As you know, O Internets, I was extremely eager for my first Le Vent Du Nord show. I’ve been getting ridiculous amounts of glee out of listening to their albums and watching their YouTube videos, and of course, I had the challenge laid down by fellow Le Vent fan Susan that in her considered opinion, Le Vent gives much better concerts than Great Big Sea! Which, of course, is a mighty challenge indeed to issue to this passionate Great Big Sea fangirl. And so, the question of the hour is: how did Le Vent do?
Let’s put it this way. I ain’t saying I’m throwing over The Doyle for Simon Beaudry, when it comes down to Most Favored Bouzouki Player Who Isn’t Dara–but I will say it’s a damn fine thing that I have room in my heart for all manner of joyous music. And love my B’ys as I do, they better be bringing their A game when they go back on tour next year, because the show Le Vent put on for us in Vancouver shot straight up to stratospheric levels of awesome, and it will be extremely hard to top.
I hadn’t been to a GBS show that tiny since they stopped playing the Showbox in Seattle, and the level of energy they let loose was every bit the rival of those earlier GBS shows. Le Vent might not have the same sheer physicality that the B’ys do; they don’t bounce around the stage the same way at all. But that’s every bit of quite all right, because all the energy they didn’t spend bouncing came right out their instruments. They were charming and funny, especially Réjean Brunet. Simon’s singing is a direct threat to the structural integrity of my knees. Olivier Demers does amazing things with his fiddle, especially given the amazing things he does at the same time with his feet. And Nicolas Boulerice? That man commands a room with his voice, and when he unleashed a solo that caused Dara to use the phrase “bitchin’ metal hurdy-gurdy solo”, he was channelling lightning.
But that’s just the picoreview! This being a patented Anna the Piper In-Depth Concert Squeefest, let me get into the details!