a really nice-sounding Gregson on here too if the preview I’m listening to is any indication. I hear some nice smooth playing here.

It’ll be a while yet before Oscar gets an actual story, I think; I am still mulling that. I can add though that this boy has absolutely no magical talent inherent to himself whatsoever. He’s bog-standard human, and as previously mentioned, his music is his one awesome skill. Now, in the usual Instrumental Duel With the Fey type of story, the mortal always wins the day because the music of humanity is supposed to be Just as Awesome as Magic–but I don’t think I’ll quite play it that way, since that’s the Expected Way, and the whole point of this is to screw around with the trope.

But it’s all good. I’ll listen to the music and let myself randomly brainstorm and see what it tells me! Woo, buying iTunes music in the name of character research!

And ha. I need a suitable tuba playing icon for posts about Oscar, I think!