Those of you local to the Seattle area know that Memorial Day weekend is Folklife, and
Yesterday’s adventures started off with an Irish session, apparently the first one at Folklife in four years, and which turned out to be hosted by a flute player named Ming Chen. (He was an excellent flute player, it must be noted.) I saw oodles of flute players besides him as well, and each and every one of them had more Serious Business flutes than my Norouet–which only strengthens my resolve to save up for a Serious Business flute from Casey Burns.
Ming described the session as being intended to welcome newbies who aren’t necessarily brave enough to lead a tune in session, and/or who know only a few tunes, in which category I definitely qualify. So I said HI I’M ANNA and told everybody I knew “Blarney Pilgrim” and “Morrison’s” and “Swallowtail”, and got encouraged to try to play something. So I started playing, which was all very well and good except for the part where I was aiming for “Blarney Pilgrim” and what popped out of my fingers instead was “6/8 d’André Alain”! Because um hi yeah, guess what tune’s stuck at the top of my queue of Jigs I Know In D. *^_^*;;
I went “oh shit sorry” and everybody was understanding (Ming found me later on Facebook and said ‘yeah this happens to all of us’, hee, which is reassuring), and I asked for somebody else to start “Blarney” since I was sure I’d remember it once I heard it. Which I did. “Morrison’s” was also played, which I kept up with more or less. And “Swallowtail Jig”, which I also knew. We did NOT do a couple of the other tunes I know–“Road to Lisdoonvarna” or “Banish Misfortune”. But I did more or less recognize “Butterfly Jig” from it having been played in the now-defunct Renton session. And I tried to actively listen to unfamiliar tunes as well to see if I could at least TRY to piece together any of them by ear. It was hard since everybody blazed through about eighty million tunes.
Several familiar faces were in attendance as well, Jason and Miki and Marilyn from the Renton session as well as Valerie and her husband from the current Quebec session I was going to. Saying hi to all of them was definitely satisfying!
And speaking of my Quebec session crowd, there was later on the great satisfaction of seeing La Famille Leger perform, immediately followed by a group called Podorythmie–which contains no fewer than four of the session crowd. Between both performances there were four, count ’em, four different stepdancers (Dejah with her family, and the three others with the Podorythmie group), and Podorythmie brought along a crankie as well since Sue Truman and Dejah both are really big into those. (If you don’t know what a crankie is, click over to The Crankie Factory, where Sue Truman will tell you all about this old art form!)
Today, Dara and I actually opted to go down for the evening on the grounds that our aforementioned session pal Miki has joined Piper Stock Hill (Facebook link–they don’t have an off-Facebook or off-Myspace website), Seattle’s only band dedicated to the music of Newfoundland. It pleases me DEEPLY that we have such a band, and so Dara and I kinda had to make a point to stop and see them.
Plus, we’d never been down to Folklife during the evening and we wanted to see what it was like. Survey says: a bit more relaxed and groovy, with a thinner crowd. Dara and I scoped out the various craft tents to kill time, at which point we came across a booth FULL OF FLUTES AND WHISTLES. I immediately had to stop, because I’d been highly curious about whether I could play a better whistle, well, better, than the cheap toy one I have now. This particular flute maker had flutes and whistles made out of carbon fiber, in fact, and ZOMG they were pretty.
I was quite impressed by the D whistle they had, and did in fact note that I was able to play it significantly more cleanly than the toy one I’ve got. And I might well have walked off with that whistle as a purchase if I hadn’t then picked up their A flute. Which immediately informed me HI I WANT TO BE YOUR NEW SECONDARY SESSION INSTRUMENT SO YOU CAN PLAY THINGS IN A.
So I went “OKAY!” and promptly bought it. Internets, meet my new flute, shown next to my piccolo for scale!
After that, Dara and I wandered around some more and wound up finding another bouzouki player–which necessitated stopping to say hi, because HOLY CRAP SOMEBODY ELSE IN SEATTLE WHO KNOWS WHAT A BOUZOUKI IS. And, like we do because we’re US, we wound up improv-busking a bit of Great Big Sea. I destroyed not one but TWO different thin picks banging on Ti-Jéan, reminding myself to my chagrin that when playing ANYTHING by Great Big Sea, um, yeah, I need the medium picks. I think we can declare this guitar well and throughly broken in now, anyway. And that set us up with the perfect frame of mind to go see Piper Stock Hill have their act!
Last but not least, there was Piper Stock Hill! We’d seen them perform at Folklife before, but this time they had Miki! And this time we stopped to say hi to their leader singer after, so that a) I could buy their CD, and b) I could identify myself and Dara as raving Great Big Sea fangirls. We had a lovely conversation with said lead singer and his wife, and his wife particularly charmed me when she was trying to remember Alan Doyle’s name and couldn’t, so she did a hair flip instead. Because OH MY YES, that’s a gesture universally understood by ALL raving Great Big Sea fans. ;D
So all in all, a great time at Folklife so far! We’re going back down tomorrow for the French-Canadian jam/session that the Legers will be hosting. Maybe we’ll see some of you there!